Beckett’s Babies

THAT'S A WRAP FOR SEASON 3! Thank you all so much for tuning in every week and hear us chat about all things playwriting. We appreciate you and your support! In this episode, we highlight just a FEW of our favorite episodes of this season. We loved every single one of our guests on this season so even if they're not mentioned here, we suggest you going back and give it a listen! Thank you again for another incredible season. Wishing everyone a happy and safe holiday season... See you next year! After three seasons of Beckett’s Babies… Total Number of Episodes: 130 Total Number of Guests: 47 Total Number of Plays read: 39 Total Number of Glistens: 294 Total Number of Listens: 16,417 GLISTENS Cho - ROAD TRIP!!! / Getting Married / Joanna Gaines Collier - golden gate canyon state park / Moving to Colorado / Grad School INTERVIEWS: INTERVIEW WITH CARIDAD SVICH: https://anchor.fm/beckettsbabies/episodes/117--INTERVIEW-Caridad-Svich-e15u705 INTERVIEW WITH PEPPUR CHAMBERS: https://anchor.fm/beckettsbabies/episodes/114--INTERVIEW-Peppur-Chambers-e15amc8 INTERVIEW WITH BRIAN JAMES POLACK: https://anchor.fm/beckettsbabies/episodes/100--INTERVIEW-Brian-James-Polak-HAPPY-100TH-EPISODE-evmkp7 INTERVIEW WITH DANIEL OLIVAS: https://anchor.fm/beckettsbabies/episodes/94--INTERVIEW-Daniel-Olivas-esj5ok TOPICS: GHOSTS WITH HEATHER KELLEY: https://anchor.fm/beckettsbabies/episodes/126--TOPIC-Ghosts-in-Theaters-and-the-Stories-We-Tell----w-Special-Guest-Heather-Kelley-e198doi WHAT MAKES A MONOLOGUE GOOD WITH SHAUN LEISHER: https://anchor.fm/beckettsbabies/episodes/112--TOPIC-What-Makes-a-Monologue-Good-w-Returning-Special-Guest-Shaun-Leisher-e14k5js PLAYS: HURRICANE DIANE BY MADELEINE GEORGE https://anchor.fm/beckettsbabies/episodes/128--PLAY-Hurricane-Diane-by-Madeleine-George-e19u4ri BUREAUCRAZY BY KATE DANLEY https://anchor.fm/beckettsbabies/episodes/113--PLAY-BureauCRAZY-by-Kate-Danley-e14uvid 36 VIEWS BY NAOMI IIZUKA https://anchor.fm/beckettsbabies/episodes/105--PLAY-36-Views-by-Naomi-Iizuka-e11qr3b ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com   Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners!  In today’s episode we discuss the topic of DREAMS. We share some recent dreams we’ve had, share some play ideas based on our dreams, and share our thought son why we might add dreams to our storytelling. What do they evoke? Hope you enjoy the conversation! Article Mentioned: Did Covid Change How We Dream? by Brooke Jarvis https://www.nytimes.com/2021/11/03/magazine/pandemic-dreams.html GLISTENS Cho -  Discovery + / The Lost Kitchen Sam - ASTR Special thanks to our sponsor Play Submissions Helper! https://playsubmissionshelper.com Use coupon code BECKETTSBABIES to receive 90% off the first month! ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com   Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play or two to discuss, and for this week's episode we read "Hurricane Diane" by Madeleine George. We discuss what we noticed, what we liked, and questions that came up while reading the play. SPOILER ALERT: There are going to be some spoiler alerts! We highly recommend you read the play before listening to this episode! Glistens: Cho - my niece was born!! 12:33pm November 1st. (We already did her birth chart lolol) Rising - Capricorn, Sun - Scorpio, Moon - Virgo Sam - Kaidan - 7 ghost stories from around the world Special thanks to our sponsor Play Submissions Helper! https://playsubmissionshelper.com Use coupon code BECKETTSBABIES to receive 90% off the first month! ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! In this week's episode, we discuss the Scene and Act Breaks. What’s going on between the scenes? Between the Act breaks? What would justify the time jumps? Let's dig in! GLISTENS Cho: London Writers Salon Sam: STAINS by Sarah Cho Special thanks to our sponsor Play Submissions Helper! https://playsubmissionshelper.com Use coupon code BECKETTSBABIES to receive 90% off the first month! ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com   Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hey listeners! Halloween is just around the corner and we decided to bring on a guest who can share some spooky stories with us! This week’s guest on the show is HEATHER KELLEY! Heather Kelley (she/her) is an actor, educator, and theatre administrator currently enrolled in CU Boulder’s PhD program in Theatre & Performance Studies. A former company member of the New York Neo-Futurists and Mad Dog Theatre Company, Heather performed with South Brooklyn Shakespeare for many seasons, and served as Director of Audience Services for Premiere Stages, the Equity theatre in residence at Kean University, for seven years. She is the recipient of a 2019 State of New Jersey Senate & General Assembly Citation commending her work with Plainfield Senior Citizens Services as an actor and teaching artist, and received a 2019 New Jersey Theatre Alliance Award of Excellence honoring her contributions to professional, non-profit theatre throughout the state. A lover of all things scary, Heather's current research centers on dark tourism, haunted attractions, mediumship as performance, and depictions of the supernatural on stage and on screen. If YOU have theater ghost stories you'd like to share, go to the link below! https://www.colorado.edu/theatredance/heather-kelley GLISTENS: Cho - The Simpsons Treehouse Horror Sam -  My Haircut Erin - Tik Tok's Pug Noodles "Bones or No Bones Day" Special thanks to our sponsor Play Submissions Helper! https://playsubmissionshelper.com Use coupon code BECKETTSBABIES to receive 90% off the first month! ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

We return to our Playwright Series where we look at a single playwright and their large body of work. In this episode, we discuss the life and work of María Irene Fornés. We read the three plays: FEFU AND HER FRIENDS (1977) (Awarded an Obie for Playwriting), MUD (1983) (Awarded an Obie for Playwriting and Direction), and LETTERS FROM CUBA (2000) to share our thoughts on María Irene Fornés' craft in playwriting. We hope you will check these plays out and listen to our conversation! GLISTENS: CHO - Stand-up comedy  SAM - Aspen Trees _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friend! Follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! In this week's episode, we share writings from our childhood to help us generate ideas for possible play or story ideas. Is this a recipe of a disaster? Probably! Enjoy! GLISTENS Cho - SQUID GAME Sam - London Fog ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com   Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play or two to discuss, and this week's episode is a play called "Heroe's of the Fourth Turning" by Will Arbery. The play was recommended to us from one of our listeners and recurring guest of the podcast, Shaun Leisher! Shaun pointed out that lots of guests have mentioned this play, so we decided it was time to read it for ourselves! We discuss what we noticed, what we liked, and questions that came up while reading the play. SPOILER ALERT: There are going to be some spoiler alerts! We highly recommend you read the play before listening to this episode! About the Play: It’s a “scrupulously hewn drama centering on four alumni of a conservative Catholic college who confront themselves and each other, clashing over theology, politics and personal responsibility. It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. But as their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration than a vicious fight to be understood. On a chilly night in the middle of America, Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself. -- From Playwrights Horizons' website About the Playwright: Will Arbery is a playwright, TV/film writer, and filmmaker from Texas + Wyoming + seven sisters. Other plays include: Plano, Evanston Salt Costs Climbing, Corsicana (development at Playwrights Horizons & Ojai Playwrights Conference) // Wheelchair (3 Hole Press) // You Hateful Things (development at The Public, SPACE on Ryder Farm, and NYTW Dartmouth Residency). He's currently under commission from Audible, MTC, and Playwrights Horizons. Will Arbery is currently developing TV series with A24/HBO, as well as Littlefield Co./Touchstone. Film projects with BBC Films/A24, Animal Kingdom, and Sight Unseen. Consultant on "Succession" (HBO). Glistens: Cho - my new play Stains!! October 9th, 6pm PST. Moving Arts Theater. Tickets are now live. Sam - The New American Gothic dance performance on a FARM (Claire Kendall Creative Projects) ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with   your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! In this week's episode, we’ll be discussing the topic of character. Are there characters that stand out to you? Why do certain characters stand out? Listen to us attempt to answer: What Makes A Good Character?  GLISTENS Sam: Climate Cabaret Cho: Y The Last Man on FX ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com   Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

We return to our Playwright Series where we look at a single playwright and their large body of work. In this episode, we discuss the life and work of SUZAN-LORI PARKS. We read the three plays: Venus (1996), Topdog/Underdog (2002 Pulitzer Prize Winner), and Father Comes Home From The Wars (Parts 1, 2 & 3) (2015) to share our thoughts on Suzan-Lori Park's craft in playwriting. We hope you will check these plays out and listen to our conversation! SUZAN-LORI PARKS Venus (1996) Topdog / Underdog (2002 Pulitzer Prize Winner) Father Comes Home From The Wars (Parts 1, 2 & 3) (2015) GLISTENS: CHO - Chip and Joanna SAM - peaches _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friend! Follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

In today's episode, we answer questions from one of you, our listener! We answer question about finding stability after college, what to do to get started, how to stay creative and so much more. We hope you enjoy it!  As always, we love getting questions from our listener's so... keep 'em coming!  Thank you for tuning in. We appreciate you all. Glistens: Cho: Moving Arts Theatre / Reading of my new play STAINS on October 9th, 6pm PST via Zoom. More info coming soon! Sam: baby elephant in burkina faso ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play or two to discuss, and this week's episode is a  play called "The Two Kids That Blow Shit" by Carla Ching. We discuss what we noticed,  what we liked, and questions that came up while reading the play. SPOILER ALERT: There are going to be some spoiler alerts! We highly recommend you read the play before listening to this episode! About the Play: Here’s what the play’s about which you can read on New Play Exchange: ”As kids, Max and Diana meet on their parents’ date, then are kicked out of the house so their parents can get it on. They are forced to play together even though they aren’t really that fond of each other. Through over two decades of their parents’ tumultuous relationship of getting together, breaking up, getting married and then divorced, Max and Diana are perpetually forced together and become the most unlikely of friends. They see each other through their own marriages and divorces, rehabs and spin-outs, career rejiggerings and epic life fails. But when they actually fall into each other, will they lose the only family they’ve ever known? A play about falling in and out of love with your best friend.” About the Playwright: An LA native, Carla Ching’s other plays include Revenge Porn or the Story of a Body, Nomad Motel, Fast Company, and The Sugar House at the Edge of the Wilderness. Just to name a few-- her full-length plays have been produced or workshopped by Artists at Play, Berkeley Rep’s Ground Floor, Center Theater Group, The Lark Play Development Center, Ma-Yi Theatre Company, The National New Play Network Showcase of New Plays, and The O’Neill Playwrights Conference. She is a member of New Dramatists and founding member of The Kilroys. Carla wrote on USA’s Graceland,  AMC’s Fear the Walking Dead, Amazon’s I Love Dick, Apple’s Home Before Dark and the forthcoming Mr. and Mrs. Smith co-created by Francesca Sloane, Phoebe Waller Bridge and Donald Glover. She is currently developing a new project with Netflix. Glistens: Cho - Took a trip to Michigan. Met Nik’s extended family. Mosquito bites all over my face… cool. Sam - Walden by Amy Berryman at Theatreworks Hartford ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with   your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello listeners! This week’s guest on the show is ERIN MALLON! Erin Mallon is a playwright, author, and narrator of over 550 audiobooks with a special affinity for the romance genre. She is a six-time Earphones Award Winner and a five-time Audie Award Nominee. Her audio play These Walls Can Talk is a 2021 Independent Audiobook Award Winner for Humor. Her play The Net Will Appear is now available on Audible.com as an audio drama co-starring Matilda Lawler (Disney Plus’ Flora & Ulysses, Broadway’s The Ferryman). Erin’s other full-length plays include: Good Riddance, Soft Animals, Hand Me Down, Stunning Displays of Prowess, and Skin Hungry. To learn more about Erin and her work, check out the links below!   Twitter: https://twitter.com/erinmallon Instagram: https://www.instagram.com/mallonerin/ Website: https://www.erinmallon.com/ GLISTENS: Cho - TV show Friends Sam -  Sushi burrito Erin - Tik Tok ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello  listeners! This week’s guest on the show is CARIDAD SVICH! Caridad Svich received a 2012 OBIE for Lifetime Achievement. Her work as a playwright, translator, lyricist, and essayist has been seen in print, live and digital stages at across the US and abroad. Key plays in her extensive repertoire include 12 Ophelias, Iphigenia Crash Land Falls on the Neon Shell That Once Was Her Heart, Red Bike, and The House of the Spirits. Upcoming theatrical premieres in 2021 include The Book of Magdalene and Theatre: a love story.  To learn more about Caridad and her work, check out the links below! Twitter: https://twitter.com/Csvich Websites: https://caridadsvich.com/ GLISTENS: Cho - food processor / writing jokes  Sam -  compost collection Caridad - Kae Tempest’s play “Paradise” ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello,  listeners! This week's episode is a two-part episode! In the first part, we share some exciting life updates (Spoiler alert: One of us relocated to a NEW STATE) and we get into the topic of unpaid, or low-wage, theater internships, and why we think it's unethical. If you haven't listened to the first part, be sure to check out last week's episode! We hope you enjoy it! GLISTENS Sam - Taylor Mac’s bio Cho - Lester Holt’s instagram ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next future episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! This week's episode is a two-part episode! In the first part, we share some exciting life updates (Spoiler alert: One of us relocated to a NEW STATE) and we get into the topic of unpaid, or low-wage, theater internships, and why we think it's unethical. We hope you enjoy it! GLISTENS Cho - Libby App Sam - Pollinators Altar in the Boulder public library (Aspen Institute) ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next future episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello listeners! This week’s guest on the show is PEPPUR CHAMBERS! PEPPUR CHAMBERS is an international writer, producer, and educator. A member of Circle X Emerging Playwrights Group, Moving Arts MADLab, and Antaeus Playwrights Lab, she uses her voice to scream, shout or sing about women’s issues, social justice and love. She has been commissioned for LA's Lower Depth Theatre Ensemble and you can catch her radio play, End of the Line, about human trafficking in Antaeus Theatre Company’s The Zip Code Plays Season Two. To learn more about Peppur, check out the links below! Instagram: @peppurthehotone Twitter: @peppurthehotone Facebook: https://www.facebook.com/peppur Websites: www.penandpeppur.com  / www.brownbetties.com  GLISTENS: Sarah: Sudoku Sam: Toddy Pond Farm Dinner! Peppur: Cleaning the kitchen, moving to Phoenix, and a very special box of pens :') ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play or two to discuss, and this week's episode is a play called "BureauCRAZY" by Kate Danley. We discuss what we noticed, what we liked, and questions that came up  while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! About the Play: Grace and Amy, two outrageous admins stuck in a soul-sucking job, are just slogging their way through the work week. But when their supervisor chokes, everything goes awry and begins a domino-effect of destruction. 9-to-5 meets One Man, Two Guvnors in this quick-witted, sidesplitting farce. About the Playwright: Kate Danley is a USA TODAY Bestselling author and thirty-year veteran of stage and screen and one of the original co-founders of the Seattle Playwrights Salon. Glistens: Sarah - no-screen sunday and peaches and cream pie Sam - Arcadia by Lauren Groff ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with   your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! In this week’s episode, we discuss the topic of what makes a monologue good with a very special returning guest--- a philadelphia-based dramaturg, producer, and arts education advocate-- Shaun Leisher!!! Did you know he reads one or two plays a day and has recommended 752 plays on New Play Exchange? Incredible! We are so happy to have Shaun back on our show and talk about all things theater and monologues. To learn more about Shaun's monologue finding service, be sure to check out his website! https://www.shaunleisher.com/ GLISTENS Cho: Geffen playhouse Someone Else's House Sam: Moving to Boulder!!! Shaun: Went to the movies, Alex Lin!, coffee shops ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play or two to discuss and this week's episode is a play called "Between Riverside and Crazy" by Stephen Adly Guirgis. We discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! About the Play: City Hall is demanding more than his signature, the Landlord wants him out, the liquor store is closed — and the Church won’t leave him alone.  For ex-cop & recent widower Walter “Pops” Washington and his recently paroled son Junior, when the struggle to hold on to one of the  l ast great rent-stabilized apartments on Riverside Drive collides with old wounds, sketchy new houseguests, and a final ultimatum, it seems the  Old Days are dead and gone — after a lifetime living between Riverside and Crazy. About the Playwright: Stephen Adly Guirgis other select plays include Jesus Hopped the ‘A’ Train, The Last Days of Judas Iscariot, and The Motherfucker with the Hat. He is a former co-artistic director of Labyrinth Theater Company. Awards include the Yale Wind-ham Campbell Prize, a PEN/Laura Pels Award, a Whiting Award, the 2014 Steinberg Distinguished Playwright Award and the 2015 Pulitzer Prize for Drama. Glistens: Sam: My birthday!!! 34!! Sarah: my brain ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! After taking a short break, we are BACK! In this episode, we catch up and share updates. Sarah is married and Sam still loves going into the woods and so much more! Stay tuned for next week's episode. We'll be discussing the play "Between Riverside and Crazy" by Stephen Adley Guirgis. Thanks for listening! Glistens: Cho: Geffen Stayhouse / Zoom play "Someone Else's House" Collier: Movie "The Old Guard" ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!    Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com    Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hey listeners! During the month of June, we’re taking a short break and replaying some of our favorite episodes. In Season 2, we had an amazing conversation discussing all-things playwriting with fellow Iowa playwright DEBORAH YARCHUN! Deborah Yarchun has had two Jerome Fellowships at the Playwrights’ Center and won many more awards for her plays. She shares her experiences and some of her best practices in how she writes her plays. Enjoy! To learn more about Deborah and her work, be sure to check out the following websites: Website: www.DeborahYarchun.com NPX page: newplayexchange.org/users/114/deborah-yarchun Be sure to check out Deborah's article "Staying Focused in the Time  of COVID: 22 Tips and Strategies to Finding Focus" on the Playwright Center website: https://pwcenter.org/playwriting-toolkit/staying-focused-time-covid-22-tips-and-strategies-finding-focus ________________________ Please support Beckett's Babies by reviewing, sharing an episode to  your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hey listeners! During the month of June, we’re taking a short break and replaying some of our favorite episodes. This week we want to share our interview with playwright and arts advocate Gwydion Suilebhan. If you are a playwright or someone who is just starting to write plays, then you must know the New Play Exchange. Gwydion is the chief architect of the New Play Exchange and he has so much to tell us about making plays and creating your own vision of what theater can be. Enjoy! To learn more about Gwydion and his work, you can visit the following links Website: www.suilebhan.com NPX Profile: newplayexchange.org/users/104/gwydion-suilebhan Or follow him on Twitter @GwydionS ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hey listeners! During the month of June, we’re taking a short break and replaying some of our favorite episodes. This week we want to share our interview with MEGAN GOGERTY, who is not only laugh-out-loud hilarious but truly inspirational. Megan is a playwright, comedian, and delightful person, and she had so much to say about being an artist, setting aside time to write, and theater being “a haunted house, a rave, and a party.” Enjoy! To learn more about Megan Gogerty and her work, check out her website at www.megangogerty.com ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! In this week’s episode, we discuss the topic of social media and our personal experiences with social media through the lens of writers. This was actually a suggestion from our guest Terry Guest, and we thought it would be a great topic to explore! When is social media helpful? When is it detrimental? Let the venting begin! GLISTENS Sam: Wolfwalkers Cho: GETTING MARRIED ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play or two to discuss and this week's episode is a play called "36 Views" by  Naomi Iizuka. We discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! GLISTENS: Sam: Aeropress!!! Sarah: Girls5eva ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com   Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA) Sponsorships: on for this episode

Hello, listeners! In this week’s episode, we revisit the topic of REJECTIONS. In our first season, we shared our own experiences on rejections. It's been a couple of years since we last talked about it, and we have grown older since. In this episode, we share with you all some of the rejections we've received and we READ 'EM. Uh oh! GLISTENS Sam: Ohio is offering 1 million dollars to five vaccinated people Sarah: SQUARE PIZZA PIE / Sicilian ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com   Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

**This episode has some explicit language. Be sure to grab those headphones if you have kiddos around!** Hello listeners! This week’s guest on the show is TERRY GUEST! Terry Guest is a Chicago-based playwright, actor, and teaching artist from Atlanta, Georgia. His works At The Wake of a Dead Drag Queen, Marie Antoinette and the Magical Negros, and The Magnolia Ballet reexamine American history through the experiences of Black people.  To learn more about Terry, check out the links below! Website: https://www.terrycguest.com/ New Play Exchange: https://newplayexchange.org/users/38107/terry-guest Instagram: https://www.instagram.com/terryexplainsitall/ GLISTENS: Sarah: My Tweets Sam: Spending time with family; Dad’s cousin Terry: Nicki Minaj’s Mixed Tape “Beam Me Up Scotty” ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello,  listeners! In this week’s episode, we revisit the topic of rewriting. In our first season, we shared our own experiences on how we approach rewriting our plays. But this time-- we want to hear what other playwrights had to say and posted this question on Twitter: Playwrights: How do you know if your new draft of a play is going to be better than the previous draft? How do you know if you're making the right edits? Is it all trial and error or instincts? So curious to know your thoughts! GLISTENS Sarah: Youtube Channel "Catch Em All Fishing" + Chinese Mermaids https://www.cnn.com/travel/article/china-mermaid-diving-cmd/index.html Sam: 2nd shot ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter:  @beckettsbabies   And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info,  visit our website: www.beckettsbabies.com   Theme Music: "Live Like the  Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play to discuss and this month’s play is "Kim's Convenience" by Ins Choi. To make it even more interesting... we also watched the TV version of the play! We discuss what we noticed, what we liked, and questions that came up while reading the play AND seeing the pilot episode of the show. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! GLISTENS: CHO - Paderia Bakery SAM - The Only Donut ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends   or follow us on Facebook, Instagram, Twitter: @beckettsbabies   And as always, we would love to hear from you!     Send us your questions or thoughts on playwriting, and we might discuss it in our next episode.     Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com      Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

HAPPY 100TH EPISODE, LISTENERS! For those who've been with us from the beginning, we can't thank you enough for going on this journey with us. For those who just recently learned of the show, welcome and thank you! We appreciate all your support and always tuning in. From the bottom of our hearts, thank you.  We wanted to celebrate our 100th episode by bringing onto a show another fellow theater-loving playwright and podcaster... It's BRIAN JAMES POLAK! Brian was born and raised in New Hampshire and currently resides in Chicago. When not writing plays, he can be found working as the producer and host of American Theatre magazine's "The Subtext," a podcast about what makes playwrights tick. He received his MFA in Dramatic Writing from the University of Southern California, School of Dramatic Arts. We're so fortunate to chat with him and listeners, buckle in because Brian is an incredible storyteller. You're not going to want to miss this episode! GLISTENS Sarah: Happy Birthday, Nik! Sam: The Night Watch by Sarah Waters Brian: Reconnects with his Little Brother from the Big Brother organization after 20 years! ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! In this week’s episode, we are here to discuss the topic of Writing Groups. Have they been helpful? When is it helpful? When is it not? Are they effective in getting you that next rewrite? A lot of questions to answer so be sure to tune in.  We also shared on our Twitter page these questions so be sure to check out what other playwrights are saying! https://twitter.com/BeckettsBabies/status/1382579230991536133 GLISTENS Sarah - It was my birthday and I celebrated... I'm 32. Sam - Recallers! ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends  or follow us on Facebook, Instagram, Twitter: @beckettsbabies  And as always, we would love to hear from you!  Send us your questions or thoughts on playwriting  and we might discuss it in our next episode.  Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com  Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Do you ever feel stuck and want to write something new but don't know  where to even begin? How could one even start generating ideas? Have no fear! Sam and Sarah look to images and art to brainstorm possible stories for a new play. Try it out yourself and tell us what  you thought about the exercise! Visit our website at www.beckettsbabies.com to follow along with us! GLISTENS   Cho: Cobra Kai on Netflix Sam: Vaccine! Special Thanks to Our New and Current Supporters to the Podcast! Tanuja Devi Jagernauth Daniel Olivas Thank you so much for your continue support in us and the show.  We appreciate you all so much! _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friend! Follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com The Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! In this week's episode, we decide to throw our usual script out the window and share our thoughts on playwriting and theater in this mix-bag of an episode. We discuss what's on our minds regarding theater and writing. You just don't know what you're going to get in this episode, so we hope you enjoy it!  GLISTENS  Sam: Hamnet by Maggie O’Farrell  Sarah: Moving Arts / MADlab  _____________________________________________  Please support Beckett's Babies by reviewing, sharing an episode with your friend!  Follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!  Send us your questions or thoughts on playwriting and we might discuss it in our next episode.  Email: contact@beckettsbabies.com  For more info, visit our website: www.beckettsbabies.com    The Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

We return to our Playwright Series where we look at a single playwright and their large body of work. In this episode, we discuss the life and work of SARAH RUHL. We read the three plays: Melancholy Play (2001), The Clean House (2004), and For Peter Pan on Her 70th Birthday (2017)  to share our thoughts on Sarah Ruhl's craft in playwriting. We hope you will check these plays out and listen to our conversation! SARAH RUHL PLAYS: Melancholy Play (2001) The Clean House (2004) For Peter Pan on Her 70th Birthday (2017) GLISTENS: Sam's: Cascatelli pasta invented by Dan Pashman of the Sporkful, heard on Planet Money Sarah's: Lack of sleep.... but hey! Got the first dose of the vaccine whoo!... so maybe that's why I'm having trouble sleeping. _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friend! Follow us on Facebook, Instagram, Twitter: @beckettsbabies  And as always, we would love to hear from you!    Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com    Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello, listeners! This week, we will be discussing a topic on writing resumes and CV. What is the difference between the two? Why is it important? Should we even have different versions? What should be on there? What do we add on our resumes specifically for a writer? What does that look like? A lot of questions so be sure to listen in!  GLISTENS  Sarah - Barb and Star Go to Vista Del Mar  Sam - Lost tourist in Bangor 1977 Erwin Kreuz  ____________________________________________  Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!  Send us your questions or thoughts on playwriting and we might discuss it in our next episode.  Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com  Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello  listeners!  This week’s guest on the show is DANIEL OLIVAS! Daniel Olivas is the author of nine books of fiction, nonfiction, and poetry. His first full-length play, Waiting for Godínez, was selected for the Playwrights' Arena 2020 Summer Reading Series. Daniel was selected for Circle X Theatre Co.'s inaugural Evolving Playwrights Group where he is adapting his 2011 novel, The Book of Want, with a planned Zoom reading in 2021. By day, he is an attorney and makes his home in Southern California with his wife. To learn more about Daniel, check out the links below! Website: http://danielolivas.com New Play Exchange: https://newplayexchange.org/users/35649/daniel-olivas Twitter: https://twitter.com/olivasdan GLISTENS: SAM: "H is for Hawk" by Helen Macdonald CHO: Decomposition Notebooks DANIEL: Playwrights Arena and Circle X Theatre / Film "United States Vs. Billie Holiday" written by Suzan-Lori Parks ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play to discuss and this month’s play is "Fairview" by Jackie Sibblie Drury. We discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode!  GLISTENS:  CHO - Free Food for Millionaires by Min Jin Lee  SAM - Pablo Neruda’s odes   ____________________________________________  Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com   Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello listeners!  This week’s guest on the show is ANDY BOYD! Andy Boyd is a playwright based in Sunset Park, Brooklyn. His play The Trade Federation, or, Let's Explore Globalization Through the Star Wars Prequels is available through NoPassport Press, and his play Three Scenes in the Life of a Trotskyist is available as a podcast. To learn more about Andy and his work, be sure to visit his website at https://www.andyjboyd.com/ Also, follow Andy and his cartoons on Instagram @AndyJBoyd! GLISTENS: Sarah: "I had a dream I was in the theater and I started to cry." Sam: Vaccines! Andy: Japanese City Pop ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting, and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

We return to our Playwright Series where we look at a single playwright and their large body of work. In this episode, we discuss the life and work of CARYL CHURCHILL. We read the three plays: Owners (1972), Cloud Nine (1979), and Glass. Kill. Bluebeard. Imp (2019)  to share our thoughts on Carol Churchill's craft in playwriting. We hope you will check these plays out and listen to our conversation!  CARYL CHURCHILL PLAYS:  Owners (1972)   Cloud Nine (1979)  Glass. Kill. Bluebeard. Imp (2019)  GLISTENS:  Sam's: Alaska Bear Bites Woman's Butt  Sarah's: New Netflix docuseries called “Crime Scene the Vanishing at the Cecil Hotel”  _____________________________________________  Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!   Send us your questions or thoughts on playwriting and we might discuss it in our next episode.   Email: contact@beckettsbabies.comFor more info, visit our website: www.beckettsbabies.com   Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

This episode is all about LOVE for all you lovebirds (or singles) out there in this special 'very on-theme' episode. We share our general thoughts about writing love, and why is it so cringy? How do we make it fresh and not clichéd? Can we even avoid writing about love? We also share some different types of love and some of our favorite plays that we think do an incredible job writing on this love.  And should we rename this show to Shepard's Babies? Because Sarah is way too obsessed with Sam Shepard....  GLISTENS  Sarah - BRITNEY SPEARS  Sam - Sam's mom  ____________________________________________  Please support Beckett's Babies by reviewing, sharing an episode with your friends or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.comFor more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Every month, we pick a play to discuss and this month’s play is "The Flick" by Annie Baker. We discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! RELATED LINKS: The Funny, Empathetic Genius of Annie Baker by Sarah Larson https://www.newyorker.com/culture/sarah-larson/the-funny-empathetic-genius-of-annie-baker GLISTENS: Sam - "The Intuitionist" Novel by Colson Whitehead Sarah - "310, 213, 818: Why Southern California is obsessed with area codes" by Patt Morrison https://www.latimes.com/california/story/2021-01-26/why-southern-california-is-obsessed-with-area-codes ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Listeners! We are back for Season 3! Did you miss us??? Just admit it. You missed us! In this episode, we check-in and share what's new on the horizon for Beckett's Babies. Next week, we’ll be discussing the play “The Flick” by Annie Baker for February’s Play of the month. So give it a read, let us know what you think, and we can’t wait to discuss. GLISTENS: Sarah: musical duo Pomplamoose Sam: The Bass Rock by Evie Wyld ________________________ Please support Beckett's Babies by reviewing, sharing an episode with   your friends, or follow us on Instagram and Twitter: @beckettsbabies   And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hi Listeners... This week is our last episode of Season 2! Also known as our year of the terrible twos... How do we feel about that?! We might be a couple of two-year-old podcasters but boy, did we have such an incredible year of spectacular guests on the show! If we had the time, we would highlight every guest of the season. Instead, we highlight just a few and we hope you will check out the full episodes if you haven't already. For the full episodes of the interviews mentioned on our show, check out the links below! Interview with Reginald Edmund Interview with Tanuja Jagernauth Interview with Paul Michael Thomson Interview with Marina J. Bergenstock Interview with Dr. Lisa Quoresimo Special thanks and shoutout to our wonderful listener supporter Tanuja Jagernauth. Thank you, Tanuja!!! Please be sure to follow her! ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

This week, we’re doing a topic episode led by a returning guest on the show. You may know him from our previous episodes. It’s Ryan!  Ryan Oliveira is a playwright, performer, songwriter, and theatrical jack-of-all-trades currently living in Chicago. His work has been developed with Teatro Vivo, Pride Films and Plays, Prop Thtr, and others. He'll be developing a "re-vamped original work" with The New Colony in Chicago later next year and is currently working on new songs and a new novel during a long-needed theatre break. Ryan returns to discuss a special topic in the songwriting process: What it means to write a song for theatre, for yourself, for anything else. Ryan shares his own personal history with songwriting and techniques and tricks he’s learned that work for him and may work for you. Ryan's Songs "What Brother Should Be" "Oh, Mercury" To learn more about Ryan and his work: Website: www.ryanoliveira.com Instagram: www.instagram.com/ryanoceronte NPX: https://newplayexchange.org/users/8029/ryan-oliveira Soundcloud: https://soundcloud.com/user-222040529 GLISTENS: Sarah: The Cure "Just Like Heaven" / “Alchemy of Herbs” by Rosale De La Foret Sam: Joni Mitchell "Cactus Tree" / Worlds Healthiest Foods Veggie Advisor Ryan: Goo Goo Dolls "Iris" & Zac Brown Band "Colder Weather / Plane Crash Tests ________________________ Please support Beckett's Babies by reviewing, sharing an episode with  your friends, or follow us on Instagram and Twitter: @beckettsbabies   And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Theme Music: "Live Like the Kids" by  Samuel Johnson, Laura Robertson, Luke O'Dea (APRA)

Hello listeners!  This week’s guest on the show is Kevin Kautzman! Kevin is a playwright originally from North Dakota, living in Minneapolis, whose work has been performed around the UK and the US. Kevin first studied playwriting at the Royal Court Theatre in London and has been a fellow at the Playwrights' Center and Michener Center for Writers, where he completed his MFA in playwriting and screenwriting. He is the co-founder of Cut Edge Collective, an experimental playwriting group, and can be found at kevinkautzman.com. To learn more about Kevin, be sure to check out the additional links below: Kevin's Play Moderation: https://moderationplay.com/ New Play Exchange: https://newplayexchange.org/users/121/kevin-kautzman Podcast: https://getthispodcast.com/ Twitter: https://twitter.com/kevinkautzman GLISTENS: Cho: Queen’s Gambit on Netflix Collier: YPIP young playwrights in process, Indiana Rep Kevin: Norwegian Band "Ulver" / Band "Have A Nice Life" ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners!  This week’s guest on the show is Alex Lin. Alex is an award-nominated Asian-American playwright and ex-STEM kid from Bergen County, New Jersey. Her plays have been workshopped and produced at the Women's Theatre Festival, The Rude Mechanicals in Washington, and Actors Theatre of Louisville's Professional Training Company. She is this year’s 2020 Pass the Pen nominee at Ashland New Play Festival and ScreenCraft Stage Play Quarterfinalist. Lin is also a content creator and journalist at A24 Films' space media company Supercluster, where she's written editorials featuring former astronaut Nicole Stott, NASA executive Kathy Lueders, screenwriter Mark Heyman, and actor Cathy Ang. Most recently, Lin was seen as "#11" in The Wolves at Actors Theatre of Louisville. To learn more about Alex and read her work, be sure to visit her New Play Exchange here. https://newplayexchange.org/users/32657/alex-lin GLISTENS: Cho: DEMOCRACY WINS!! / Unsolved Mysteries Season 2 Episode 4:“Tsunami Spirits" -- The Ishinomaki Tsunami & Ghost Sightings Collier: Kamala Harris!!!! Alex: Election / CBD  ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hey listeners, we’re starting something new and exciting. If you’ve been enjoying our show -- be sure to sign-up for our new monthly newsletter. Visit our website at www.beckettsbabies.com to sign up for our newsletter today.  This week’s episode is a “PLAYBACK” episode with our interview with Sean David DeMers.  Sean David DeMers is a playwright with New England and New York City roots. Plays include FACULTY PORTRAIT, produced at IRT Theatre in New York City, the musical JULES VERNE'S FROM THE EARTH TO THE MOON with FringeNYC, LITTLE BLUE PILL read at the Last Frontier Conference in 2019, and ENCAPSULATED produced by The Navigators as part of their one-act sci-fi play festival. Sean has two short plays published by Samuel French/Concord Theatricals, OFF TACKLE GLIDE and FOUR MOVEMENTS. Sean is a graduate of the Iowa MFA Playwright's Workshop and recently picked up a project started there with the play FAYE by translating and adapting the existing Ancient Greek plays, starting with the most obscure. Keep listening to find out why you should throw away your first ten plays! We loved talking to Sean, who is incredibly cheerful and funny, probably because he takes so many naps. You won’t be disappointed! End of this year, we’ll play old favorites from the year. Thanks for listening! ________________________ Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on  Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! This week, we had such an incredible time chatting with the one and only Dr. Lisa Quoresimo! In this episode, Lisa tells us all about the voice and how it’s shaped by bodily practices. You don’t want to miss our interview! Lisa is Assistant Professor of Theatre at Southern Utah University, and co-founder and director of Catalyst: a Theatre Think Tank. Her work as a performer and composer has been seen recently in the SF Bay Area at Berkeley Rep, Shotgun Players, and many more. Her theatrical research has been published in major journals including Theatre Topics and Frontiers, and she has been invited to present her research on voice and gender at the Voice and Speech Teachers' Association, Performance Studies International, and the National Conference on Women’s Studies.  To learn more about Lisa and all her incredible research, visit her at Website - quoresimo.com/index.html Catalyst, a Theatre Think Tank - catalyst3t.com/  GLISTENS:  Sam - Bald Rock Mountain / apple-picking Cho - Crochet Lisa - Fall Cooking  ________________________  Please support Beckett's Babies by reviewing, sharing an episode with your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

We return to our Playwright Series where we look at a single playwright and their large body of work. In this episode, we discuss the life and work of NAOMI WALLACE. We read the three plays: In the Heart of America (1994), Slaughter City (1996), and The Trestle at Pope Lick Creek (1998) to share our thoughts on Naomi Wallace's craft in playwriting. We hope you will check these plays out and listen in to our conversation! NAOMI WALLACE'S PLAYS: 1. In the Heart of America (1994) 2. Slaughter City (1996) 3. The Trestle at Pope Lick Creek (1998) GLISTENS: Sam's: Julius Caesar / Donmar Trilogy dir. By Phyllida Lloyd - Harriet Walter plays Brutus stannswarehouse.org/show/donmar-trilogy/ Sarah's: Termites lol gross _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! This week, we chat with Artistic Producer and resident playwright of Theatre in the Dark, Mack Gordon. He is the co-adapter and performer of “A War of the Worlds”, which will be playing this October 15th until November 21st. Be sure to check out the links below to learn more about the show and how you can get tickets. You're not going to want to miss this incredibly unique audio drama! THEATRE IN THE DARK creates stories through sound. Focused on virtual production until COVID has passed. To learn more and how you can purchase tickets, visit: www.theatreinthedark.com Instagram: https://www.instagram.com/theatre_dark/ Facebook: https://facebook.com/theatredark To follow Mack Gordon and see what he's up to, be sure to follow him! Twitter: https://twitter.com/mackgord Instagram: https://www.instagram.com/mackgordon/  GLISTENS: Cho - The fly on Pence’s Head / Amy Sedaris’ Instagram post about evil flies Sam - Covita from the Lincoln Project Mack - Canadian Bands: Aidan Knight, Yukon Blonde / Canadian Stand-Up Comedians: Katie-Ellen Humphries, John Cullen ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! This week, we chat with playwright, actor, producer and director Katrina D. RiChard. Katrina digs deep into playwriting by sharing her thoughts, experience, and encouragement to write. Her new play “Call for the Wailing Women” will premiere as part of Black Lives Black Words International Project, ‘Plays for the People’, an online play season celebrating the diversity of the African-American and African experience in today’s world. Be sure to check it out! Katrina D. RiChard has performed on stages across the city of Chicago and the Chicagoland area as well as worked behind the scenes as a writer, producer, and director.   She was born and bred on the South Side of Chicago. The city continues to hold a special place in her heart and is one of the primary places she writes about. Katrina served Chicago Public Schools for over a decade teaching High School Social Science, and she uses her history background in her writing as well.  She is working on her MFA in Dramatic Writing at the University of Southern California (USC) where she was recently awarded the Joan Beber Playwriting Award. Her mission is to illuminate marginalized voices, tell stories that have never been told before, and tell classic stories with a fresh perspective. Learn more about Black Lives Black Words, be sure to visit the website: www.blacklivesblackwords.org/get-tickets For tickets to Katrina's "Call for the Wailing Woman" (Oct. 22-25, 2020) www.eventbrite.com/e/blbw-call-for…ts-108390868004 To learn more about Katrina and her work, be sure to follow her on Instagram: https://www.instagram.com/katrinadrich GLISTENS: Sarah -  Saturday Night Live, Chris Rock's monologue / "Killers of the Flower Moon: The Osage Murders and the Birth of the FBI" by David Grann Sam - Jennifer Jacobs, a reporter for Bloomberg News who broke the story about Hope Hicks testing positive Katrina - Country Music / "Honey Bee" - Blake Shelton ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Instagram and Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

As part of our monthly play series, we pick a play to discuss and this month’s play is "Ballyturk" by Enda Walsh. The play was recommended to us by one of our listeners Meredith Bartmon for this month. We discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! About BALLYTURK: Two unnamed male characters live in a single-room dwelling and discuss an imaginary town in Ireland called Ballyturk. Born in Dublin, Enda Walsh is an Irish Playwright. A multi-award-winning Irish playwright, his work has been translated into over twenty languages and has been performed internationally since 1998. He won Tony Award in 2012 for writing the book for the musical "Once", which went on to play on Broadway, in the West End, and a US tour. He current lives in London with his family. RELATED LINKS: "Review: A Fantasy Town Builds a Wall Against Time in ‘Ballyturk’" by By Ben Brantley (New York Times, Jan. 14, 2018) www.nytimes.com/2018/01/14/theate…w-enda-walsh.html GLISTENS: Sam - “The Election That Could Break America” by Barton Gellman Atlantic www.theatlantic.com/magazine/archiv…concede/616424/ Sarah - Ora Organic's "You're a Knockout" Natural Sleep Aid Supplement ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! This week, we chat with Oakland-based playwright JONATHAN SPECTOR and learn about his remarkable journey into theater. We dig deep into his play "Eureka Day" as he shares his thoughts on playwriting. Be sure to read "Eureka Day" when it becomes available! We're so excited for you to listen to this episode. Check it out! Jonathan Spector is a playwright based in Oakland, California. His play "Eureka Day" was a New York Times 'Critics’ Pick' and received all of the San Francisco Bay Area’s new play Awards: Glickman Award, Bay Area Theatre Critics Circle Award, Theatre Bay Area Award, and Rella Lossy Award. This and other plays including "This Much I Know", "What Comes Next", and "Siesta Key" have been produced and developed across the country. He is a MacDowell Colony Fellow, a Core Writer at Playwrights Center in Minneapolis, and a recipient of South Coast Rep's Elizabeth George Commission. In October, his audio drama "The Flats" (co-written with Lauren Gunderson and Cleavon Smith) will premiere with Aurora Theater. To learn more about Jonathan and his work, be sure to check out his website www.jonathanspector.org/ or follow him on Twitter twitter.com/spectorjon Jonathan also shared with us his favorite playwriting exercise. Be sure to check out our website to find out what it is and start writing today! GLISTENS: Sarah - RBG's passing / Sam leaving Instagram / Hulu’s Pen15 is back!!! / Play I want to highlight this week's from all my play reading is Caridad Svich's "RED BIKE"! Sam - Documentary film "Gunda" Jonathan - Enjoying the air outside since the fires / Netflix's Cobra Kai ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! We are so excited for you to listen to this new episode of Beckett's Babies! We had an amazing conversation discussing all-things theater and directing new work with the one and only MARINA J. BERGENSTOCK! Marina J. Bergenstock (she/her) is a director, dramaturg, performer, and educator. She holds an MFA in Directing from the University of Iowa. She formerly was on faculty at Beloit College in Wisconsin. She starts her Ph.D. studies at Stanford University in Theatre and Performance Studies, specializing in Arab Theatre.  To learn more about Marina and her work, be sure to check out her website at www.marinabergenstock.com GLISTENS: Sarah - Netflix's Julie and the Anthems / Plays on NPX: beth by Alex Lin, WYWH by Tom Moran, A Murder of Crows by France Beck Sam - Nina Morrison's reading of Hearts on Fire / Gabrielle Calvocoressi reading with Grinnell/Prairie Lights Marina - Netflix's The Babysitter's Club / Google Map Add-On Stanford Gleaning Project / Helpful Advice from Ph.D. Orientation ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

This episode is all about receiving and providing notes on our plays. What the heck do you do with  all the feedback? What are some best practices when receiving notes? When is it useful? When is it not? Can notes be too prescriptive? Or could it be more prescriptive? We attempt to discuss by sharing our own experiences as note givers and takers to shed some light on best practices. GLISTENS Sarah - HBO Raised by Wolves, Amazon The Boys, learning how to draw, and reading so many scripts on New Play Exchange! Sam - Oven-roasted cherry tomatoes!!! RELATED LINKS: Scriptnotes Podcast open.spotify.com/episode/71XK4ZPC…mGRL6VLcYgEkBEmA Howlround - “Notes to the Note-Givers; or, Embracing the Paradox” essay by Catherine Trieschman howlround.com/notes-note-givers-…-embracing-paradox How to Organize Writing Feedback so You Can Rewrite With Confidence by David Safford thewritepractice.com/organize-writing-feedback/ ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! We are so excited for you to listen to this new episode of Beckett's Babies! We had an amazing conversation discussing all-things playwriting with fellow Iowa playwright DEBORAH YARCHUN! Deborah Yarchun’s honors include two Jerome Fellowships at the Playwrights’ Center, a Dramatists Guild Foundation Fellowship, the 2020 Neukom Literary Arts Award for Playwriting, an EST/Sloan Commission, the Kennedy Center’s Jean Kennedy Smith Playwriting Award, and the Kernodle New Play Award. She’s been a playwright-in-residence at the William Inge Center for the Arts and a member of the Civilians’ R&D Group. Deborah’s a graduate of the Iowa Playwrights Workshop where she was an Iowa Arts Fellow. GLISTENS: Sarah - Andy Warhol's 25 Cats Name Sam and One Blue Pussy Sam - Spaulding’s Rock Deborah - HBO’s Lovecraft Country To learn more about Deborah and her work, be sure to check out the following websites: Website: www.DeborahYarchun.com NPX page: newplayexchange.org/users/114/deborah-yarchun Be sure to check out Deborah's article "Staying Focused in the Time of COVID: 22 Tips and Strategies to Finding Focus" on the Playwright Center website: https://pwcenter.org/playwriting-toolkit/staying-focused-time-covid-22-tips-and-strategies-finding-focus Deborah also shared with us her favorite playwriting exercise. Check out our website www.beckettsbabies.com to learn more! ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

We return to our Playwright Series where we look at a single playwright and their large body of work. We discuss plays from their early, mid-career, and the latest or most recent play of their career. In this episode, we discuss the life and work of Paula Vogel. We read the three plays: And Baby Makes Seven (1984), How I Learned to Drive (1997), and Indecent (2017) to share our thoughts on Paula Vogel's craft in playwriting. We hope you will check these plays out and listen in to our conversation! PAULA VOGEL’S PLAYS: 1. And Baby Makes Seven (1984) 2. How I Learned to Drive (1997) 3. Indecent (2017) GLISTENS: Sarah's: California Wildfires Sam's: Wired's Five Levels series _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, we discuss some of the ideas behind writing prompt and playwriting exercises, our own personal experience with prompts, and share a few of our favorites. What do we look for in a prompt that makes for an effective, productive, creative writing exercises? Give this episode a listen and be sure to let us know what you think! GLISTENS: Sarah: A dream Sam: Hand pies LINKS: "Playwrights Teach Playwriting" www.amazon.com/Playwrights-Teach…ent/dp/1575254239 by Joan Herrington (Editor), Brian Crystal (Editor) Additional writing prompts: pwcenter.org/playwriting-toolki…ur-weekend-writing ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

As part of our monthly play series, we pick a play to discuss and this month’s play is a collection of 3 one-act comedy plays called “Power Plays” by Elaine May and Alan Arkin. Instead of looking at the plays individually, we attempt to look at all 3 one-act plays together as it was intended to be performed in a single evening of theater. We are going to discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! About POWER PLAYS: Power Plays consists of 3 one-act plays called “The Way of All Fish”, “Virtual Reality” and “In and Out of the Light”. These are three short plays about the collision of wills and power that premiered Off-Broadway. Elaine May is an American comedian, film director, screenwriter, and actress. She made her initial impact in the 1950s from her improvisational comedy routines with Mike Nichols, performing as Nichols and May.  Alan Arkin is an Academy Award-winning American actor who is also an acclaimed director, producer, author, singer, and composer. RELATED LINKS: “THEATER; 'Power Plays,' Something More Than a Family Affair”  By Vincent Canby (May 31, 1998) https://www.nytimes.com/1998/05/31/theater/theater-power-plays-something-more-than-a-family-affair.html Arkin Tries Out His `Power Plays' by Janet I-Chin Tu (Mar 1, 1998) Seattle Times Theater Critic https://archive.seattletimes.com/archive/?date=19980301&slug=2737058 In Brief: ‘Power Plays’vBy John Simon (JUNE 8, 1998) https://nymag.com/nymetro/arts/theater/reviews/2886/ GLISTENS: Sarah -  Black Girls Run, a nonprofit organization dedicated to health & fitness for young black women to get together and run in groups. https://blackgirlsrun.com/ Sam - Peaches ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! We are so excited for you to listen to this new episode of Beckett's Babies! We had an amazing conversation discussing all-things playwriting with playwright, actor, producer MARJORIE MULLER! In this episode, Marjorie shares how she got into playwriting, her tips and tricks, and we also do a little deep dive in the social media (uh oh!). We hope you enjoy this episode! Marjorie Muller is a Chicago-based playwright, actor, and producer, whose work has been featured at Urbanite Theater, the Women's Theatre Festival, Impostors Theatre Company, and more. She is currently developing an adaptation of Dracula for young adults called "Lucy Westenra Is Definitely Not (And Will Never Be) a Vampire" that will be performed this Fall at the Latin School of Chicago. She is also producing a live audio drama with Theatre in the Dark based on War of the Worlds which will be happening this upcoming Fall. GLISTENS: Sarah - CSA box Sam - blueberries Marjorie - listening to the entire discography of Led Zeppelin. Find that bass line! To learn more about Marjorie and her work, be sure to check out the following websites: www.marjoriemuller.com/ www.theatreinthedark.com/ www.instagram.com/idesofmarge/ Also! Marjorie shared with us her favorite playwriting exercise. Go to our website www.beckettsbabies.com to learn more! ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

As part of our new monthly play series, we pick a play to discuss and this month’s play is “Sweat" by Lynn Nottage. In this episode, we discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoilers! We highly recommend you read the play before listening to this episode! About SWEAT: SWEAT tells the story of a group of friends who have spent their lives sharing drinks, secrets, and laughs while working together on the factory floor. But when layoffs and picket lines begin to chip away at their trust, the friends find themselves pitted against each other in a heart-wrenching fight to stay afloat. (summary from Dramatist Play Service) SWEAT won the 2017 Pulitzer Prize for Drama. The play premiered at the Oregon Shakespeare Festival in 2015; it was produced Off-Broadway in 2016 and on Broadway in 2017. Lynn Nottage is an American playwright whose work often deals with the lives of marginalized people. She is a professor of Playwriting at Columbia University. She was the first woman to have won the Pulitzer Prize for Drama twice; the first in 2009 for Ruined, and the second in 2017 for Sweat. See Lynn Nottage in this interview explaining the origins of SWEAT from Public Theater: https://www.youtube.com/watch?v=YcReO9WfWeQ GLISTENS: Sarah - author Samantha Irby; going on daily walks. Sam - going to the dentist ____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

How do you think about research when beginning a new play? When do you begin the research process? How do you know when to start writing? In this episode we discuss our own experiences on which plays of ours have required research; how did we do this research; and how do we feel about research. We ask ourselves how do we incorporate research without making the play overly expositional or boring and what are some best practices in organizing all this research? Let us know what you think! We'd love to hear from you. GLISTENS: Sarah: Michelle Obama. Michelle Kwan. Michelle McNamara. Michelle's. Sam: Wool Blankets HELPFUL LINKS: "On the Fine Art of Researching For Fiction" by Jake Wolff lithub.com/on-the-fine-art-of-…rching-for-fiction/ “Inspiration from artifacts: writing plays for the future inspired by the past” by Katie Bender pwcenter.org/playwriting-toolki…ture-inspired-past On dramaturgy howlround.com/research _______________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hi listeners! In this episode, we chat with the one and only Playwright, Co-Founder and Managing Curating Producer of Black Lives Black Words International Project Reginald Edmund. Black Lives Black Words International Project launched an online play season celebrating the diversity of the African-American and African experience in today’s world called ‘Plays for the People’. The season features new works from seven cutting-edge black playwrights: Reginald Edmund, Chisa Hutchinson, Anya Pearson, Dominic Taylor, Idris Goodwin, Katrina D. RiChard, and Wole Oguntokun. The season opened on July 8th and will continue to run through November 8th, 2020. Learn more about Black Lives Black Words and be sure to catch a show this season at www.blacklivesblackwords.org/get-tickets To learn more about Reginald's plays, check out his New Play Exchange here: newplayexchange.org/users/632/reginald-edmund GLISTENS Sarah: Netflix’s Unsolved Mysteries Reginald: Amazon’s Homecoming, Amazon’s The Expanse, and We Buy Black - webuyblack.com/ Sam: VS podcast www.poetryfoundation.org/podcasts/ser…1/vs-podcast ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

We are excited for an all-new series where we look at the work of a single playwright and from their large body of work, we look at the first play they’ve ever written, a play from their mid-career, and the latest or the most recent play of their career.  In this first of what we hope to be many series, we discuss the life and work of August Wilson. We read the three plays Jitney, The Piano Lesson, and Radio Golf to discuss our thoughts and August Wilson's craft of playwriting. We hope you will check these plays out and join us! AUGUST WILSON PLAYS: 1. Jitney 2. The Piano Lesson 3. Radio Golf GLISTENS: Sarah's:  I hate fireworks. Sam's: Urgent Care + human touch _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Have you ever written an artistic statement? Every playwright, at some point in their career, has to write an artistic statement, or what others might call a “Manifesto”. Whether it be for a playwriting opportunity, or for your website, it might be good to have one in your arsenal ready to go. In this episode, we want to discuss what it is, what’s the purpose, why it may or may not be important, how you could approach to writing one, and questions to help you get started in thinking about what your artistic statement. GLISTENS: Sarah: Sarah Moved to a New Apartment Sam: Pachinko by Min Jin Lee HELPFUL LINKS: Tips for Writing Your Artistic Statement from the Playwrights Corner. www.larktheatre.org/blog/tips-writi…istic-statment/ “The Artist Statement - From Playwrights to Artistic Directors, This is What They Said…” from Theaterspeak www.theaterspeak.org/2013/08/the-ar…aywrights.html "What's Your Brand? Not Having One Is Hurting You" blog.finaldraft.com/whats-your-bran…-is-hurting-you ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Based in Chicago, Tanuja Jagernauth is an Indo-Caribbean playwright, dramaturg, and ceramic artist who believes in the necessity of creation during times of destruction. We talked with Tanuja a few months ago about her theatrical work, and we have her back on to discuss her work organizing the response of Chicago theaters to the Black Lives Matter movement, the coronavirus pandemic, and this moment in time. She will be working on a musical adaptation of FAUST with Prop Thtr with Olivia Lilley as the director. They start a workshop in July and the production will be in the spring of 2021. Be sure to be on the lookout! GLISTENS: Sarah - Her postponed Wedding Tanuja - Google "racist statues Enya" Sam - Netflix's When They See Us Tanuja's Recommendations, References & Uplifts: WASTED by Free Street Theater www.eventbrite.com/e/free-street-t…ts-108725549044 "Victory Gardens Boards Windows Against Black Lives, Arts Community Protests Leadership" by Regina Victor rescripted.org/2020/06/08/victor…gardens-protests/ TransformHarm transformharm.org/ "It takes more than #OpenYourLobby to address racism in American theater" by Miranda Gonzalez www.chicagoreader.com/chicago/beyond…ipoc-theaters/ Brave Space Alliance www.bravespacealliance.org/ Chicago Freedom School chicagofreedomschool.org/ Let Us Breathe Collective www.letusbreathecollective.com/ ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello, listeners. We hope you are well and staying safe. We are still processing what's happening in the country and the world. In this episode, we discuss some ways theaters are responding to the Black Lives Matter movement. One of which is #openyourlobby. The following theaters have opened their doors in response to the movement. This is not the complete list as more theatres may be opening their doors. Below is what we know so far. We would love to hear what you've experienced and noticing what other theaters are doing. NEW YORK MANHATTAN New York Theatre Workshop - first ART South Oxford Space IRT Theatre The Public Theatre Playwrights Horizons Atlantic Theater Company Signature Theatre Mabou Mines - www.maboumines.org New York Live Arts SubCulture Dixon Place EST Club Cumming: www.instagram.com/p/CBD_boKhlur/ MoMA PS1 MCC Theater Second Stage Theater Classic Stage Company partnership with Everyman Espresso Collapsable Hole NYU Skirball Soho Rep Cherry Lane Theatre BROOKLYN Bric Irondale Center Brooklyn Museum Cloud City Brooklyn Arts Exchange CALIFORNIA The Flight Deck (Oakland) San Jose Stage Aurora Theatre Company, Bay Area Children’s Center, & Berkeley Rep (Berkeley) Center Theatre Group (Culver City) The Music Center (LA) UCB LA WASHINGTON, DC Studio Theatre Woolly Mammoth Arena Stage Source Theatre 930 Club Keegan Theatre Shakespeare Theatre PENNSYLVANIA PHILADELPHIA Wilma Theater Underground Arts Kimmel Center PITTSBURGH Kelly Strayhorn Theater SEATTLE Arts West Playhouse PORTLAND, OR Portland Center Stage Shaking the Tree Theatre CHICAGO Chicago Dramatists The Den Goodman Theatre Steep AUSTIN Vortex Repertory Company HELPFUL LINKS/INFORMATION/RESOURCES/PLACES TO DONATE: blacklivesmatter.com/ blacklivesmatter.carrd.co www.gofundme.com/f/9v4q2-justice-…r-breonna-taylor www.gofundme.com/f/i-run-with-maud www.gofundme.com/f/in-memory-of-tony-mcdade GLISTENS Sarah: Adopt-A-America crooked.com/articles/how-to-ado…ound-state-in-2020/ Sam: Sandra Bland ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello listeners! We want to thank you all so much for your support so far this year. We are truly thankful to you all. We also want to acknowledge the pain and suffering that is happening in our communities. We hear, we understand, and we support everyone that has either donated and protested in support of #blacklivesmatter. Thanks for tuning in and we hope you will enjoy this episode. ___________________________________ Listeners! Boy, are you in for a treat. We discuss all-things playwriting with a fellow graduate of the Iowa Playwrights Workshop... Sean David DeMers! In this episode, we get into the ideas of memory. Sean shares with us memories of his childhood, how he first got into playwriting, and the importance of memory in his work. We even share some fond memories of the Workshop. We hope you will enjoy this very 'memory' themed show. Thank you! Sean David DeMers is a playwright with New England and New York City roots. Plays include FACULTY PORTRAIT, produced at IRT Theatre in New York City, the musical JULES VERNE'S FROM THE EARTH TO THE MOON with FringeNYC, LITTLE BLUE PILL read at the Last Frontier Conference in 2019, and ENCAPSULATED produced by The Navigators as part of their one-act sci-fi play festival. Sean has two short plays published by Samuel French/Concord Theatricals, OFF TACKLE GLIDE and FOUR MOVEMENTS. Sean is a graduate of the Iowa MFA Playwright's Workshop and recently picked up a project started there with the play FAYE by translating and adapting the existing Ancient Greek plays, starting with the most obscure. GLISTENS: Sean - Live Concerts on Youtube, Huey Lewis and The News Sam - Protest and MN freedom fund $20 million in the past few days. Sarah - A childhood memory. To learn more about Sean and his work, be sure to check out his website: seandemers3.wixsite.com/seandaviddemers Also! Sean shared with us his favorite playwriting exercise. Go to our website www.beckettsbabies.com to learn more! ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello, listeners! Boy, do we have a treat for you! This is an in-depth special episode where we had the greatest pleasure of chatting with one of our favorite people from Iowa... ART BORRECA! He is the Co-Head of the Playwriting Program and Head of the Dramaturgy Program at the University of Iowa (aka where Sam and I met and became friends!). Art talks about his journey into theater and dramaturgy, what he loves about new plays, and shares with us the Iowa Playwrights Workshop program. We are so excited for you to listen to this one. So please, grab your favorite drink, kick your feet up, and listen to this very special episode. Art Borreca is associate professor of dramaturgy, dramatic literature, and theatre history, co-head of the playwriting program, and head of the dramaturgy program. He has worked as a dramaturg with a number of leading theatre artists, including Athol Fugard, Wole Soyinka, Theodora Skipitares, David Gothard, and Naomi Wallace in such venues as the Yale Repertory Theatre, New York Theatre Workshop, LaMama ETC, Oxford Stage Company in the U.K., and T.P.T (Theatre Project Tokyo) in Japan. His research interests include contemporary British and American theatre, new play dramaturgy, and political dramaturgy. His articles and reviews have appeared in TDR (The Drama Review), Modern Drama, and Theatre Journal; as well as in several books, including Dramaturgy in American Theatre, What is Dramaturgy? and Approaching the Millennium: Essays on Angels in America. Professor Borreca is a contributing editor of the two-volume Norton Anthology of Drama. GLISTENS: Sarah - Sinkholes Sam - American Shakespeare Virtual Tour americanshakespearecenter.com/vr/ Art - His students from his Post-Modern class. ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

As part of our new monthly play series, we pick a play to discuss and this month’s play is “The King of Hell's Palace" by Frances Ya-Chu Cowhig. In this episode, we discuss what we noticed, what we liked, and questions that came up while reading the play. This play was also recommended to us by one of our listeners and we are so glad! Thank you, Mickey! Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! SHORT SUMMARY: When the Henan Ministry of Health begins paying citizens for blood plasma which is then sold to pharmaceutical companies, impoverished farmers in the province's remote villages sell blood to buy fertilizer, mend their houses and create a better life for their children. As corrupt health officials cut costs to maximize profits, safety standards are ignored, bringing potential catastrophe to China's most vulnerable population. Inspired by true events, this gripping drama explores the conflicts that arise when a community's greatest source of capital becomes their own bodies. June's Play of the Month: "Power Plays" by Elaine May & Alan Arkin GLISTENS: Sarah's - Fred Willard's Death and its impact Sam's - Porcupines ___________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, Sam and Sarah discuss writing plays for the radio. We bring on a special guest, Nik Frank-Lehrer, to help us kick off the episode by sharing his experience on writing ad copy for radio. We also look at ways in how radio plays have been written and produced. Check out the links below and we'd love to hear your thoughts on writing radio plays.  If you have a page or two that you would like to share, please don't hesitate to send our way. Check this episode out! GLISTENS: Sam: How Should A Person Be? By Sheila Heti Sarah: Netflix’s Never Have I Ever ADDITIONAL RESOURCES TO CHECK OUT: BBC’s Radio 4 Drama https://www.bbc.co.uk/programmes/b04xxp0g/episodes/player Spotify Playlist “Vintage Radio Dramas” https://open.spotify.com/playlist/37i9dQZF1DWZ8QVh1ew4PD The Renaissance of the Humble Radio Drama by ANGELICA CABRAL https://slate.com/technology/2017/07/radio-dramas-still-have-an-important-place-in-the-entertainment-world.html LA Theatre Works’s Catalog of Over 500 plays on Audio https://latw.org/catalog Sam Beckett Radio Plays on Openculture http://www.openculture.com/2015/05/hear-samuel-becketts-avant-garde-radio-plays-all-that-fall-embers-and-more.html Sam Beckett Radio Plays on Irish Times https://www.irishtimes.com/culture/books/samuel-beckett-radio-head-1.2524127 "The Strange Survival of Radio Drama" by Professor David Hendy (BBC) https://www.bbc.com/historyofthebbc/100-voices/radio-reinvented/the-strange-survival-of-radio-drama Playing On Air - Podcast Playing On Air is a radio program and podcast, dedicated to sharing great short theater with the public. Playing On Air brings contemporary plays and playwrights into the public space. https://playingonair.org/new-releases ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello, listeners! In this episode, we chat with dramaturg, new play doula, and an incredible supporter of Beckett's Babies-- SHAUN LEISHER! He shares his journey into dramaturgy, what he loves about new plays, and how we can best support new work. It was an incredible joy to speak with Shaun. We could all learn a thing or two from his passion to support and advocate for new work. Check it out! Shaun Leisher (pronouns: he/him/his) is a dramaturg and new play doula based in the Lehigh Valley region of Pennsylvania. As a dramaturg, he has worked on productions at Lehigh University in Bethlehem, PA and a workshop production of RAW PASTA by Maya Macdonald at the 2019 Ice Factory Festival at the New Ohio in NYC. In his local theatre community, Shaun is a co-founder and the Literary Manager of Emerge Theatre Company, co-created the Allentown Public Theatre's play reading series, Theatre Cafe, and has produced various readings and new play festivals throughout the region. He is also proud to be a reader/nominator r for a number of organizations dedicated to the advocacy and development of new work including: The Kilroys, Normal Ave, 50 Playwrights Project, and Play Penn. His dream is to one day run a theatre dedicated to bold new plays somewhere remote like Montana. To follow what Shaun's up to, be sure to follow him on instagram: www.instagram.com/shaunaturgy/ To read Shan's incredible play recommendations, be sure to check out his New Play Exchange: newplayexchange.org/users/1297/shaun-leisher GLISTENS: Sarah - Jack Johnson’s Kokua Festival Live from Home + Nik’s Happy Birthday Sam - Kamala Harris and Mark Warner Instagram Live: The art of a tuna sandwich: www.youtube.com/watch?v=rgZjFjJPnVI Shaun - Theater communities creating despite the limitations + ESPN's "The Last Dance" ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hey listeners! We had the amazing opportunity to chat with the one and only Paul Michael Thomson. He is an actor, playwright, and co-artistic director of The Story Theatre. He had so much to say about playwriting, theater, and what it means to be an artist. We also got a chance to talk about his hilarious and page-turning play "The G.O.A.T., or Who Is Ximone?". Be sure to look out for it on New Play Exchange! Paul Michael Thomson is an actor, playwright, and co-artistic director of The Story Theatre in Chicago, IL. As an actor, he has worked with Steppenwolf Theatre, Chicago Shakespeare, and Windy City Playhouse, among others. His plays have been produced by Avalanche Theatre, The Impostors Theatre Company, Other Theatre, Arc Theatre, and The Story Theatre, of which he is a founding ensemble member. He holds a BFA in Acting and a BA in Africana Studies from The University of Arizona and is passionate about new work, intersectional feminism, and rereading the same books over and over and over again. To learn more about Paul Michael Thomson, be sure to visit his website www.paulmichaelthomson.com To learn about the amazing work The Story Theatre is doing, check out the website www.thestorytheatre.org ________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, Sam and Sarah get the opportunity to chat with playwright, director, deviser and artistic director of Prop Theater -- Olivia Lilley! Olivia Lilley is a playwright, director, and deviser who came up in Chicago's DIY scene. She uses a devised process to create and develop her plays that she's been honing since 2013. Olivia's work often ransacks classic literature or nonfiction with a collective and builds a new story for the current moment. Part Mary Zimmerman, Part John Cassavettes, Olivia's work is actor centric while also boldly multidisciplinary. She often collaborates with choreographer Kelly Anderson. Olivia is Artistic Director of Prop Thtr. She was the founding Artistic Director of The Runaways Lab Theatre and currently sits on their advisory board. She's an Artistic Associate at Pivot Arts, and she's curated at The Museum of Contemporary Art. Olivia attended Carnegie Mellon School of Drama for Directing, and Interlochen Arts Academy for Music Composition. To learn more about Olivia Lilley and her work, check her New Play Exchange at newplayexchange.org/users/10813/olivia-lilley To learn more about Prop Theater, visit the website at www.propthtr.org/ ------------------------------------------ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

As part of our new monthly series, we pick a play to discuss and this month’s play is “Cost of Living" by Martyna Majok. It is the winner of 2018 Pulitzer Prize for Drama as well as two Lucille Lortel Awards, including Outstanding Play. In this episode, we discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! SHORT SUMMARY: “Cost of Living deftly challenges the typical perceptions of those living with disabilities and delves deep into the ways class, race, nationality, and wealth can create gulfs between people, even as they long for the ability to connect. Eddie, an unemployed truck driver, and his estranged ex-wife, Ani, find themselves unexpectedly reunited after a terrible accident leaves her quadriplegic. John, a brilliant PhD student with cerebral palsy, hires Jess, a first-generation recent graduate who has fallen on desperate times, as his new aide..” GLISTENS: Sarah's Glisten: Originals by Adam Grant Sam's Glisten: Two Hong Kong Pandas https://www.nytimes.com/2020/04/07/world/asia/panda-mating-hong-kong.html ___________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, Sam and Sarah discuss writing character descriptions. We share examples of character descriptions from different plays and look at how we can be inspired to write for our own work. Check this episode out and share us your thoughts on how you approach to writing descriptions for your characters! GLISTENS: Sarah's Glisten: Crochet and podcast Asian Enough art19.com/shows/asian-enough Sam's Glisten: Little Prince Movie www.youtube.com/watch?v=9gARHWfXE40 _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, Sam and Sarah get the opportunity to chat with fellow BB listener, playwright, and songwriter -- Beth Hyland! In this episode she shares her experience in self-producing her own work, staying creative, balancing creative and work life, and her new play ALL-ONE! THE DR. BRONNER'S PLAY which will be getting a "Zoom" staged reading at the end of April. Check it out! Beth Hyland is a playwright and songwriter based in Chicago. Her plays and musicals have been produced and developed regionally in the UK at the Stephen Joseph Theatre and Octagon Theatre, and around the US at Steppenwolf LookOut, Actors Theatre of Louisville, The Hearth, First Floor, The Passage, Broken Nose, The Sound, and others. She is the playwright-in-residence and co-founder of The Sound. To learn more about Beth, be sure to visit her website at www.bethhyland.com GLISTENS: Sam's: 4-year-old girl found alive and well after 2 days in the woods www.nytimes.com/2020/03/28/us/Eve…ssing-found-.html Sarah's: Practice joke writing Beth's: If you have the means, donate to your local theaters and restaurants no matter how small the donation may be. _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

As part of our new monthly series, we pick a play to discuss and this month’s play is “Ching Chong Chinaman" by Lauren Yee! In this episode, we discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! SHORT SUMMARY: The ultra-assimilated Wong family is as Chinese-American as apple pie: teenager Upton dreams of World of Warcraft superstardom; his sister Desi dreams of early admission to Princeton. Unfortunately, Upton’s chores and homework get in the way of his 24/7 videogaming, and Desi’s math grades don’t fit the Asian-American stereotype. Then Upton comes up with a novel solution for both problems: he acquires a Chinese indentured servant, who harbors an American dream of his own. GLISTENS: Sarah's Glisten: Plant Therapy Project Sam's Glisten: Fristad NEXT MONTH'S PLAY: Cost of Living by Martyna Majok _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hi, Listeners. We're all going through a crisis and this pandemic has been on all our minds. Initially, we wanted to talk about Lauren Yee's play "Ching Chong Chinaman" but instead, we decided to talk about plagues, pandemics, and outbreaks that exist in plays and popular culture. We hope everyone is hanging in there. We are all thinking about you, listeners. Please take care of yourselves and each other. RELATED LINKS: "The Infectious Pestilence Did Reign" by Ben Cohen slate.com/culture/2020/03/shak…-hand-ben-cohen.html "Broadway Is Closed. Write Poems Instead." by Sarah Ruhl www.nytimes.com/2020/03/13/opinio…-coronavirus.html GLISTENS: Sarah's Glisten: Trials of Gabriel Fernandez Sam's Glisten: "Italians Find ‘a Moment of Joy in This Moment of Anxiety’" www.nytimes.com/2020/03/14/world/…t-of-anxiety.html _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

An ongoing series about understanding comedies, welcome to "The Comedy Club". In this first part of "possibly many part" series, Sarah dives into what she thinks about comedy and her love/hate relationship with it. In this episode, we introduce the series by asking ourselves why we laugh, what is happening on stage or on the text that is making our audience laugh. Why is laughter so infectious? Why do we NEED to laugh? What makes something funny?  GLISTENS: Sarah's Glisten: Sarah quits coffee and sleeps really Sam's Glisten: Oscar Nominated Shorts - Live-Action Listen to the episode and come at us! _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Playwright, Songwriter, Solo Performer, and Theatrical Jack-of-All-Trades Ryan Oliveira returns to Beckett's Babies! Hear what he has to say about theater, dramaturgy, and presenting new work to an audience as he updates us on what he's been up to since we last interviewed him. GLISTENS: Sam's - www.thispersondoesnotexist.com Sarah's - USA Network's The Sinner, streaming on Netflix Ryan's - "The Force of Nonviolence: The Ethical in the Political" by Judith Butler _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, Sam and Sarah discuss creating titles for our plays. We share some of our favorite titles and discuss why we like certain play titles and why we do not like others. We look to how we create titles for our own work and be inspired by others. Check this episode out and share us your thoughts on creating play titles! GLISTENS: Sarah's Glisten: Her Arabica Plant Sam's Glisten: Kvass _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Every month, we pick a play to discuss. This month’s play is “Dance Nation" by Clare Barron. It is one of the winners of 2015 relentless award, a finalist for a Pulitzer, and winner of Susan Smith Blackburn prize. In this episode we discuss what we noticed, what we liked, and questions that came up while reading the play. Note: There are some spoiler alerts! We highly recommend you read the play before listening to this episode! SHORT SUMMARY: “Somewhere in America, a revolution is coming, an army of pre-teen competitive dancers plot to take over the world one routine at a time. In Clare Barron’s raucous pageant of ambition and ferocity, these young dancers have more than choreography on their minds, because every plié and jeté is a step toward finding themselves, and a fight to unleash their power.” GLISTENS: Sarah's Glisten: Crime Junkie Podcast https://crimejunkiepodcast.com/ Sam's Glisten: Goodness: Altruism and the Literary Imagination https://www.youtube.com/watch?v=PJmVpYZnKTU _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

What is "devised theater"? How can one start devising new work? In this week's episode, a fellow Beckett's Babies listener, Tiana Randall-Quant, reached out to us to share her experiences creating new work with The Wallis Studio Ensemble Their show "Lucid" opens on February 20th and we can't wait for you to hear what she has to say about the process. Listen to this episode to learn about Tiana's trajectory into theater, devising and creating new work, and how she feels about when someone says that LA is not a theater town. Be sure to grab your tickets to Lucid here! bit.ly/LucidTicket GLISTENS: Sarah's Glisten - American inventor Mary Kenner Sam's Glisten - Pedro Almodovar “Pain and Glory" Tiana's Glisten - Netflix’s “The Green Frontier" ABOUT TIANA RANDALL-QUANT Tiana Randall-Quant is a Los Angeles based theatre artist working to change the narrative that LA is “not a theatre town”. She is a graduate of UC Berkeley, where she studied under theatre makers like Rhodessa Jones of the Medea Project and playwright Philip Kan Gotanda, and geared her education towards making art that centers marginalized communities and community healing. She is working now on her debut performance with the Wallis Studio Ensemble, which opens February 20th at the Hudson Theatres, and is preparing to remount Project Nongenue’s What You Will (or Twelfth Night) as the character Olivia. She is also in the process of becoming a certified teaching artist, and is building a curriculum around Augusta Boal’s Theatre of the Oppressed. To learn more about Tiana Randall-Quant, be sure to follow her on instagram: www.instagram.com/t_quant/ _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hello, Listeners! WE ARE BACK! In this episode, we check-in, share our own personal goals and resolutions (and how we've failed already), and other exciting plans we have on the horizon for Beckett's Babies.  We want to extend special thanks to our listeners for tuning in every week. We appreciate your support!!! THANK YOU!!! GLISTENS: Sarah's Glistens - Essential Oils, Air Purifier, and Kobe Bryant. Sam's Glistens - Asymmetry by Lisa Halliday Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies

Hello, listeners! It's been an incredible year of discussing all things playwriting and interviewing theater guests from all walks of life on Beckett's Babies. In this episode, we share some of our favorite interviews and highlights from the year. We even share some of our dream goals for guests on our future episodes... Dream Goal Guests. DGG! SEASON 1 HIGHLIGHTS - Episodes You Should Check Out If You Haven't! 1. Alison Ruth's Interview 2. Jenni Page-White's Interview 3. Micah Ariel James' Interview 4. Tanuja Devi's Interview 5. Chris Leyva's Interview But really, you should check out all the episodes! :) GLISTENS: Sam's Glistens - Rita's Quilt Sarah's Glistens - Netflix. Recommend John Leguizamo and Mike Birbiglia's specials. Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies SEE YOU IN 2020!

"Process is all." "The difference between an entrepreneur and artist is that the entrepreneur is focused on product, the artist is focused on process." "Every play teaches me what I need to make a new play." "Creativity and productivity are yin and yang." "We’re party planners, playwrights. We’re planning experiences. Experiences can not be captured and can not be recreated easily. They’re unique “you had to be there” experiences." MEGAN GOGERTY is not only laugh-out-loud hilarious but truly inspirational. Megan is a playwright, comedian, and delightful person. She just closed a run of her one-person show FEAST. at Riverside Theatre in Iowa City. Her other plays include Lady Macbeth and Her Pal Megan, Bad Panda, Hillary Clinton Got Me Pregnant, and Save Me, Dolly Parton. Her musical tribute album to the TV show Buffy the Vampire Slayer is widely available online. Megan was a Playwrights’ Center Jerome Fellow, is a WordBRIDGE alum, and earned her MFA in Playwriting from the University of Texas at Austin. She currently teaches playwriting at the University of Iowa and is a regularly returning visiting faculty for the Playwright's Lab at Hollins University. Listen to this episode to hear Megan's hot take on creativity and productivity. It's freakin' wonderful. GLISTENS: Sam's Glisten - Hot Water Megan's Glisten - Secret Klondike bar Sarah's Glisten - Step Father becoming an American citizen ABOUT MEGAN GOGERTY Megan Gogerty is a playwright and comedian. Her solo show Lady Macbeth and Her Pal, Megan played the Edinburgh Fringe Festival and won the Audience Pick of the Fringe at the Cincinnati Fringe Festival. Her play Bad Panda (Theatre Without Borders, Beijing; Iron Crow Theatre Co.; WordBRIDGE Boomerang Playwright honoree) is published by Original Works Publishing and was translated into Spanish for a five-month run at Del Teatro Milan in Mexico City. The Atlanta Journal-Constitution listed her solo show Hillary Clinton Got Me Pregnant in their yearly Top Ten Best Plays. Megan’s musical drama Love Jerry was produced in the New York Musical Theatre Festival where it won three Talkin’ Broadway Citations and four NYMF Excellence Awards including Excellence in Writing (Book). Her ten-minute play Rumple Schmumple (Dramatic Pub.) was a Kennedy Center/National ACTF honoree. Other plays include: Housebroken (Riverside Theatre, Hollins University); Save Me, Dolly Parton (Riverside Theatre, Synchronicity Theatre; named among Best Plays in Atlanta by Creative Loafing). Her musical tribute album to the TV show Buffy the Vampire Slayer is widely available online. Megan was a Playwrights’ Center Jerome Fellow, a WordBRIDGE alum, and she earned her MFA in Playwriting from the University of Texas at Austin. She currently teaches playwriting at the University of Iowa and is a regularly returning visiting faculty for the Playwright's Lab at Hollins University. To learn more about Megan Gogerty and her work, check out her website at www.megangogerty.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Writing non-human characters...Why do some playwrights bring non-human characters to life? What’s the draw? What do we achieve when we place human ideas, thoughts, and emotions into a non-human character? Is there a place for it in a serious adult drama? Find out in this episode as we attempt to figure it out! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies

"I really want theater to reach in and grab my heart and squeeze. I want to feel something when I’m sitting there." We love to interview playwrights! We love to hear how they discovered playwriting and how they found themselves on this journey into the world of playwriting. We had the immense pleasure to talk to Marisela Treviño Orta and we know you will enjoy this episode, listeners. Marisela is an accidental playwright. She got her MFA in poetry from the University of San Francisco. Graduate of Iowa playwrights workshop, core writer at the playwrights center, and is currently working on a commission for Audible! Her play "Somewhere", which was commissioned by Temple University, will open Feb 1st. GLISTENS: Sam's Glisten - Joy Harjo "Book of poems" Sarah's Glisten - InsideOut Writers Marisela's Glisten - sushi at Hamasaku in LA ABOUT MARISELA TREVIÑO ORTA Marisela Treviño Orta is an accidental playwright. Originally from Lockhart, Texas, she found her way to the genre while completing an MFA in Writing at the University of San Francisco (USF) where she studied poetry exclusively. While a student at USF, Marisela became the Resident Poet of El Teatro Jornalero!, a social justice theatre company comprised of Latinx immigrants. Marisela’s first play BRAIDED SORROW (2008 Su Teatro world premiere) won the 2006 Chicano/Latino Literary Prize in Drama and the 2009 Pen Center USA Literary Award in Drama. Her other plays include: AMERICAN TRIAGE (2012 Repertorio Español Nuestras Voces Finalist); GHOST LIMB (2017 Brava Theatre world premiere); HEART SHAPED NEBULA (2015 Shotgun Players world premiere); SHOE (2019 Kendeda Finalist); RETURN TO SENDER (2019 Nashville Children’s Theatre world premiere); and WOMAN ON FIRE (2016 Camino Real Productions world premiere). In 2011, she began writing her cycle of grim Latinx fairy tales—fairy tales for adults inspired by Latinx mythology and folklore which include: THE RIVER BRIDE (2013 National Latino Playwriting Award Co-Winner, 2016 Oregon Shakespeare Festival world premiere); WOLF AT THE DOOR (2016 Kilroys List, 2018/2019 National New Play Network Rolling World Premiere); and ALCIRA. Marisela is an alum of the Iowa Playwrights Workshop, the Playwrights Foundation’s Resident Playwright Initiative, a founding member of the Bay Area Latino Theatre Artists Network, and a member of the Latinx Theatre Commons’ national Steering Committee. Last year she was selected as a Core Writer at The Playwrights’ Center in Minneapolis. Marisela is also a member of the Goodman Theatre's 2018/2019 Playwrights Unit. Currently, Marisela is working on a new cycle of worst-case scenario plays—sci-fi thriller plays which include WMB (pronounced “womb”) and NIGHTFALL which she has been commissioned by Audible to adapt for their platform. She is also adapting Charles Dickens’ Little Dorrit into a five-hour epic piece of theatre. Make sure to follow Marisela to learn more about her work and stay updated: twitter.com/mariselatorta _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

“Give yourself the gift of working hard and doing the best that you can do in any given moment but taking away comparisons to other people and their work." We had such a great and fun conversation with actor, producer, solo performer, and arts educator Terri Weagant! Based out of Brooklyn, NY, she shared her experiences on performing and how she approaches new work. She will be performing the solo play Bo-Nita by Elizabeth Heffron at the United Solo Theatre Festival in New York City on November 6th and 9th, so make sure to check it out! Terri Weagant is an award winning actor, writer, director, producer and dialect coach based in Brooklyn, NY. As an actor she has performed in the US, Canada, Australia and the Czech Republic. Regionally, she worked with such companies as Asolo Repertory Theatre, Urbanite Theatre, Seattle Shakespeare Company, Wooden O, Annex Theatre, ACT Theatre, Book-It Repertory Theatre, Theater Schmeater, CHAC, Empty Space, Balagan Theatre, Centerstage, Hypnagogia and Consolidated Works. To learn more about Terri and her work, visit her website www.terriweagant.com/ _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

What the heck are monologues? Don't get it confused with the "kissing disease". In this episode, we discuss the different kinds of monologues in plays, what are they for, what makes a good monologue for a play vs. a standalone monologue, how to write one and when do we use them in our plays. What do you think? Do you have any tips or tricks on writing monologues? If so, send us your thoughts (or questions)and we might discuss it on our upcoming episode! Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies

“We are all healthier when we live in a culturally diverse world. When there are more stories that are accessible to us when every voice is part of every cultural conversation. It’s not about excluding traditional voices. It’s about expanding the range of what people know is there.” If you are a playwright or someone who is just starting to write plays, then you must know the New Play Exchange. We had the pleasure of interviewing writer, innovator, and arts advocate, Gwydion Suilebhan. He serves as both the Executive Director of the PEN/Faulkner Foundation and the chief architect and evangelist of the New Play Exchange for the National New Play Network. He is also a co-founder of The Welders, award-winning playwrights collective in Washington DC. He’s the author of several plays, and he has a Master of Arts in poetry from the Writing Seminars at Johns Hopkins University. His forthcoming series All Souls is currently in post-production. To learn more about Gwydion and his work, you can visit the following links Website: www.suilebhan.com NPX Profile: newplayexchange.org/users/104/gwydion-suilebhan Or follow him on Twitter @GwydionS RELATED LINKS: Gwydion’s New Series “For All Souls” www.forallsouls.com/ Tanuja Jagernauth’s “Public Newsroom 124: Creating A World Beyond Racism and Fascism" on Nov 7th at City Bureau in Chicago. www.facebook.com/events/2446259125645248/ _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com38. Interview with Gwydion Suilebhan

At some point, playwrights will have to write their biographies. Whether it be for a personal website or to submit themselves to a development opportunity, or even when writing a program for a produced play-- We discuss why we have to write bios, why do we write them the way we do, and can we make them better. We attempt to break this code, let us know if we succeeded or not! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies

“We’re an artistic weed. We crop up anywhere there’s a room and a couple of people to tell a story. We’re never going to go away." We had the pleasure of interviewing playwright and coordinator of the Last Frontier Theatre Conference, Dawson Moore. He shared incredible stories from his life and how it's lead him to where he is today. He provides us some insight into how he curates the play lab for this week-long theater conference. He’s also an actor, director, and internationally produced playwright and we know you're going to enjoy this episode, folks! Check it out! Dawson Moore lives in Valdez, Alaska, where he works for Prince William Sound College as the Coordinator of the Valdez Last Frontier Theatre Conference (www.theatreconference.org). His plays have been produced across the country, as well as internationally in Australia, Canada, Italy, and Namibia. His play Six Dead Bodies Duct-Taped to a Merry-Go-Round, co-written with Lindsay Mariana Walker, is published in Applause Books' Best American Short Plays 2010-2011. Since 2002, he's produced the play-in-a-day Alaska Overnighters 2-3 times yearly in Anchorage, Alaska, in collaboration with TBA Theatre. He is a member of the Dramatist Guild of America and the National Theatre Conference (obviously). For more about the Overnighters and his other work, visit www.dawsonmoore.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

A hot topic issue for so many playwrights. We look at the fees to different development opportunities and weigh the pros and cons. HELPFUL LINKS: Dramatists Guild - DG Statement: Festival Guidelines www.dramatistsguild.com/news2/ "TO PAY FEES OR NOT TO PAY FEES… HERE IS MY ANSWER " by Donna Hoke http://blog.donnahoke.com/finally-my-take…sion-fees-ymmv/ Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.comFor more info, visit our website: www.beckettsbabies.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies

“From your own community, you can create opportunities for yourself.“ New York-based writer and actor Amy Berryman joins us on this episode to share her experience with playwriting and creating new work. It was such a pleasure to have her on the show! Amy shares how she started writing and provides wonderful advice to aspiring playwrights. We hope you'll enjoy this conversation! Amy Berryman is a writer and actor originally from Seattle. She was recently seen off-Broadway in The Convent by Jessica Dickey, directed by Daniel Talbott. Her full length plays include Walden (Premiere Play Festival Runner Up 2019, Title Wave Theatre Festival at Bay Street, Great Plains Theatre Conference), The New Galileos (O'Neill Finalist 2019, Playwrights Realm Fellowship Finalist 2018) Three Year Summer, and The Whole of You (commissioned by Rising Phoenix Rep for Cino Nights). Her work has been developed with Portland Stage, Premiere Stages, Nomad Theatricals, Caltech, Prop Thtr, and Last Frontier Theatre Conference. Her short film "You Are Everywhere" won "Best Short Drama" in the LA Short Film Festival 2018. To learn more about Amy and her work, visit her website amy-berryman.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

How do we teach playwriting? How do we teach writing in general? In this episode, we discuss what we think are best practices, writing exercises, approaches to workshopping students' new plays, and how do we grade creative work. If teaching playwriting is something you're passionate about or interested in discussing, we'd love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies

Playwright, Dramaturg, Ceramic Artist and former Acupuncturist Tanuja Jagernauth join us on this episode to share her truth on theater and supporting communities through the arts. She also explores the ideas from her current research on fascism to write anti-fascist plays. What an important conversation we all had in this episode. She's incredibly thoughtful, generous, and open to sharing her life with us. We enjoyed having her on the show! We know you'll enjoy this episode too! Tanuja Jagernauth is an Indo-Caribbean playwright, dramaturg, and ceramic artist who believes in the necessity of creation during times of destruction. A former acupuncturist, Tanuja aspires to practice four specific frameworks for collective liberation and wellness through theatre: self/community care, harm reduction, trauma-informed practice, and body positivity. To learn more about Tanuja and her work, follow on Instagram @tanuja_devi _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it in our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

As playwrights and writers, we must be able to talk about ourselves and our work. In this episode, we get into the idea of self-promotion... the good, the bad, and the ugly. _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Playwright, improviser and mental health counselor John Mabey joins us on this episode to discuss all things playwriting, theater, improv, and more. John is a listener of the show who reached out to us and we wanted to reach back to bring him on show!  John began writing plays as a child before he knew that’s what he was doing. He’s spent the past 10 years living in New York, London and Amsterdam and now lives in the American South. He studied human behavior, emotion and relationships by earning a master’s degree in Counseling and Psychology, and infuses into his playwriting everything he’s learned about what it means to be human. In addition to plays, he also publishes in academic books and journals on the topics of sexual identity and spirituality. In playwriting, John enjoys experimenting with structure and uses improvisation as a way to generate creative ideas as well as its own art form. He now teaches and performs improvisation around the world with ensembles and as a solo act, and is a regular performer in true storytelling events. Last year, John co-authored a play that was produced in Amsterdam titled, The B Word, which had a successful 2-week run and multiple sold-out performances. Next month his short play, The Most Brave Girl In The Whole Wide World, is included in the Los Angeles play festival ‘A Light In Dark Places’ at the Stella Adler Theatre. Follow John on Instagram @jmabey to learn more! _____________________________________________ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Sam interviews Sarah Cho.... and you won't believe what she says! Or maybe you do but... listen anyways! Thanks so much for listening to our show! We are a two-woman operation in creating this podcast show. Please help to support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Sarah interviews Sam Collier.... and you won't believe what she says! Find out next week when Sam interviews Sarah. Stay tuned! We are a two-woman operation in creating this podcast show. Please help to support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

What are the plays that have haunted you? In this episode we discuss plays that we have seen or read that’s stucked with us long after they’ve been seen or read. The plays can also be the ones you haven’t written yet and are stewing in your mind or the ghost-twins of the plays you have written or even bad plays you’ve seen. We attempt to unpack these ideas to think about why some plays stick with us.  Related Links & Glistens All Summer in a Day by Ray Bradbury Interlochen's "9 to 5 the Musical", High School Musical TV Show  "Misfits" Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Playwright Reina Hardy joins us on this episode to discuss all things playwriting, theater, teaching, and more. Reina is a delightful and incredible human being. We also share our pet peeves on rejections so don't miss out on this episode! Reina Hardy's plays, which usually contain magic and sometimes contain science, have been produced in Chicago, NYC and London. They include “Glassheart” (Rorsharch Theater and the Shrewds), “Changelings”, (The Vortex), and “A Map to Somewhere Else” (Everyday Inferno, NYC). Honors include: Michener Fellowship, National New Play Network New Play Showcase, Source Festival, Kennedy Center MFA Playwrights Workshop, Interact 20/20 Commission, Kennedy Center ACTF TYA PRIZE. Publications include: “Best American Short Plays, 2012-2013,” and “Best Scenes for Two Actors,” Applause, “Best Stage Monologs for Men,” “60 Seconds to Shine,” and “105 5-Minute Plays for Study and Performance,” from Smith and Kraus. In the 2018-19 and 2019-20 season: the world premiere of "Fanatical" in London, new productions of "Stargazers" in Michigan and Australia, the second production of "Susan Swayne and the Bewildered Bride" in Cincinnati, and the rolling world premiere of "Annie Jump and the Library of Heaven" in Milwaukee, WI; Washington, DC; Austin, TX and Ridgefield, CT. MFA: Michener Center at UT Austin. To learn more about Reina and her work, visit the website: www.reinahardy.com Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, we share our thoughts on talkbacks and post-show discussions. What are the different approaches or structures to talkbacks? What are talkbacks for? In an ideal world, what would a talkback provide to artists, audience members, and the theater institution? What are the pitfalls of talkbacks? What makes them go wrong? How can we make them better? Well, we attempted to answer these questions the only way we know how-- The BB Way. As always, we would love to hear from you! Send us your questions or thoughts on playwriting or any topics discussed on this show and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com LINKS Advice from Eve Tuck about academic Q & A twitter.com/tuckeve/status/1141501422611128320 GLISTENS 1. Staunch Book Prize 2. Sarah's Wedding Dress 3. Sleep Paralysis Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies

Listeners, sometimes you gotta learn the format to break it. In this episode, we discuss the standard format for playwriting, different writing programs to use for playwriting, and what we love (or sometimes we don't love) about the format. Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies As always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Literary Manager (and fellow Iowa alumn) Jenni Page-White joins us on this episode to share her experiences as both a dramaturg and literary manager. This is a great episode for our listeners who are interested in dramaturgy and have been thinking about literary management as a profession! Jenni gives us some thoughtful insight into the world. We hope you'll enjoy it! Jenni Page-White is the literary manager at Actors Theatre of Louisville, where she curates and develops new work for the Humana Festival of New American Plays. Her dramaturgy credits at Actors Theatre include The Curious Incident of the Dog in the Night-Time and Angels in America (Parts One and Two), and the world premieres of We’ve Come to Believe, by Kara Lee Corthron, Emily Feldman, and Matthew Paul Olmos; Dave Harris’s Everybody Black; Mara Nelson-Greenberg’s Do You Feel Anger?; Susan Soon He Stanton’s we, the invisibles ; Basil Kreimendahl’s We’re Gonna Be Okay; Tasha Gordon-Solmon’s I Now Pronounce; Brendan Pelsue’s Wellesley Girl; and Steven Dietz’s This Random World. Prior to working at Actors Theatre, she was the literary associate at Steppenwolf Theatre Company, where she helped select and develop new plays for First Look and coordinated post-show discussion programming. As a freelance dramaturg, she has worked with WildWind Performance Lab, American Theater Company, Sideshow Theatre Company and LiveWire Chicago Theatre, and she has evaluated work for the National Endowment for the Arts, the Playwrights’ Center, the O’Neill National Playwrights Conference, and The New Harmony Project. She is the co-editor, with Amy Wegener, of several volumes of Humana Festival play anthologies. She holds a B.F.A. from the University of Oklahoma and an M.F.A. from the University of Iowa. To learn more about Jenni and her work at Actors Theater of Louisville, visit the website: https://www.actorstheatre.org/bios/jenni-page-white/ Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Let's talk money! In this episode, Sam and Sarah discuss how playwrights can earn a living writing plays and what is really out there for a playwright. We could only pack so much and we feel this conversation is ongoing so we'd love to hear your thoughts on this as well! Send us your questions or thoughts on playwriting or the subject of the episode and we might discuss it on our next episode. We'd love to hear from you! Follow us on social @beckettsbabies Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com Related Links: Paying Playwrights More Than Play Money by Diep Tran www.americantheatre.org/2014/12/10/pa…n-play-money/ Amazing Resource: Open Source Document showing salaries across a range of theater jobs by Jenna Clark Embrey docs.google.com/spreadsheets/d/1p…-cz1-8/edit#gid=0

What's it like to rehearse a new play? Sam and Sarah share their own personal experiences with rehearsals and its pros and cons when rewriting a new play. How do you feel about rehearsals? Send us your questions or thoughts on playwriting and we might discuss it on our next episode. We'd love to hear from you! Follow us on social @beckettsbabies Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Playwright, Ph.D. candidate and Artistic Director of The Navigators Theater Company, Bella Poynton, brilliantly shares with us her knowledge and love of theater on this week's episode of Beckett's Babies. Learn how Bella’s love for science fiction and search for truth lead her to not only seek a Ph.D. degree but to create her own theater company with her fellow collaborators. BELLA is a playwright, director, and instructor of theatre studies. Her playwriting often focuses on science fiction of speculative themes. Bella’s plays have been produced and developed at the Great Plains Theater Festival, New Perspectives Theater, The Science Fiction Theater Company, Otherworld Theatre, the Pittsburgh New Play Festival, The Alleyway Theatre, The Antaeus Company, Madlab, Road Less Traveled Productions, Quantum Dragon Theatre and many more. Bella has been a finalist for the Woodward/Newman Drama Award, the Heideman Prize, The Christopher Brian Wolk Award, and the Samuel French OOB Festival. She has been a regional playwriting resident at Road Less Traveled Productions, and a teaching artist at Shea's Buffalo, The Just Buffalo Literary Center, Syracuse Stage, Horizon Theatre Company, and many others. Bella is also the Artistic Director of The Navigators Theatre Company, producing feminist science fiction stories for the stage. The company currently has a residency with Access Theatre in New York City.  In addition to her playwriting, Bella is also a PhD Candidate in Performance Studies at the University at Buffalo. Her ongoing research project explores robots and A.I. in performance from 1920 to the present. Other research interests include mixed reality performance, the historical avant-garde, and female playwrights. Bella holds a BFA in Acting from Boston University, an MA in Theatre from the University at Buffalo, and an MFA in Playwriting from the Iowa Playwrights' Workshop. To learn more about Bella and her work, visit her website at www.bellapoynton.com The episode was recorded on June 9, 2020. Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Do you ever feel stuck and want to write something new but don't know where to even begin? How could one even start generating ideas? Have no fear! Sam and Sarah look to news headlines of the week to brainstorm possible stories for a new play. Try it out yourself and tell us what you thought about the exercise! LINKS New York Times - “My Daughter Was a Preschool Biter” Los Angeles Times - “A 102-year-old woman faces eviction so the landlords’ daughter can move in. It’s completely legal” USA Today - “Trump, first lady have tea with Prince Charles” Entertainment Weekly - “Anderson Cooper forgot to tell his mom he was coming out: 'You could've given me a heads up! Washington Post - “He asked the FBI to analyze ‘Bigfoot’ hair 40 years ago and never heard back. Until now.”  The Atlantic -  “When Your Final Exam is Surviving The Wilderness”  Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, Brooklyn-based playwright and screenwriter Monica Trausch shares insight into her life in New York, writing her play "The ABCs", and why she writes. We also play a fun game called "Premises" and you won't want to miss what Sam and Monica have to say. To learn more about Monica Trausch, visit her website www.monicatrausch.com and follow her on social @monicatrausch --------------------------------------------------------------------------------------------------- Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!  Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

For the days when we don't feel like writing, we look to others to inspire us. In this episode, we share words of wisdom from other writers. FAVE ESSAYS, BOOKS, ARTICLES, CONVERSATIONS ABOUT WRITING “Pitching and Moaning” catapult.co/stories/pitching-an…itting-your-writing SLP Elements of Style collaboratoryseriousplay.wordpress.com/2013/…says/ Writing Down the Bones by Natalie Goldberg (book) On Writing by Stephen King (book) Octavia Butler’s notes to herself hugohouse.org/octavia-butler-wri…ng-advice-contest/ “Draft No. 4” and “On Structure” by John Mcphee jsomers.net/mcphee-draft-no-4.pdf “Communicating with Theatres” - Mary Sue Price pwcenter.org/playwriting-toolki…ters-follow-emails A conversation with Paula Vogel pwcenter.org/playwriting-toolki…sation-paula-vogel Jose Rivera’s 36 Assumptions on Writing Plays allbleedingstopseventually.blogspot.com/2007/….html --------------------------------------------------------------------------------------------------- Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Every play has an ending and in this episode, we try to understand what makes an ending work and memorable. --------------------------------------------------------------------------------------------------- Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode,  Columbus-based playwright and director Chris Leyva (also a fellow Iowa Playwrights Alum!) joins our show to share what his life has been like after graduate school and his journey into writing theater for young audiences. As playwrights, we were able to relate to so much of Chris' experiences including working day jobs, finding the time to write,  handling rejections, and the journey we all take to find our voice as writers. Listeners, you don't want to miss this episode! To learn more about Chris Leyva and his work visit: http://www.chrisleyva.com/ --------------------------------------------------------------------------------------------------- Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you!  Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, we discuss the beginning of a play. What do you think is considered a beginning? How long should the beginning be? What makes the beginning of a play memorable? We share our thoughts on this very important and serious episode.  GLISTENS: Sam's - "Running Out of Children, a South Korea School Enrolls Illiterate Grandmothers" by Choe Sang-Hun (NY Times) https://www.nytimes.com/2019/04/27/world/asia/south-korea-school-grandmothers.html Sarah's - "Wedding planning is taking over my life and I can't deal." --------------------------------------------------------------------------------------------------- Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

In this episode, we speak with native Bay Area actor, singer, educator, a Resident Artist at San Francisco Shakespeare Festival, and a company member at Ubuntu Theater Project-- REGINA MORONES! A talented actor and great collaborator to playwrights, Regina shares with us her audition experience into the MFA Acting program and her life after. To learn more about Regina and her work visit: www.reginamorones.com --------------------------------------------------------------------------------------------------- Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Sam Collier and Sarah Cho share their experiences when it comes to rewriting and revising their plays. What goes into rewriting a new draft of a play? How can we all become better writers through revisions? Rewriting is a personal process that every writer goes through. Find out how we rewrite our plays in this episode! ----------------------------------------------------------------- Please support Beckett's Babies by reviewing, sharing an episode to your friends, or follow us on Facebook, Instagram, Twitter: @beckettsbabies And as always, we would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Director and playwright Nina Morrison joins us to share how she got into the world of theater and explains how her directing experience lends itself to playwriting. She also wants you to know that you shouldn't listen to any rules about playwriting. Find out why in this episode of Beckett's Babies. Nina Morrison is a playwright and director. She is a University of Iowa Provost's Postgraduate Visiting Writer 2019-2020. Her play Féminaal is being presented May 10-18 by the Grumble Theater, MSP, produced and directed by Alison Ruth  (grumbletheater.org tickets available now) . Nina is currently based in Iowa City, before Iowa, she was based in New York City for 17 years. Some NYC credits are: Nina wrote and directed the plays Arrow In and Girl Adventure: Parts 1-4 both presented by Dixon Place, The HOT! Festival of Queer Performance and the Little Theatre series. Nina was a Dixon Place Artist-in-Residence, and she was a WORKSPACE Writer-in-Residence, a residency program of the Lower Manhattan Cultural Council. She holds an MFA in Directing and an MFA in Playwriting both from the  University of Iowa. For more information visit www.ninamorrison.com  ----------------------------------------------------------------- Listeners, we'd love to hear your thoughts on all the matter we discussed on the show.  Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info, visit our website: www.beckettsbabies.com

Hosts Sam Collier and Sarah Cho celebrate their 10th episode of the show the only way they know how... by also celebrating Samuel Beckett's Birthday. Samuel Beckett, the Irish novelist, playwright, short story writer, theatre director, poet, and literary translator was born on April 13, 1906. In this episode, we take a glimpse into Samuel Beckett's life and work as we try to figure out why we named ourselves after him. Enjoy! ----------------------------------------------------------------------------------  Listeners, we'd love to hear your thoughts on all the matter we discussed on the show.  Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info and playwriting exercises visit our website: www.beckettsbabies.com

Happy April Fools! Even though it's April Fools, life as a writer is no joke. In this episode, we share our personal thoughts on the idea of a "starving artist", day jobs, and social media influencers. A real 'smorgasburg' of an episode.   ----------------------------------------------------------------------------------  Listeners, we'd love to hear your thoughts on all the matter we discussed on the show.  Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info and playwriting exercises visit our website: www.beckettsbabies.com

Playwright, Poet, Performer, Dramaturg, Teaching Artist and Arts Administrator Micah Ariel James joins us to share her philosophy on theater, playwriting and stage directions. She also shares her two cents on how no two productions of a play should ever be the same. Theater can be anything! Yeah, she said it folks! Check out the episode!  Check out Micah's podcast Hancher Presents HERE to learn more!  ----------------------------------------------------------------------------------  Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info and playwriting exercises visit our website: www.beckettsbabies.com

"What do you mean plays can be 10 minutes long?!" That's right, listeners. Plays can be ten minutes long too. In this episode, we discuss the 10-minute play, the structure, and the benefits and drawbacks of writing plays in ten minutes.   ----------------------------------- Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info and playwriting exercises visit our website: www.beckettsbabies.com Theme Music: "Live Like The Kids" from Audio Network

Dramaturg and Director Alison Ruth joins us in this episode of Beckett's Babies to share her thoughts on dramaturgy, playwriting, and directing. We discuss what makes theater unique from other art forms and how dramaturgy can lend itself to directing. We loved having Alison on the show! She's a wonderful human being and that's our favorite type of guest  on our show.  Check out the episode!  Grumble Theater: http://www.grumbletheater.org/ Episode 6:  "Writing a Pillow Book" Playwriting Exercise from Alison Ruth ---------------------------------------------------------------------------------- Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com For more info and playwriting exercises visit our website: www.beckettsbabies.com

Almost every writer submit their work to be considered for conferences, residencies, and publishing. The question is, how do you handle the rejections? Join hosts Sam and Sarah as they share their personal coping mechanisms they may (or may not) have when it comes to dealing with the rejections. Also included are a few helpful links to help you start submitting your plays!  -----------------------------------  Helpful Links: New Play Exchange: https://newplayexchange.org/ Playwrights' Center: https://pwcenter.org/ Kat's Play & Musical Submission Central: https://www.facebook.com/groups/172232179854587/  Episode 5: 10 Seconds/ 1,000 Years Playwriting Exercise ----------------------------------- Follow us on Facebook, Instagram, Twitter: @beckettsbabies  We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode.  Email: contact@beckettsbabies.com For more info and playwriting exercises visit our website: www.beckettsbabies.com Theme Music: "Live Like The Kids" from Audio Network

Playwright, dramaturg, producer, and educator Kristin Idaszak joins us to discuss her play, "Strange Heart Beating." Idaszak also shares her approach to starting new plays, her passion for climate change, and her role as artistic director at Cloudgate Theatre. Join us for this new episode of Beckett's Babies... as we all try to figure out playwriting. To learn more about Kristin Idaszak, visit www.kristinidaszak.com  ----------------------------------- Follow us on Facebook, Instagram, Twitter: @beckettsbabies  We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode.  Email: contact@beckettsbabies.com Website: www.beckettsbabies.com Theme Music: "Live Like The Kids" from Audio Network Additional Links Mentioned in the Show! The Story of Storytelling by Ferris Jabr https://harpers.org/archive/2019/03/the-story-of-storytelling/

Hosts Sam Collier and Sarah Cho dive into discussion about rituals and routines. In this episode, we explore how we stay motivated to write every day and share our own personal tips in getting inspired. Listeners, we would love to know... what's your favorite beverage of choice when you write?   Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting or writing and we'd love to share it on our next episode. Email: contact@beckettsbabies.com Website: www.beckettsbabies.com Theme Music: "Live Like The Kids" from Audio Network

Playwright, Songwriter, Solo Performer, and Theatrical Jack-of-All-Trades Ryan Oliveira joins us in this episode of Beckett's Babies to discuss his newest play "Soccer Player in the Closet", his writing process, his approach to collaboration, and many more. Join us as we all try to figure out playwriting. Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com Website: www.beckettsbabies.com Theme Music: "Live Like The Kids" from Audio Network

Hosts Sam Collier and Sarah Cho make their big return to the podcasting  world since their last recording. Join us as we catch up what we've been up to since our last episode. It feels great to be back! Visit the website below to learn about your new favorite hosts! Follow us on Facebook, Instagram, Twitter: @beckettsbabies We would love to hear from you! Send us your questions or thoughts on playwriting and we might discuss it on our next episode. Email: contact@beckettsbabies.com Website: www.beckettsbabies.com Theme Music: "Live Like The Kids" from Audio Network

Sam Collier and Sarah Cho reunite on this special homecoming episode to discuss life after graduation, writing, and "glistens". #playwriting