Art of the Frame

In this episode of Editors on Editing, Glenn Garland is joined by Angela M. Catanzaro & and Harry Yoon. Angela's credits include Friday Night Lights for which she was nominated for the Eddie, The Man in The High Castle, The Foreigner, As We See It,  and Prey, for which she was nominated for both an Eddie and a Primetime Emmy. Harry's credits include The Newsroom, Detroit, Euphoria, Minari, for which he was nominated for the Eddie and Shang-Chi and the Legend of The 10 Rings & Beef, for which he won the Eddie. Now they have brought their exceptional skills to the wonderfully entertaining Marvel spectacle, Thunderbolts.

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this episode, the gang are joined by Beryl Shereshewsky, a successful YouTuber and former CNN producer, to explore the intricacies of content versus traditional media. There’s a lively discussion centered around content creation, underscoring the evolving media landscape where traditional filmmaking intersects with modern digital content. And of course, there’s a bunch of really cool things to get excited about. 

In this episode Glenn is moderating a Tonal Shifts FYSEE Panel, a Q&A that includes editors from some of Netflix's biggest hit shows. Nam Na-young, whose credits include The Good, The Bad, The Weird. I Saw The Devil for which she won Best Editor at the Asian Film Awards, Space Sweepers and Squid Game. Maura Corey, who is a three-time primetime Emmy nominee for editing the Annual Academy Awards, as well as credits that include Beyond Scared Straight, Good Girls, Emergence, Manifest and Gen V. Peggy Tachdjian who has edited American Horror Story, The Politician, The Prom, Shrinking, and Only Murders in the Building. And, Arielle Zakowski, who has edited Trial by Media, Accepted, Wolfgang, Missing and Chef's Table. 

For the last three seasons, the genre bending series Yellowjackets has mesmerized audiences. In this episode of Editors on Editing, Glenn Garland interviews four of the editors. Jeff Israel, whose credits include Tell Me Lies, Them, Apples Never Fall and Cruel Summer. Daniel Williams who has edited episodes for Sacred Lies, Them, Seal Team and One Piece. Genevieve Butler, who has edited Them and Tell Me Lies and Kevin D. Ross whose credits include Californication, Halt and Catch Fire and Stranger Things for which he was nominated twice for both the Eddie and the Primetime Emmy.

In this episode of Editors on Editing, Glenn Garland interviews five Editors from the amazing series, The Day of the Jackal. Luke Dunkley, who is nominated for a BAFTA for The Day of the Jackal, also worked as an editor on The Crimson Pedal and the White and, National Treasure,  both for which he was nominated for the BAFTA, The Crown, American Animals, for which he was nominated for the Independent Spirit Award. He also edited Patrick Melrose, Solos and Slow Horses. Adam Green, has edited The Last Kingdom, Willow, The Witcher, A Gentleman in Moscow  and Doctor Who. Sam Hodge, who has edited an episode of Estonia, was assembly editor on Earth Mamma and Bring Them Down, and was the first assistant editor on Barbie and Citadel.  Elen Pierce Lewis, edited episodes of White Lines and, Landscapers for which she won the BAFTA. Ben Whitehead's editing credits include The One, Gunned Down and Curfew.

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this episode the gang reflect on their experiences at NAB. Key observations revolve around the show’s evolving landscape, attendance figures and the technological advancements showcased, notably in AI integrated cloud services and, the noticeable shift from mere promises of innovation to tangible, usable technology.  And of course, there’s a bunch of really cool things to get excited about. 

One Cool Thing:

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this episode the gang chat about the upcoming NAB convention, industry trends, including the ongoing integration of AI into production workflows, a few big news items and, a fun discussion about the many myths that plague post production chat rooms. And of course, there’s a bunch of really cool things to get excited about. 

Show notes:

Show Notes:

NAB related links:

In this episode of Editors on Editing, Glenn Garland interviews Jules Bruff and Althea Root about their collaboration with editor Edgar Burcksen.  Celebrated for his work on projects such as the Emmy-winning "The Young Indiana Jones Chronicles," Berkson was known for his mastery of storytelling through editing, a talent he brought to his final project, The Good Side of Bad.

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this episode, the gang chat about the challenges facing the Visual Effects industry, the power of the Youtube streaming platform, how it helps a new generation of content creators and, how AI might help or hinder us production folk in the years to come. And of course, there’s a bunch of really cool things to get excited about. 

Show notes:

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this, the first episode of the year the gang tackle a few salient subjects like, the increasing technical demands in post-production roles, the intersection of technology and creativity, generational shifts in career aspirations and, how AI might just fuel our creativity in the future. And of course, there’s a bunch of really cool things for us post production people to get excited about. 

Show notes:

One Cool Thing

In this final 2024 episode of Editors on Editing, Glenn Garland interviews Louise Ford to discuss her fabulous collaboration with director Robert Eggers on his film Nosferatu.  Louis has edited such excellent films as Don't Breathe, Thoroughbreds, Wildlife and Bad Education. As well as her collaborations with Robert Eggers on The Witch, The Lighthouse and the Northman, she has now helped him to create the terrifying tale, Nosferatu. 

In this bonus episode of Editors on Editing, Glenn Garland interviews Joe Walker to discuss his fabulous collaboration with Denis Villeneuve on Dune: Part Two. Joe has edited such phenomenal films as Hunger, Shame, 12 Years a Slave, Sicario, Arrival, Blade Runner 2049 and Dune: Part One.  Across his career, Joe has accumulated four BAFTA nominations, five ACE nominations, and one win for Arrival, and three Oscar nominations and one win for Dune: Part One.

In this episode of Editors on Editing, Glenn Garland interviews Nick Emerson.  Nick has edited such singular projects as Starred Up, I Am Not a Serial Killer, Lady Macbeth, Emma, Life After Life, Idiot Prayer and Eileen. Now he has brought his exceptional skills to the powerful film Conclave.

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this end of year episode, the gang take it in turns to give an update on the year past and, what we might expect in 2025. The discussion covers trends in software and hardware solutions, the economic challenges of the post-production industry and the shift in the types of career opportunities. And of course, there’s a bunch of really cool things for us post production people to get excited about. 

In this episode of Editors on Editing, Glenn Garland interviews Myron Kerstein. Myron has edited such fantastic projects as Garden State, Nick and Nora's Infinite Playlist, Crazy Rich Asians for which he was nominated for the Eddie Award, In the Heights and, tick… tick…Boom! for which he was co nominated for the Oscar and won the Eddie.  Now he has brought his magnificent skills to the incredible film. Wicked.

In this episode of Editors on Editing, Glenn Garland interviews Marco Costa. Over the course of his career, Marco has edited such powerful shows as the series, We Are Who We Are and films such as, Bones and All and, Queer. Now he has brought his superb skills to the heart pulsing film, Challengers. 

In this episode of Editors on Editing, Glenn Garland interviews Sean Baker. Over the course of his career, Sean has directed, written, produced and edited almost all of his films, including Tangerine, for which he was nominated for best director for both the Independent Spirit Award and the Sundance Audience Award. The Florida Project, which was nominated for the Independent Spirit Award and which won the New York Critics Award for best directing. And, Red Rocket, which was nominated for the Palme d’or at Cannes. Now he has brought his genius to the phenomenal film, Anora, winner of this year's Palme d’or.   

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this, our Thanksgiving episode, the gang each share the top 3 tech things that helped their careers and or, continue to shape our industry today. Discussions include: innovation in production tools, the evolution of workflows due to the rise of digital media and, the transformative influence of social platforms on the industry. There’s another update on the 2024 Rates Survey, a discussion on the new Mac’s and of course, there’s a bunch of really cool things for us post production people to get excited about. 

Show Notes:

NEW MACS

On this episode of Editors on Editing, Glenn Garland interviews Jay Prychidny who has edited such projects as Orphan Black, Altered Carbon, The Alienist, Snow Piercer and Wednesday. Now he has brought his excellent skills to Tim Burton's,  Beetlejuice Beetlejuice.  

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this episode, the gang have a special guest, Kylee Peña from Adobe. There’s an update on the 2024 Rates Survey, a discussion on how the different NAB shows cater for different audiences, the ethical implications of generative AI, the evolving landscape of media and post-production and, the latest AI advancements from Adobe Max. As always, there’s a bunch of really cool things for us post production people to get excited about. 

Show notes:

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this episode, the team discuss the 2024 Rates Survey, the various partnerships pushing AI development and, the kinds of jobs AI might help or hinder. And as always, there’s a bunch of really cool things for us post production people to get excited about. 

Show notes

Rates survey 2024!

Welcome to the next episode of our monthly round table podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this episode, the team discuss the various challenges facing the industry, the upcoming strikes, recent acquisitions and, the latest updates in production software. And as always, there’s a bunch of really cool things for us post production people to get excited about. 

Show Notes

US Film and TV Production Down 40% From Pre-Strike Level, Report Says:

On this episode of Editors on Editing, Glenn interviews Peter Oliver. Peter has edited such projects as Horrible Histories, Our Girl, This is Going to Hurt, The Stupid Boy, for which he was nominated for the CinEuphoria Award, Trying and Eric. Peter, along with Benjamin Gerstein has now been nominated for a Primetime Emmy Award for his work on the series, Baby Reindeer.

On this episode of Editors on Editing, Glenn interviews Maurissa Horwitz. Maurissa’s credits include Playmobil: The Movie & Open Season: Scared Silly.  She has also been an additional editor on Nimona, The Bad Guys, Tinkerbell and The Legend of The Never Beast and, Planes: Fire and Rescue.  Now she has brought her immense talent to one of the most beloved and enjoyable animated films of the year, Inside Out 2.  

On this episode of Editors on Editing, Glenn interviews Dana E. Glauberman, Rosanne Tan and James D. Wilcox who are part of the editorial team for the show "Ahsoka." Dana, was nominated for an Eddie for Ahsoka. She also received Eddie nominations for Thank You For Smoking & Juno and. And for her work on Mandalorian, she was also nominated for a primetime Emmy award. Rosanne's credits include Homecoming for which she was nominated for an Eddie, Mr. Robot, for which she was nominated for two Eddies, The Falcon and The Winter Soldier and Hawkeye. James has edited Genius, Einstein Chapter One for which he won the Eddie, CSI Miami, Everyone Hates Chris, Hillbilly Elegy and 13 Lives.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this episode they give a brief NAB Review with a deeper dive into the state of the industry for new grads, what tech changes today mean for jobs in the future, how kids can prepare for the new normal and, how we can support that. And as always, there’s a bunch of really cool things for us post production people to get excited about. 

Show Notes

On this episode of Editors on Editing, Glenn is joined by Melissa Kent. Melissa has edited such excellent projects as the Virgin Suicides, Crossroads, The Reagan's for which she was nominated for the Eddie with Michael Brown, Four Christmases, The Age of Adaline, The Intruder and The Dirt.  Now she has crafted the beautiful and inventive film, MÚSICA.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this episode they discuss the upcoming NAB 2024, the changing landscape of the film industry, disruptive technologies, and, the impact of AI and machine learning. And as always, there’s a bunch of really cool things for us post production people to get excited about. 

Show Notes

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this episode the team chat about the HPA Retreat, the evolving landscape of media production, the role of generative AI in the creative process and in particular Sora, the latest AI text to video solution. And as always, there’s a bunch of really cool things for us post production people to get excited about.

HPA link that Katie mentioned:

On this episode of Editors on Editing, Glenn is joined by Michael Anthony Brown, Tim Wilsbach, Matt Wafaie and Mike Oliver, four amazing editors that helped shape the success story known as Welcome to Wrexham. Michael recently won a primetime Emmy for Wrexham and has edited Eat, Race, Win, Giant Beast, and Losers. Tim has edited The Kardashians, Vanderpump Rules and Is It Cake.  Matt has edited The Profit, The Millionaire Matchmaker, The Voice and American Idol while Mike has edited American Gangster: Trap Queens and Blood, Sweat & Tears: Countdown to Crawford VS Kavaliauskas.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this first episode of the year, the team discusses the latest release of Vision Pro and the impact it might have on both the ‘fans’ and people working in post. They also consider how AI and AR technologies might help or hinder our workflow and, there’s an update on the AVID acquisition. And as always, there’s a bunch of really cool things for us post production people to get excited about. 

Enjoy the episode and don’t forget to subscribe.

Show notes:

On this episode of Editors on Editing, Glenn is joined by Yorgos Mavropsaridis. Yorgos has edited such marvelous films as Motherland, Dog Tooth, The Lobster for which he was nominated for the Eddie, The Killing of the Sacred Deer and the Favorite for which he was nominated for the BAFTA and Oscar and, won the Eddie. Now he has crafted Yorgos Lanthimos’ brilliant and exhilarating film, Poor Things.

On this episode of Editors on Editing, Glenn is joined by Hilda Rasula.  Hilda has edited such excellent projects as Transparent, Sorry for Your Loss, Little America, French Exit and Vengeance. Now she has crafted the brilliant satirical comedy, American Fiction.

On this episode of Editors on Editing, Glenn is joined by Editor Jon Poll. Jon has cut a wide array of films such as  Bombshell, The Greatest Showman, Father of the Bride, Meet the Parents and Meet the Fockers.  Jon is now the editor on the glorious new film, The Color Purple, directed by Blitz Bazawule and produced by Oprah Winfrey, Steven Spielberg, Scott Sanders and Quincy Jones. 

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. In this final episode of the year, the team compare notes on their various work experiences in 2023, the effects of industry mergers, the pay scale variances in post production and, their anticipation of AI developments in 2024. And, there’s a special ‘cool things’ segment, showcasing the very coolest of things 2023.

Enjoy the episode and don’t forget to subscribe.

Here are the show notes:

On this week’s episode of Editors on Editing, Glenn is joined by Claire Simpson and Sam Restivo. Claire has edited such incredible films as Salvador, Wall Street and Platoon, for which she won the BAFTA, Eddie and Oscar, The Constant Gardener for which she was nominated for the Eddie and Oscar while winning the BAFTA, A Most Wanted Man, Extremely Loud and Incredibly Close,  The Reader, The Last Duel and Nine for which she was nominated for the BAFTA. While Sam has been an additional editor on The Greatest Showman, Raised by Wolves and The House of Gucci. Together, they have now crafted  Ridley Scott's Epic, Napoleon.

On this week’s episode of Editors on Editing, Glenn is joined by Kevin Tent. Beginning with Citizen Ruth, Kevin has edited all of Alexander Payne's exceptional films, including Election, About Schmidt, Sideways and Nebraska. For all of which he was nominated for the Eddie. He also edited the Descendants for which he won the Eddie and, was nominated for the Oscar. He's also crafted such terrific movies as Blow, Girl Interrupted and The Peanut Butter Falcon. Now he's brought his editing skills to Payne’s, fantastic motion picture, The Holdovers. 

On this week’s episode of Editors on Editing, Glenn is joined by Nick Houy. Nick has edited such outstanding projects as The Night Of, for which he won the Primetime Emmy with Jay Cassidy, Lady Bird, Billions, Mid90s, for which he was nominated for an Independent Spirit Award, and Little Women. Now he's crafted the cultural phenomenon, Barbie.

On this week’s episode of Editors on Editing, Glenn is joined by Jennifer Lame.  Jen has edited such exceptional films as Francis Ha for which she was nominated for an Independent Spirit Award.  Manchester by the Sea for which she was nominated for the BAFTA, Eddy, and Independent Spirit Award. The Meyerowitz Stories, Hereditary and Marriage Story, for which she was nominated for an Eddy as well as Tenet and, Black Panther Wakanda Forever which she co-edited with Kelley Dixon and Michael P. Shawver.  Now she has crafted Christopher Nolan's epic, Oppenheimer.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons & Michael Kammes are joined by guess host Stacy Chaet to talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang discuss Avid’s acquisition, the new MacBook Pro M3, the effects of the recent strikes and the many different roles of a Production Technologist. And of course there’s a bunch of really cool things for us post production people to get excited about. 

Enjoy the episode and don’t forget to subscribe.

Show notes:

Writer’s strike:

In this episode of Art of the Frame, we delve into the visual and special effects in Ridley Scott's latest epic, "Napoleon". The podcast explores the remarkable efforts of the effects teams to vividly recreate 19th century Europe and its battlefields, bringing historical grandeur to life with striking authenticity. Our journey takes us behind the scenes to understand the complexities and challenges faced in visualizing one of history's most iconic eras, especially in the portrayal of monumental battles like Austerlitz and Waterloo.

Our resident VFX supe Damian Allen engages in conversation with four supervisors of the film's visual and special effects: Visual Effects supervisor Charley Henley, special effects supervisor Neil Corbould, Luc-Ewen Martin-Fenouillet (a visual effects supervisor at MPC), and Simone Coco, (a visual effects supervisor at Disney’s ILM), discuss how their teams helped transport Napoleon and his era onto the screen for a 21st century audience.

On this week’s episode of Editors on Editing, Glenn is joined by Thelma Schoonmaker. Thelma is truly a legend in the film community.  Her credits span many of the most celebrated films of the last 50 years. Some of those projects include, Woodstock for which she was nominated for the Oscar. Raging Bull for which she won the BAFTA, Eddy and Oscar.  Goodfellas for which she was nominated for the Eddy and Oscar and won the BAFTA. Casino for which she was nominated for the Eddy. Gangs Of New York, for which she was nominated for the BAFTA and Oscar and won the Eddy.  The Aviator, for which she was nominated for the BAFTA and won the Eddy and Oscar. The Departed, for which she was nominated for the BAFTA and won the Eddy and Oscar. Hugo, for which she was nominated for the BAFTA, Eddy and Oscar. The Wolf of Wall Street, for which she was nominated for the BAFTA, and the Eddy. And the Irishman, for which she was nominated for the BAFTA, Eddie, and Oscar. She is also tied for the most nominations and wins in the editing category of the Academy Awards. Now she has crafted Scorsese's newest masterpiece, Killers of the Flower Moon.  

On this week’s episode of Editors on Editing, Glenn is joined by Kirk Baxter. Kirk has edited such exceptional projects as The Curious Case of Benjamin Button, for which he was nominated for a BAFTA and Oscar with Angus Wall, The Social Network, for which he won the BAFTA and Oscar with Angus Wall, The Girl With The Dragon Tattoo, for which he won the Oscar, with Angus Wall,  House of Cards, for which he was nominated for a Primetime Emmy Award, Gone Girl, for which he was nominated for the Eddie, Mindhunter, for which he was nominated for the Eddie, Mike, for which he was nominated for the Eddie, and Love, Death & Robots, for which he won the BFE Cut Above Award and the Eddie.  Now he's crafted the rousing entertaining comedy, Dumb Money.

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week, Michael and Katie get to share some of their experiences at IBC and so of course there’s even more really cool things for us post production people to get excited about. 

Enjoy the episode and don’t forget to subscribe.

Show Notes

On this week’s episode of Editors on Editing, Glenn is joined by Joanna Naugle, Adam Epstein, Nia Imani and Megan Mancini, the editors on the hit show, The Bear.  Joanna's credits include 2 Dope Queens, Ramy, Molly and Max in the Future and The Bear, for which she was nominated for a Primetime Emmy, and won both the BFE Cut Above Award, which she shared with Adam, and, the Eddie. Adam's credits include Documentary Now! Saturday Night Live, for which he was nominated for two Primetime Emmys, The Other Two and Bupkis. Megan Mancini has edited Amy Schumer: Emergency Contact, Phoebe Robinson: Sorry Harriet Tubman, How To With John Wilson and Astronomy Club. Ni’as editing credits include Homecoming; A film by Beyoncé, for which she won a Grammy for Best Music Film and Olivia Rodrigo: Driving Home 2 U and, Black is King. Enjoy the episode!

Welcome to the next episode of our monthly round table podcast where hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment tech and beyond. Among the conversations this week the gang meet up with Michael Cioni to hear how Strada, a new AI-Cloud marketplace could democratize the post-production software industry. And of course there’s the latest news and, a bunch of really cool things for us post production people to get excited about. 

Enjoy the episode and don’t forget to subscribe.