This free podcast is a long form conversation hosted by traveler, writer and curiosity seeker Assistant Professor Rich Bryant with friends and guests that include artists, designers, authors and whoever steps up to the mic.
Chris Van Goethem started in 1983 as a technician in a rental company, like most technicians in that period. Before that he was active in school and youth theater. He became stage manager through training on the floor and self-study and toured with many companies throughout Europe.
He has worked for Théâtre de la Place Liège, De Warande Turnhout, Young Persons Theater (UK), Open Cloth, various festivals in Morocco, Squonk Opera Pitsburg (US), Theater aan Zee, Champs d'action, Cultuurmarkt Antwerp, Theater Stap , Preserve the Desire, Villanella, Kommil Foo and Raamtheater. Van Goethem expanded his field of activity with teaching and consultancy in the field of stage techniques. He advised among others the theater technique for the Augustine Church Antwerp, De Warande Turnhout, Flaget Brussels, De Zwarte Komedie, the abbey of Herkenrode and the cultural center Merelbeke. He also advised on the preparation of the professional profiles and standards of Podiumtechniek (SERV), the professional qualifications (AHOVOKS), safety policy, training policy (SFP) and the start-up of various TSO schools and VDAB programs.
His specializations are lighting, production and special effects. He teaches the RITCS (EHB) podium department, Sabbattini Antwerp and Comedrama Oujda (Morocco), three courses he co-founded. He also gives courses for the Pianofabriek, Arteveldehogeschool, SFP, SADA and Accademia Teatro alla Scala.
Van Goethem wrote "lighting technology for stage technicians" and regularly publishes in professional journals such as Proscenium, STEPP magazine, Die Vierte Wand, Zichtlijnen and Proscen.
He supervises the RITCS stage techniques students in their individual three-year research project. As part of the podium arts expertise center he examines the history of stage techniques, education and competence management, sustainability, and safety.
From his engagement he is involved in international projects such as theatrEurope, Scenofest Prague, Wakha-Wakha, European Social Dialogue, Scenart Romania, OISTAT Time Line Working Group, ETTE and creativeskillsEurope.
Ms. Dias is a scenographer and photographer living, working and traveling in and around Europe. Originally from Brazil and now living in Spain, Flo has had an amazing journey not only capturing images from some of the recent theater events such as World Stage Design (Taipei, Taiwan), the Prague Quadrennial and Oistat50 in Cardiff, Wales but also of the everyday life. It was fantastic to catch up with her and to learn more about the woman behind the camera and where she would like to go next.
You check out her work at
Instagram - https://www.instagram.com/flor_dias/
Flicker - https://www.flickr.com/people/flordias/
Flicker - https://www.flickr.com/photos/hanakosu
Tumblr - http://photoflor.tumblr.com/
This episode is dedicated to my friend Edwin Erminy.
The theatre and arts community of Venezuela, Trinidad and Tobago and the world lost an amazing artist tonight.
I lost my friend.
Edwin will always be a testament to the joy, excitement and passion for Scenography. His love of all things art was infectious.
I cannot capture all that his life entailed in a single post nor can I begin to find the right words because there will not be enough of them.
I have lost a mentor. Someone who helped make me a better person by being around him. Who helped show me the way to becoming a better teacher. Who would also make fun of me because I was the antithesis to his way of making a plan or a drawing. Edwin's favorite phrase to me was "Come on Man" or his over the top exclamation of "What?! What?!" and then break out into laughter.
I'm glad we challenged each other. The last thing I would ever want to do was fail him no matter how much of an argument we would get into. I will remember his patience even though most things drove him mad but he never let that get out or show unless necessary. I will think of how he made fun of me for being an American and how his english somehow conveniently got bad the more "tired" he became.
There will be no last moments for me because you will not be gone. In Buddhism it is said that a spirit is not extinguished upon death, but instead transfers to another in one of six planes. That a person’s actions during their lifetime results in karma that determines in what form there spirit will be reborn—as a human, an animal, or various forms of spirits, including angels, demons, gods, and ghosts.
You will return and I know you will come visit us.
I'll always be sure to keep an eye out for you.
"I have been and always shall be your friend"
Welcome to this first brand new episode of 2019.
I want to wish everyone a happy, healthy and prosperous New Year.
The guest this week is Mr. David Boothman.
Originally from Trinidad and Tobago, David attended Queen's Royal College and studied Art at the Pratt Institute in New York developing his skills as a painter. He is also an accomplished Jazz pianist and composer. David is the brother to artist and musicians Michael and Roger Boothman and nephew to contemporary painter, designer and artist Boscoe Holder and voice actor, dancer, choreographer, singer, director and painter Geoffrey Holder.
David is currently working with the University of Trinidad and Tobago’s Academy for the Performing Arts and I had the opportunity to speak with him at the end of the most recent school term. David has got some interesting ideas about the relationships we as people have to art and about how to find balance in one’s life.
Without further ado , Mr. David Boothman
Anne E. McMills’ career extends across the many facets of the lighting world—from theatre (including Broadway and the West End) to television and theme parks to architectural lighting, industrials, concerts, cruise ships, award shows, dance, and opera. In addition to designing her own work, Anne has assisted many Tony Award-winning Broadway designers, mounting productions throughout the world. Anne is a proud member of United Scenic Artists, Local 829, as well as the author of The Assistant Lighting Designer's Toolkit and 3D Printing Basics for Entertainment Design. She is also the Head of Lighting Design at San Diego State University. Recent work includes Noel Noel with the San Diego Symphony, All is Calm with the San Diego Opera, Sense and Sensibility with South Coast Rep, and Beachtown with the San Diego Rep.
For further information, visit www.annemcmillslighting.com.
R.W. (Rick) Boychuk has been a student, teacher, technical director, IA stagehand, designer, inventor and an author. A graduate of the University of Saskatchewan in technical theatre, he has worked in the industry for over 40 years.
Rick owns and operates Grid Well, Inc. in Toronto, Ontario, Canada, that holds patents on the Front-Loading Arbor, and patents pending for the Arbor Trap and SuperArbor.
Rick received two CITT awards in 2016: The Ron Epp Memorial Award for Professional Achievement in a technical discipline within the Canadian live performance industry; and The Award of Technical Merit for outstanding achievement in the use of theatre technology.
This weeks podcast is not an interview. It is a replay of a lecture I attended at the Royal Welsh College of Music and Drama. The event I was attending was OISTAT50, a celebration and recognition of the 50th anniversary of OISTAT.
Ms. Howard's speech is titled "A Touch on the Times" and speaks about her history in design and shares stories about some of the remarkable people she collaborated with.
I captured the audio on my recorder so it may sound a little rough in places. There was a live audience in attendance so there is some background noise as well.
Ms. Howard was gracious enough to allow me to bring this too you and I am deeply grateful. I look forward to having a sit-down interview with her in the future. In the meantime, enjoy the lecture and listen to one of the masters of art and design.
www.pamelahoward.co.uk - Pamela Howard Website
www.oistat.org - Oistat Homepage
Royal Welsh College of Music and Drama
Wendy Waszut-Barrett specializes in the evaluation, restoration, and replication of painted scenes for the theatre, opera, ethnic hall, and Masonic stage. She is the President of Historic Stage Services, a researcher, a teacher and artist. Wendy holds a PhD from the University of Minnesota in Theatre.
Facebook: Dry Pigment, Historic Stage Services
Hanne Nuyttens is a sound engineer, artist, eco-warrior and traveler. Hanne spent a term here in Trinidad and Tobago studying and found the experience transformative. We spoke about her journey from Belgium to South America, the importance why more women are needed as mentors all over the world and why its okay to speak up and say you don't know something.
Check it out.
This is the first of hopefully many episodes. Coming to you from the twin island nation of Trinidad and Tobago, this podcast is an extension of the Archiving Technical Theater History Facebook Group. It's not all about history. Come check it out and give it a listen. In this episode, its the origin story.