100 Horrors
By 100 Horrors
100 HorrorsOct 21, 2022
Episode 146 - Speak No Evil (2022)
Episode 145 - The Wicker Man (1973)
EPISODE 144 - Cemetery Man
Episode 143 - HOST (2020)
Episode 142 - The Belko Experiment
Episode 141 - When Evil Lurks (2023)
When brothers Pedro (Ezequiel Rodríguez) and Jimmy (Demián Salomón) discover that a demonic infection has been festering in a nearby farmhouse -- its very proximity poisoning the local livestock -- they attempt to evict the victim from their land. Failing to adhere to the proper rites of exorcism, their reckless actions inadvertently trigger an epidemic of possessions across their rural community. Now they must outrun an encroaching evil as it corrupts and mutilates everyone it is exposed to, and enlist the aid of a wizened "cleaner," who holds the only tools that can stop this supernatural plague.
Episode 140 - As Above So Below (2014)
As Above So Below
Episode 139 - Beau Is Afraid (2023)
Beau Is Afraid - Ari Aster
Mother! (2017) - Episode 138
Mother! (stylized as mother!) is a 2017 American fantasy drama[1] film written and directed by Darren Aronofsky, and starring Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer, Domhnall Gleeson, Brian Gleeson, and Kristen Wiig. It follows a young woman whose tranquil life with her husband at their country home is disrupted by the arrival of a mysterious couple.
In the burned-out remains of a large house, Him, an acclaimed poet struggling with writer's block, places a crystal object on a pedestal in his study, and the building morphs into a beautiful home in an edenic landscape. Mother, the poet's wife and muse, awakens in her bed and wonders aloud where He is. While renovating the house, she occasionally visualizes a beating heart within its walls.
One day, a stranger called Man turns up at the house, claiming to be an orthopedic surgeon at the local hospital and asking for a room. Him readily agrees, and Mother reluctantly follows suit. Late that night, Man suffers from dry heaves and Mother observes a wound on his side.
Man's wife, Woman, arrives the next day. Mother is increasingly frustrated by her guests, but Him begs her to let them stay, revealing that Man is actually a fan whose dying wish was to meet Him. However, when Man and Woman accidentally shatter the crystal object, which Him had forbidden them to touch, Him becomes angry and boards up his study. Mother tells Man and Woman to leave, but, before they can go, their two sons arrive unexpectedly and fight over Man's will. The oldest son, who is concerned about his impending inheritance, argues and fights with his younger brother, severely wounding him, and the older brother flees after having his head smashed against glass by Him, leaving a bloody gash in his head.
Him, Man, and Woman take the injured son to the hospital. Alone in the house, Mother cleans up and notices strange damage to the house, including a fly, a frog, and blood that will not stop dripping. She follows the blood to a tank of heating oil hidden behind the basement walls. Upon returning, Him informs Mother the son has died.
Mother and Him are roused that night when dozens of people arrive unannounced at the house to mourn the dead son. The visitors behave in rude and presumptuous ways that irritate Mother, and she snaps and orders everyone to leave when they break a sink, partially flooding the house. She berates Him for allowing so many people inside and ignoring her needs, but their argument leads to passionate lovemaking. The next morning, Mother announces she is pregnant, which elates Him and inspires him to start writing again.
Time passes. Mother prepares for the arrival of the child and reads Him's beautiful new poem. Upon publication, it is acclaimed and sells well. In celebration, Mother prepares a big dinner, but a group of fans interrupt. Though she asks Him to send them away, he insists he has to be polite and show his appreciation. Mother tries to lock the doors, but droves of fans pour into the house and begin to wreak havoc, stealing things as souvenirs and damaging the house. Due to the adulation he is receiving, Him is oblivious to what is happening, but a disoriented Mother watches helplessly as military forces turn up to battle members of the cult that has sprung up around Him and as his publicist organizes mass executions. Mother goes into labor and finds Him, who reopens his study, which he had previously boarded up, so she can give birth inside.
Black Friday (2021) - Episode 137
KRAMPUS (2015) - Episode 136
The Sixth Sense (1999) - Episode 135
The Sixth Sense is a 1999 American psychological thriller film written and directed by M. Night Shyamalan. It stars Bruce Willis as a child psychologist whose patient (Haley Joel Osment) claims he can see and talk to the dead.
Released by Buena Vista Pictures (through its Hollywood Pictures label) on August 6, 1999, The Sixth Sense received critical acclaim, with praise for the cast performances (particularly those of Willis, Osment, and Toni Collette), atmosphere, direction and surprise ending. It was nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay for Shyamalan, Best Supporting Actor for Osment, and Best Supporting Actress for Collette.[3] The film established Shyamalan as a predominant thriller screenwriter/director and introduced the cinema public to his traits, most notably his affinity for twist endings.
It was the second-highest-grossing film of 1999, behind Star Wars: Episode I – The Phantom Menace, making roughly $293 million in the US and $379 million in other markets.
Episode 124 - Talk to Me (2023)
Talk to Me is a 2022 Australian supernatural horror film directed by Danny and Michael Philippou, written by Danny Philippou and Bill Hinzman, and based on a concept by Daley Pearson. It stars Sophie Wilde, Alexandra Jensen, Joe Bird, Otis Dhanji, Miranda Otto, and Zoe Terakes. The film follows a group of teenagers who discover they are able to contact spirits using a mysterious severed and embalmed hand, only for things to go too far.
Talk to Me premiered at the Adelaide Film Festival on 30 October 2022, and was released by Maslow Entertainment in Australia on 27 July 2023. The film received positive reviews from critics, who praised its story, direction, horror sequences, practical effects, sound design and performances, with Wilde and Bird receiving particular praise. It was a box office success, grossing approximately $91 million worldwide against a $4.5 million budget, becoming American distributor A24's highest-grossing horror film and second highest-grossing film overall. A sequel is currently in development.
Episode 133 - The Fourth Kind (2009)
The Fourth Kind is a 2009 science fiction-psychological horror-thriller-drama film[2] directed by Olatunde Osunsanmi and featuring a cast of Milla Jovovich, Elias Koteas, Corey Johnson, Will Patton, Charlotte Milchard, Mia Mckenna-Bruce, Yulian Vergov, and Osunsanmi. The title is derived from the expansion of J. Allen Hynek's classification of close encounters with aliens, in which the fourth kind denotes alien abductions.
The film is a pseudodocumentary—purporting to be a dramatic re-enactment of true events that occurred in Nome, Alaska - in which a psychologist uses hypnosis to uncover memories of alien abduction from her patients, and finds evidence suggesting that she may have been abducted as well. At the beginning of the film, Jovovich informs the audience this entire movie is actually real, that she will be playing a character based on a real person named Abigail Tyler, and that the film will feature archival footage of the real Tyler. The "Abigail Tyler" seen in the archival footage is played by Charlotte Milchard, and at various points throughout the film, the archival footage scenes and accompanying dramatic re-enactments are presented side by side.
The film received negative reviews and grossed $47.7 million worldwide.
Episode 132 - Knock at the Cabin (2023)
Knock at the Cabin is a 2023 American apocalyptic psychological horror film written, directed and produced by M. Night Shyamalan, who wrote the screenplay from an initial draft by Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, the first adaptation of one of his works. The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint. In the film, a family vacationing at a remote cabin is suddenly held hostage by four strangers, who ask something unimaginable.
Knock at the Cabin premiered in New York City at the Rose Hall on January 30, 2023, and was theatrically released in the United States on February 3, 2023, by Universal Pictures. The film received generally positive reviews from critics and has grossed over $54 million worldwide.
Seven-year-old Wen is vacationing with her fathers, Eric and Andrew, at a remote cabin in rural Pennsylvania. She is approached by a stranger named Leonard, who explains that he needs Wen and her parents' help to save the world. Three other individuals break in with makeshift weapons and tie them up. Struggling to fight them off, Eric sustains a concussion.
Leonard and his companions—Sabrina, Adriane, and Redmond—claim that they have no intention of harming the family. However, in the past week, they have been driven by visions to find the family. They foresee an impending apocalypse in which oceans will rise, a pandemic will spread, and the sky will fall. The only way to prevent this is for the family to sacrifice one of their own. If they do not make a choice, they will be the last people standing.
When the family refuses, the intruders sacrifice Redmond by fatally striking him with their weapons. Eric sees a figure of light as Redmond dies. On television, news reports show devastating megatsunamis. Andrew believes Redmond is Rory O'Bannon, a man who had been arrested after assaulting Andrew in a bar years prior. He thinks Rory tracked him down for revenge. Leonard, Sabrina, and Adriane grapple with guilt, but reveal that Redmond's death has unleashed the first judgment of humanity. The next day, the intruders sacrifice Adriane. Meanwhile, a deadly variation of the flu virus spreads across the world.
Andrew escapes and shoots at Sabrina with his gun until she flees. As Leonard is being held at gunpoint, Sabrina breaks in and is fatally shot by Andrew. Leonard decapitates Sabrina, and afterwards Andrew finds Redmond's wallet and proves to Leonard that he was Rory. Andrew confronts Leonard in the bathroom, but Leonard overtakes him and grabs Andrew's gun. A TV broadcast reveals that hundreds of spontaneous plane crashes have occurred around the world.
Realizing their time is nearly over, Leonard informs the family that after his death, they will only have a few minutes to make a decision. He then slits his throat. Upon his death, lightning causes fires and more planes to crash. Eric now believes the events are real, and that the intruders represent the Four Horsemen of the Apocalypse. Not wanting Wen to grow up in a destroyed world, he offers himself as the sacrifice and envisions an older Andrew and an adult Wen thriving in the future. He feels that their family was chosen to make the sacrifice because their love is so pure. Andrew reluctantly shoots and kills Eric.
Andrew and Wen find the visitors' truck with belongings that corroborate their stories. They drive to a crowded diner, where they watch news reports confirming that the disasters have subsided. The radio plays "Boogie Shoes" by KC and the Sunshine Band, coincidentally the song that Eric had played for them before. The duo drives off. As the closing credits fade out, seven distinct loud knocks are heard at the very end of the film.
Episode 131 - The Strangers (2008)
Released in 2008 and directed by Bryan Bertino, "The Strangers" is a spine-tingling home invasion thriller that has cemented its place as a classic in the horror genre. With an uncompromising commitment to building suspense, an eerie atmosphere, and the power of relentless simplicity, this film has stood the test of time and continues to terrify audiences more than a decade later.
The film's premise is deceptively straightforward yet profoundly effective. It revolves around a young couple, Kristen (Liv Tyler) and James (Scott Speedman), who retreat to a secluded vacation home for the night. Their peaceful evening takes a nightmarish turn when they find themselves at the mercy of three masked intruders. The film's strength lies in its ability to wring suspense and terror from the simplest of elements, often leaving audiences on the edge of their seats.
One of the most noteworthy aspects of "The Strangers" is the absence of a traditional musical score. This decision by the director, Bryan Bertino, adds an unsettling layer to the film's already tense atmosphere. The lack of music makes the audience acutely aware of every creak, every whisper, and every ominous sound within the house, enhancing the feeling of vulnerability and isolation.
The masked intruders, with their eerie, expressionless visages, are unforgettable. Their motives and identities remain shrouded in mystery, adding to the pervasive dread that lingers throughout the film. As a result, "The Strangers" isn't just a typical home invasion thriller; it's a relentless game of cat and mouse that gets under your skin and refuses to let go.
Liv Tyler and Scott Speedman deliver powerful performances that are pivotal to the film's success. Their chemistry and emotional portrayals make it easy for the audience to connect with their characters, amplifying the terror as their world unravels around them. You genuinely feel their fear and desperation, which adds a layer of emotional depth to the film.
"The Strangers" played a significant role in the resurgence of horror as a respected genre in the late 2000s. It inspired a new wave of home invasion horror films and influenced the way directors approached building suspense and terror. It was a milestone in Bryan Bertino's directorial career, marking his debut with a film that demonstrated his ability to create an atmosphere of relentless fear and dread.
Over the years, "The Strangers" has achieved cult classic status. Fans have dissected every frame, developed intriguing theories, and quoted memorable lines. It remains a film that horror enthusiasts revisit time and again, finding new details and fears with each viewing.
In conclusion, "The Strangers" is an unrelenting masterpiece of horror that still haunts us to this day. With its exceptional ability to generate fear and suspense from the simplest of elements, an iconic directorial debut, and performances that keep you invested, it's no wonder that it stands as a classic in the genre. If you have a penchant for spine-tingling, nerve-wracking horror, "The Strangers" is a must-watch, and it's a testament to the lasting power of this bone-chilling gem from 2008.
Episode 130 - Evil Dead Rise (2023)
The Evil Dead franchise, created by Sam Raimi, has been a beloved staple of the horror genre for decades. With a successful mix of horror and dark humor, it has garnered a dedicated fan base. Now, fans are eagerly anticipating the latest installment, "Evil Dead Rise," which takes the series in a fresh direction. In this review, we'll dive deep into the dark and blood-soaked world of "Evil Dead Rise" and examine how it stacks up against its iconic predecessors.
"Evil Dead Rise" takes a daring approach by moving away from the familiar cabin-in-the-woods setting and the iconic protagonist, Ash Williams, played by Bruce Campbell. Instead, it introduces a new set of characters facing off against the malevolent forces of the Necronomicon, the Book of the Dead. This shift in focus allows the filmmakers to explore new angles and expand the Evil Dead universe.
The story revolves around two estranged sisters, Ellie and Lyla, who are brought back together when they discover a dark family secret. As they confront the evil unleashed by the Necronomicon, they must rely on their wits and bravery to survive. The film does a commendable job of delving into their relationship and personal struggles, making the audience genuinely care about their fate. Their character development is a highlight of the movie, and the performances by the cast, notably Alyssa Sutherland and Lily Sullivan, are top-notch.
One of the hallmarks of the Evil Dead series has always been its gore and practical effects. "Evil Dead Rise" continues this tradition, delivering some truly gruesome and visceral scenes. The practical effects are a sight to behold, and the film's commitment to physical effects over CGI pays off. Gorehounds will not be disappointed, as the movie offers plenty of cringe-worthy moments that rival the goriest scenes from the franchise's past.
Director Lee Cronin, known for his work on "The Hole in the Ground," brings a unique vision to the Evil Dead universe. While the iconic cabin is absent, Cronin successfully creates an eerie atmosphere through his cinematography and set design. The dilapidated urban setting, combined with the gruesome practical effects, sets a dark and foreboding tone throughout the film.
"Evil Dead Rise" pays homage to its predecessors with subtle references and nods that will thrill long-time fans. While it's a fresh take on the franchise, it doesn't forget its roots. These callbacks are sprinkled throughout the film, offering a delightful nostalgia trip for viewers who have followed the Evil Dead series since its inception.
In "Evil Dead Rise," the filmmakers take a bold step away from the familiar and beloved elements of the franchise while maintaining the spirit of its predecessors. The result is a blood-soaked, character-driven horror film that successfully expands the Evil Dead universe in a thrilling new direction. It's a testament to the enduring appeal of this classic horror franchise, and fans old and new are sure to find something to love in this latest installment. If you're a horror enthusiast with a taste for gore and dark humor, "Evil Dead Rise" should be on your watchlist. So, grab your chainsaw and prepare for a blood-soaked, demon-slaying adventure that will leave you craving more from the world of Evil Dead.
Episode 129 - Basket Case 2 (1990)
Basket Case 2 is a 1990 American comedy slasher film written and directed by Frank Henenlotter, and the sequel to the 1982 film Basket Case.[1] It stars Kevin Van Hentenryck as Duane Bradley, who moves with his deformed, formerly conjoined twin brother Belial into a home for "unique individuals" run by their long-lost aunt, eccentric philanthropist Granny Ruth (played by Annie Ross).[2]
The film spawned another sequel, Basket Case 3: The Progeny, in 1991.
After falling from an apartment building at the end of the first film, Duane Bradley and his deformed, surgically-separated conjoined twin brother Belial are taken to the hospital. Their unusual situation draws media attention, making it impossible to lead a secret life. They are rescued from the hospital by Granny Ruth, who saw their story on the news. She takes them to her home, where she and her granddaughter Susan care for an extended family of similarly deformed individuals. Among these individuals is Eve, who is similar to Belial in that she is a bodiless torso. Traumatized by how she has been treated prior to Ruth rescuing her, Eve is mute and spends most of her time in the attic. A few years pass and as Eve and Belial fall in love, Duane's resentment of Belial grows. He hasn't forgiven Belial for Sharon's death and wishes to live a life without being surrounded by "freaks", as previously he had been unable to leave Belial due to their psychic bond.
During all of this a sleazy reporter named Marcie and her equally sleazy photographer Arty have been looking for the Bradley brothers in order to bring them to justice. Upon discovering the freaks Marcie decides that she will expose them to the world, forcing Ruth and the others to stop her. They kill Arty, as well as a private detective named Phil who was assisting Marcie. Duane tricks Marcie into allowing the freaks into her home under the guise that Belial wants an interview; Belial mutilates her face, turning her into a freak as well.
That night the freaks celebrate their victory while Eve and Belial consummate their relationship in the attic. Seeing this as an opportunity to finally be free of Belial, Duane approaches Susan and asks her to run away with him. She is horrified that he would leave his brother and reveals that she, too, is a freak. She has been pregnant for six years as her baby refuses to leave her womb; upon revealing this, a grotesque lamprey-like creature emerges from Susan's surgical wounds where failed cesarean sections have been attempted. This shatters the last of Duane's psyche and he kills Susan by pushing her out a window. He then goes to Belial and forcibly sews him to his body. The film ends as Ruth and the others discover what Duane has done, and stare at him horrified.
Episode 128 - The Invisible Man (2020)
The year 2020 brought us a plethora of cinematic wonders, but few captured the imagination and suspense of viewers quite like "The Invisible Man." Directed by Leigh Whannell and based on the classic H.G. Wells novel, this thrilling reimagining of the story delivered a spine-tingling experience that left audiences on the edge of their seats. In this SEO post, we'll delve into the intricate web of this film's plot, its critical acclaim, and the lasting impact it has had on both the horror genre and cinema as a whole.
The Plot Unraveled: "The Invisible Man" follows the story of Cecilia Kass, portrayed brilliantly by Elisabeth Moss, who escapes from an abusive relationship with a wealthy and brilliant scientist, Adrian Griffin (played by Oliver Jackson-Cohen). After his apparent suicide, Cecilia suspects that Adrian has developed the ability to turn himself invisible and is tormenting her. As she struggles to prove her sanity and unveil the truth, a chilling game of cat and mouse unfolds.
Psychological Thrills and Real-World Relevance: One of the most striking aspects of this film is its ability to tap into the real-life horrors of domestic abuse and gaslighting. "The Invisible Man" doesn't just provide jump scares; it explores the psychological toll of abuse and the difficulties survivors face in being believed. This relevance to contemporary issues added depth and resonance to the film, elevating it beyond the traditional horror genre.
Critical Acclaim: Upon its release, "The Invisible Man" received widespread critical acclaim. Its taut storytelling, exceptional performances, and atmospheric cinematography were lauded by both audiences and critics. Elisabeth Moss's portrayal of Cecilia was particularly praised for her ability to convey fear, vulnerability, and determination, often simultaneously.
Impact on the Horror Genre: "The Invisible Man" marks a significant shift in modern horror cinema. It showcases that horror can be thought-provoking, socially relevant, and emotionally charged, rather than merely relying on cheap scares. This film, along with others like "Get Out" and "A Quiet Place," has been instrumental in pushing the boundaries of the genre.
Future Prospects: The success of "The Invisible Man" has opened doors for more reimaginings of classic horror stories. Studios and filmmakers are increasingly exploring how to infuse familiar tales with contemporary relevance, ensuring that horror remains a relevant and evolving genre.
Conclusion: "The Invisible Man" (2020) is a cinematic gem that defies the conventions of traditional horror, offering a gripping narrative that resonates with real-world issues. Its ability to blend psychological thrills, exceptional performances, and contemporary relevance has left an indelible mark on the horror genre. As we continue to navigate the ever-evolving landscape of cinema, this modern masterpiece serves as a testament to the power of storytelling and its capacity to engage, entertain, and enlighten. Don't miss your chance to experience the invisible terrors lurking just beneath the surface.
Episode 127 - The Purge (2013)
"The Purge" is a 2013 dystopian horror thriller film written and directed by James DeMonaco. The film is set in a future America where the government has instituted an annual event called "The Purge," which takes place on March 21st and lasts for 12 hours, from 7 PM to 7 AM. During this time, all crime, including murder, becomes legal, and emergency services are suspended. The idea behind The Purge is that it allows society to release its pent-up aggression and cleanse itself of criminal elements.
The story primarily focuses on the Sandin family, consisting of James (played by Ethan Hawke), his wife Mary (played by Lena Headey), and their two children, Charlie and Zoey. James sells security systems designed to protect homes during The Purge, and the family appears to be well-prepared for the annual event. However, their sense of security is shattered when their son Charlie lets a wounded stranger, who is being pursued by a group of masked purgers, into their home.
As the night unfolds, the Sandin family must defend their home against a group of violent purgers who demand that they release the injured man. The film explores themes of social inequality, the consequences of violence, and the moral dilemmas faced by the characters as they grapple with the brutal reality of The Purge.
"The Purge" received mixed to positive reviews from critics and was praised for its unique premise and suspenseful moments. It also spawned several sequels, including "The Purge: Anarchy" (2014), "The Purge: Election Year" (2016), "The First Purge" (2018), and a television series titled "The Purge" (2018-2019). These subsequent installments further explored the concept of The Purge and its societal implications.
Overall, "The Purge" is known for its tense and thrilling portrayal of a nightmarish future where chaos reigns for 12 hours, and it has become a notable entry in the horror genre.
Episode 126 - Southbound (2015)
"Southbound" is a 2015 anthology horror film that weaves together a series of interconnected, nightmarish tales set on a desolate stretch of highway in the American Southwest. Each story explores themes of guilt, redemption, and the supernatural, as characters face their darkest fears and confront the consequences of their actions. From a rock band's hellish encounter with a sinister audience to a family's terrifying road trip, "Southbound" delivers a chilling and surreal journey into the heart of darkness, where the boundaries between reality and nightmare blur. As the characters navigate this nightmarish highway, they must confront their own demons and pay a steep price for their sins. "Southbound" is a visually striking and psychologically haunting film that keeps audiences on the edge of their seats with its twisted and interconnected narratives.
Episode 125 - The Amityville Horror (1979)
The 1979 film "The Amityville Horror" is a horror movie directed by Stuart Rosenberg and based on a 1977 novel of the same name by Jay Anson. The film is loosely inspired by the alleged supernatural events that occurred in a house located at 112 Ocean Avenue in Amityville, New York, in 1974. These events were reported by the Lutz family, who claimed to have experienced a series of disturbing and paranormal occurrences shortly after moving into the house.
The film stars James Brolin as George Lutz and Margot Kidder as Kathy Lutz, a newlywed couple who move into the infamous house with Kathy's three children from a previous marriage. As they settle into their new home, they begin to experience a range of eerie and terrifying phenomena, including strange noises, unexplained odors, and disturbing visions. As the paranormal activity intensifies, George becomes increasingly aggressive and distant, and the family's well-being is put at risk.
The movie builds tension through a combination of supernatural occurrences and psychological horror, as the Lutz family's sanity is tested by the malevolent forces they believe are haunting their home. It explores themes of family, possession, and the thin line between reality and the supernatural.
"The Amityville Horror" was a commercial success upon its release, capitalizing on the popularity of supernatural horror films during that era. However, it received mixed reviews from critics, with some praising its atmosphere and scares while others criticized its pacing and reliance on familiar horror tropes.
The film's success led to a series of sequels, spin-offs, and remakes, but the original 1979 adaptation remains one of the most well-known renditions of the Amityville haunting story. It's worth noting that while the film is loosely based on real events, much of the story has been embellished and sensationalized for dramatic effect, and the actual veracity of the claims made by the Lutz family has been widely disputed.
Episode 124 - Green Room (2015)
Welcome to the latest episode of 100 Horrors where we delve deep into the world of cinema, dissecting hidden gems and iconic horror films alike. In this installment, we turn our spotlight on the intense and gripping 2015 thriller "Green Room." Join us as we analyze the film's intricate storytelling, exceptional performances, and the visceral emotions it elicits from its audience.
Unveiling "Green Room": A Synopsis "Green Room," directed by Jeremy Saulnier, is a riveting thriller that takes audiences on an adrenaline-pumping journey through a punk rock band's nightmarish encounter with a group of neo-Nazi skinheads. Set against the gritty backdrop of a secluded club, the film weaves a tale of survival, tension, and unrelenting suspense.
The Podcast Discussion: A Deep Dive into "Green Room" In our latest podcast episode, we embark on an in-depth exploration of "Green Room." We dissect its elements, examining how the masterful direction, sharp writing, and outstanding performances contribute to the film's unshakable impact.
1. Direction and Atmosphere: Jeremy Saulnier's direction in "Green Room" is nothing short of exceptional. Our podcast hosts delve into how his choice of camera angles, lighting, and pacing intensifies the atmosphere, engulfing viewers in a claustrophobic and menacing world. From the chilling opening moments to the heart-pounding climax, we discuss how Saulnier masterfully builds tension, keeping audiences on the edge of their seats.
2. Outstanding Performances: Our podcast panel showers praise on the stellar cast of "Green Room," led by the late Anton Yelchin and supported by Imogen Poots, Patrick Stewart, and others. We analyze how their performances bring authenticity and emotional depth to their characters, making the unfolding events all the more gripping. From the band's desperate struggle to Stewart's enigmatic portrayal of a ruthless club owner, each actor's contribution is dissected and appreciated.
3. Themes and Impact: "Green Room" isn't just a heart-pounding thriller; it also delves into societal themes and human nature under extreme circumstances. Our podcast team discusses the film's exploration of fear, survival instincts, and the bonds formed when facing a common enemy. We explore how the story's brutality serves as a commentary on extremism and the lengths people will go to protect themselves and their loved ones.
4. Legacy and Influence: As we wrap up our podcast episode, we reflect on the lasting impact of "Green Room" on the thriller genre. We examine how its unique blend of suspense, violence, and psychological tension has influenced subsequent films and left a mark on audiences and filmmakers alike.
Conclusion: Tune in and Dive into the Darkness of "Green Room" If you're a cinephile with a taste for intense and thought-provoking cinema, our podcast episode on "Green Room" is a must-listen. Join us as we unravel the layers of this gripping thriller, discussing its direction, performances, themes, and legacy. Whether you're a fan of the film or simply intrigued by the exploration of dark and gripping narratives, this episode promises to be a captivating journey into the heart of "Green Room."
Tune in to 100 Horrors now and immerse yourself in the intensity of "Green Room." Don't miss out on this thrilling cinematic discussion that will leave you eager to revisit or discover this modern masterpiece.
Episode 122 - Final Destination (2000)
Final Destination was released in the year 2000 and was both written and directed by James Wong and Glen Morgan. The film follows a group of high school students who cheat death after one of them has a premonition of a deadly plane crash.
The movie begins with Alex Browning (played by Devon Sawa), a high school student, preparing to leave on a school trip to Paris with his classmates. While on the plane, Alex has a disturbing vision of the aircraft exploding in mid-air, causing him to panic and be forcibly removed from the flight, along with several other students and a teacher.
As they watch the plane depart, it indeed explodes just as Alex foresaw. After their narrow escape, the survivors are initially relieved, but soon strange and deadly events start to occur around them. One by one, they begin to die in freak accidents that appear to be preordained and inevitable. Alex becomes convinced that they have cheated death's design, and now death is coming to claim them in the order they were meant to die on the plane.
With the help of a morgue attendant named William "Billy" Hitchcock (played by Seann William Scott), Alex tries to figure out how to break the chain of death and save themselves. They discover that death has a plan and is somehow manipulating events to ensure its victims meet their fate.
As the tension rises and the survivors' paranoia grows, they must stay one step ahead of death's design to stand a chance at survival. The film is filled with suspenseful and creative death sequences as the characters attempt to outsmart the grim reaper's plan.
Final Destination gained popularity for its unique concept and inventive death scenes, which showcased Rube Goldberg-like chain reactions leading to fatal accidents. The movie spawned several sequels, becoming a successful franchise in the horror genre. The sequels followed a similar premise, with different sets of characters trying to outsmart death's design in various scenarios.
Overall, "Final Destination" left a lasting impact on horror cinema and remains a classic in the genre, known for its thrilling and chilling storytelling.
Episode 121 - Mum and Dad (2008)
"Mum & Dad" is a dark and disturbing horror movie that delves into themes of abduction, abuse, and sadism. The story revolves around a young Polish immigrant named Lena, who works at a service station near London's Heathrow Airport. One evening, after missing her last bus home, she accepts an offer from her co-worker Birdie to stay at her place overnight.
However, the situation takes a horrific turn when Lena realizes that Birdie's "family" isn't what it seems. She finds herself trapped in the home of a twisted and psychotic couple referred to as Mum and Dad, played by Dido Miles and Perry Benson, respectively. This dysfunctional and deranged family preys on unsuspecting individuals, keeping them captive and subjecting them to unimaginable acts of violence and torture.
The film is known for its unflinching and disturbing portrayal of the family's twisted dynamics and the brutality they inflict on their victims. The performances of the actors, particularly Dido Miles and Perry Benson, were widely praised for their chilling and unsettling portrayals.
"Mum & Dad" is not for the faint of heart and contains intense violence and disturbing content, making it suitable only for mature audiences who can handle such subject matter. It received mixed reviews from critics, with some praising its boldness and originality, while others criticized its extreme content and grim atmosphere.
If you are planning to watch the film, please be aware that it contains highly disturbing and graphic scenes, and viewer discretion is advised.
Episode 119 - The Cube (1997)
"The Cube" is a Canadian science fiction thriller film released in 1997, directed by Vincenzo Natali. The story revolves around a group of strangers who awaken to find themselves trapped inside a mysterious and deadly cubic structure, devoid of any apparent exit or entrance. Each room within the cube is booby-trapped with various lethal traps, creating a high-stakes puzzle that challenges the characters' wits and survival instincts.
The film follows a diverse set of characters, each possessing unique skills and personalities, as they struggle to decipher the cube's perplexing patterns and search for a way to escape. As tensions rise and conflicts erupt among the captives, they must find a way to work together and use their individual strengths to overcome the sinister challenges presented by the cube.
Throughout the film, themes of trust, paranoia, and the nature of human behavior under extreme circumstances are explored, adding depth to the tense and claustrophobic atmosphere. As the characters progress through the ever-changing maze, they gradually uncover the truth behind the cube's purpose and the reason for their entrapment.
"The Cube" has garnered a cult following for its inventive premise, psychological elements, and mind-bending plot twists. It has become a symbol of low-budget sci-fi creativity and continues to intrigue and captivate audiences interested in unconventional thrillers.
Episode 119 - Candyman (2021)
"Candyman," released in 2021 and written by Jordan Peele, is a highly acclaimed supernatural horror film that received positive reviews from both critics and audiences alike. The film serves as a spiritual sequel to the original "Candyman" from 1992, while also offering a fresh and contemporary take on the urban legend.
Directed by Nia DaCosta, "Candyman" explores themes of racial injustice, gentrification, and the power of storytelling. It follows the story of visual artist Anthony McCoy, played by Yahya Abdul-Mateen II, as he becomes obsessed with the Candyman legend and delves into the horrifying consequences that follow.
The film has been praised for its thought-provoking social commentary, atmospheric cinematography, and exceptional performances. Jordan Peele's involvement as a writer brought his signature blend of horror and socio-cultural exploration to the story, making it a standout entry in the genre.
Episode 118 - Signs (2002)
Having lost his religious faith after the horrific car accident that claimed the life of his wife, the emotionally broken former Episcopal priest, Graham Hess (Mel Gibson), retreats to a remote farm surrounded by corn in Pennsylvania to live with his two young children and younger brother. Six short months later, a sinister undercurrent of dread starts to take over the family when mysterious crop-circle formations appear in his field, and the same circular patterns manifest all over the world. More and more, as equally unexplained happenings occur, grief and denial mix with paranoia, making a highly volatile combination. Is this an elaborate hoax, an ominous sign from above, or could it be, indeed, the end of the world as we know it?
Episode 117 - The Offering (2022)
Episode 116 - The Exorcism of Emily Rose (2005)
Something’s wrong with Emily Rose, a college student from a devout Roman Catholic family in the Midwest. Once a happy-go-lucky girl, she has started seeing strange visions, falling into body-contorting convulsions, speaking in strange voices and mutilating her body. Doctors at first suspect epilepsy or psychosis. But when Emily does not respond to medical treatment, her family and the Catholic Archdiocese suspect something more sinister: demon possession. Father Richard Moore, the family’s priest, is called in to perform the rite of exorcism to rid Emily of her demonic tormentors.
Father Moore is not successful. Emily dies. And Moore is charged with negligent homicide.
The Archdiocese wants the case to go away and hires hotshot defense attorney Erin Bruner to work out a plea agreement. But Father Moore will have none of it. He insists on telling Emily’s story, even if it means he will not be granted bail and is likely to be convicted in the process. His attorney, whose belief in things supernatural is so shaky she only thinks she’s agnostic, is presented with the perplexing dilemma of having to defend a man who believes in things she can’t even begin to imagine. (Father Moore says to Erin, “Demons exist whether you believe in them or not.”) The ensuing courtroom showdown pits the sureties of faith against the presuppositions of science—a true clash of worldviews.
Episode 115 - Alien (1979)
In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences.
Episode 114 - Saint Maud (2019)
Glass tenderly captures this relationship with an empathetic gaze that first assumes an ethereal, dreamlike atmosphere--but before long, Maud's dogmatic candor incites an irreconcilable friction that spirals her mind into a suffocating confluence of creeping doubt and paranoia. As Glass tightens the screws on her misguided martyr, well-placed nods are made to religious horror forerunners like William Friedkin's "The Exorcist," further contributing to the film's increasingly dread-filled malaise. And when this insidious fever climatically breaks, the consequences are devastating and terrifying in equal measure
Episode 113 - Sinister (2012)
In this episode of 100 Horrors, find out if we think that the film that was once found to be "the scariest film ever" in a 2020 study lives up to the hype!!
Episode 112 - Barbarian (2022)
But Barbarian isn't just a film of frights and shock value, it's also a powerful commentary on a complex social dynamic in the wake of the #MeToo movement giving the film a dimension that a lot of modern horror *CoughSMILEcough can only dream of.
Amazing performances from Justin Long, Bill Skarsgard and Kathryn Hunter push this film to the top of 2022's best horror list, and an interesting slit narrative firmly cements it there, but does that actually mean that we liked it? You'll have to tune in to episode 112 of 100 Horrors to find out!
Overall, Barbarian is an experience that will leave you breathless and terrified, but also give you plenty to think about long after the credits roll. So if you're a fan of horror films or just looking for an intense, adrenaline-filled ride, Barbarian is a must-see.
Episode 111 - Smile (2022)
follows a therapist (played by the hilariously named Sosie Bacon) who starts to
experience a series of frightening that are connected to a supernatural entity
that feeds off of people's negative emotions – at least, that’s what a quick Wikipedia
summary of the film says anyway. I’ll be honest, I was so bored watching it
that I had no idea what was going on as I battled against the will to slip into
a coma to preserve my own sanity.
While the movie has all of the classic horror movie ingredients,
it somehow manages to bring the sum total of nothing new to the table. The
story is predictable. The ending feel unmotivated. The delivery feel
underwhelming.
Sosie Bacon gives a decent performance as the protagonist, but
her character, just like the rest of the characters, is one-dimensional. If you’re
having trouble sleeping maybe give this one a whirl. It should send you off in
no time.
Episode 109 - Cloverfield (2008)
Hugely ambitious, the movie pits a monster that is part dinosaur, part spider, and part octopus against a terrified New York City where it shoots explosive acid, breathes fire, and rip buildings buildings and people apart with its mouth. It even spawns hundreds of micro-monsters which infact anyone they bite with a body bursting illness... and yet... its so dull.
Not aging well is something we all have to face, and while it might have aged better than some of its cast members have (we'll let you guess which one we're talking about), it isn't exactly Pamela Anderson in her later years. Years of found footage and real-world footage of national and global tragedies have really taken the sting out of this one's tail, and so we won't be rushing to watch it again any time soon.
Episode 109 - Midsommar (2019)
When I first saw Midsommar, I was in a cinema with Paul, and as the film drew to its beautiful, horrifying and oddly joyous ending I knew I had just witnessed one of the best horror films that will ever be made. With Midsommar, Ari Aster takes a story that has been told before (it's basically The Wicker Man) and tells it so well that it becomes a beast all of its own.
I collected my things, walked toward the exit and the woman in front of me said "That was rubbish. What a load of shit". This woman had sat and shovelled popcorn into her mouth loudly throughout the film. She had laughed loudly as the sex scene had aired. She had loudly asked "What the fuck is happening" as the communes women had gathered around Dani and screamed in sadness with her, sharing her guilt.
She, was an idiot.
This film is not for everyone. I very rarely get on my high horse about movies (there's a time and a place for the Maniac Cops and Evil Deads of the world) but I genuinely think that this is the thinking man's horror. It rolls forward at a sinfully slow pace. It pulls no punches with its blatant foreshadowing and terrifying imagery. It toys with convention to such an extent that I'm not even sure its even a horror film anymore. All I am sure of, is that this absolutely deserves its spot waaay up at the top of the 100 Horrors list.
Episode 108 - His house (2020)
While the haunted house genre has been done to death, His House somehow manages to breathe new life into stale narratives, exploring all too real themes of trauma, guilt, and identity through the lens of immigration and cultural clash. The film shows the horrors of war and displacement, as well as the challenges of assimilation and integration. The film also incorporates elements of African folklore and mythology, such as the apeth or night witch, a vengeful spirit that follows the couple and demands a debt to be paid.
It is an astonishing debut from Director Remi Weeks, and is quite frankly one of the best best British horror films ever made. We'd love to know what you think!
Mr Daryl French guests. Cheers Dazlad.
Episode 107 - Evil Bong (2006)
Nah, smoke em if you got em, just not to the point where you don't realise your friend has died and is sat bloating on the sofa in the living room like the guys in Charles Brand's Evil Bong do. Released in 2006, it's surprising how many people consider this one a staple in the stoner horror diet. Part Pineapple Express, part Basket Case, Evil Bong combines the worst in both the horror and comedy genre and gives you a generous scoop of female nudity in the process. With cheeky cameos from Tommy Chong, Brandi Cunningham and Bill Mosely of House of 1000 Corpses, The Devil's Rejects and Texas Chainsaw Massacre 2 fame, Evil Bong is entertaining to say the least, but does that mean it's actually any good? You'll just have to tune in to find out duuuuude.
Episode 106 - NOPE (2022)
Moving to Sci-Fi (or at least a Sci-Fi / Horror hybrid) surely helps avoid instant and unfair comparisons to his prior two films, but the shift to science fiction also clearly challenges Peele as a film maker and writer. I won't lie, there's a sense that he's not quite worked out how to make the genre work for him the way he has with the horror genre. UAP and UFO culture is a fascinating one because, lets face it, there's a good chance that it is based entirely on misinterpretaing entirely normal arial phenomenon, and as a result, everything within the sci-fi genre is open to interpretation. What would an alien ship actually look like? Would it carry a sentience within or would the ship itself be sentient? How would the common man react to being stalked by a giant ribbon monster in the sky? These are all questions that Nope explores well, and the result is intriguing, but by no means does that mean that it's good.
With a budget of $68 million, Nope is a visually stunning film, but the lead character doesn't feel proactive, and the supporting actors feel too reactive, and the subplot about a chimpanzee called Gordy actually becomes the most intriguing story in the film. It's easy to feel that Nope is flawed, but hard to work out whether that is just due to comparison to Peele's earlier more solid work. Is it only flawed because it's not as good as Get Out? You'll have to watch it and decide for yourself. Let us know what you think lads.
Episode 105 - Skinamarink (2022)
I got excited. Rob got excited. Paul got drunk, and then he got excited, as is usually the way with him. And then we watched the film.
There is potential that Skinamarink is going meta, in that the act of watching a film based on nightmares feels like a nightmare. Maybe the true horror here is not the content, but the act of watching a film in which the viewer can only see the top of door frames, close ups of TVs and the occasional foot, but I have to admit, this eventuality seems very unlikely. There are fewer than 500 words spoken in this film, but does that mean that the film doesn't have much to say? It's very hard to know to be honest, but it is easy to dismiss this film as being vacuous - a little lacking in content - and I think people would be forgiven for thinking this.
This movie is not for everyone, but the people that it is for clearly LOVE Skinamarink. At the end of the day, Ball tries to do something new with the horror genre, and that absolutely has to be commended. Should you watch Skinamarink? I guess you could, or you could tune in to hear us talk about why we're not likely to watch it again.
Episode 104 - Possum (2018)
Let's face it. Puppets are creepy as it is. You put your hand where the sun don't shine, and then they come to life. Equally creepy are the people who own and operate puppets. Ventriloquism, the act of being able to speak without moving one's lips is a talent that to me seems like witchcraft, and we all know how I feel about witches.
Matthew Holness' Possum - yeah, THAT Matthew Holness - the guy who plays Garth Merenghi - is as terrifying as it is confusing. A heady mix of squallor and depression swirl around a sink hole of abuse, and the whole thing really just left us feeling dirty. But, does that mean that watching Possum is an unpleasant experience? You'll just have to tune in and find out, won't you?
Episode 103 - The VVitch
EPISODE 102 - TERRIFIER 2 (2022)
Episode 101 - Terrifier (2016)
Episode 100 - The Shining (1980) LIVE!
Episode 099 - Salem's Lot (1975)
Episode 098 - Doctor Jeckyll and Mr Hyde (1931)
Released in 1931, Doctor Jeckyll and Mr Hide, Rouben Mammoullian's film is a surprisingly good tale of good and evil. It was also released "Pre-Code" which means it's raunchy as, so do give it a watch if you get the time!
TWO MORE EPISODES TO GO GUYS!
Episode 097 - Nightbreed (1990)
