Chamber Made

• To discover more about Hildegard Westerkamp’s extensive body of sound works, including links to full recordings, visit her website here.

• Hildegard was part of theWorld Soundscape Project with R. Murray Schafer which you can learn more about here.

• Hildegard Westerkamp is a founding member of the World Forum of Acoustic Ecology, of which you can learn more about here.

• The personal art-crush Hildegard cited was Tina Pearson and her sound work Music for Natural History (created with Paul Walde) which you can learn more about here.

• Our Audiosketch podcast title music is by Fia Fiell. All in the Same Room, is from Fia Fiell’s 2018 album of the same name, which you can find on Bandcamp here.
  

• To discover more about Hildegard Westerkamp’s extensive body of sound works, including links to full recordings, visit her website ⁠here⁠.

• Hildegard was part of theWorld Soundscape Project with R. Murray Schafer which you can learn more about ⁠here⁠.

• Hildegard Westerkamp is a founding member of the World Forum of Acoustic Ecology, of which you can learn more about ⁠here⁠.

• The personal art-crush Hildegard cited was Tina Pearson and her sound work Music for Natural History (created with Paul Walde) which you can learn more about ⁠here⁠.

• Our Audiosketch podcast title music is by Fia Fiell. All in the Same Room, is from Fia Fiell’s 2018 album of the same name, which you can find on Bandcamp ⁠here⁠.

• To discover more about Justin Talplacido Shoulder/Phasmahammer’s body of work, including Carrion, The River Eats and the collectives The Glitter Militia and Club Ate visit the artist’s website here.
• Hear more of composer Corin Iletto’s work on Soundcloud here.
• The art crushes Justin mentioned were: musician and composer 33EMYBW, Indonesian-based sound collective Gabber Modus Operandi, and Naarm (Melbourne) artist Female Wizard.
• Our Audiosketch podcast title music is by Fia Fiell. All in the Same Room, is from Fia Fiell’s 2018 album of the same name, which you can find on Bandcamp here.
• Additional sound design by Roslyn Oades, using the following samples courtesy of Freesound.org: Underwater Ambience by Kinoton, Underwater Sound by Fabrizo84, Submarine Sonar by Breviceps licensed under the Creative Commons 0 License.

• To discover more about Aviva Endean’s body of interactive sound works, including Vibrato Virtual, A Face Like Yours and Stranger visit her website here.
• Aviva Endean’s critically-acclaimed debut solo album, cinder : ember : ashes (SOFA Music, 2018), is available on Bandcamp here.
• The ‘audio sketch’ Aviva shared with us, was recorded at Kata Tjuta Valley of the Wind (NT) on Anangu land, with Justin Marshall playing rocks.
• The sound-based art crush Aviva nominated was Aarti Jadu. You can find her album L'Ecole De La Caz on Bandcamp here.
• Our Audiosketchpodcast title music is by Fia Fiell. All in the Same Room, is from Fia Fiell’s 2018 album of the same name, which you can find on Bandcamp here.
• Additional sound design by Roslyn Oades, using the following sample courtesy of Freesound.org: Wind_blowing_gusting by Astounded Sound (Christopher J Astbury), licensed under the Creative Commons 0 Licence.

Sound maker Roslyn Oades has embarked on a series of art dates with artists about their practice, with conversations particularly referencing how they are listening at this moment in time. This week's guest is sound artist Adena Jacob.

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• To discover more about Adena Jacob’s body of work, and view documentation from these projects, visit her company website, Fraught Outfit, here.
• The Howling Girls excerpts heard in this episode were recorded by ABC Classic FM. Learn more about this Sydney Chamber Opera project, including a full list of credits, here.
• The sound-based art crush Adena mentioned was Jenny Hval. You can find her albums on Soundcloud here.

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Audiosketch title music is by Fia Fiell. This piece, All in the Same Room, is from Fia Fiell’s 2018 album of the same name, which you can find on bandcamp here.

Additional sound design by Roslyn Oades, uses the following samples from Freesound: Plane take-off from Skavsta airport by arnaud coutancier and Attendant announces decent by bigfriendlyjiant licensed under CCBYNC 3.0, in conjunction with recordings from Roslyn’s own archive.

Sound maker Roslyn Oades has embarked on a series of art dates with artists about their practice, with conversations particularly referencing how they are listening at this moment in time. This week's guest is sound artist Ros Bandt.

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• To learn more about Dr Ros Bandt’s extensive body of work and hear samples of her audio, visit her website here.
• The field recording organization that assisted Dr Ros Bandt in collecting wildlife recordings for the Currawong project she references was the Australia Wildlife Sound Recording Group.
• Dr Ros Bandt’s wheat silo & water tank recording, Improvisation in Acoustic Chambers (1981), can be found here
• The book about time Dr Ros Bandt recommended is Time, the Familiar Stranger by J.T.Fraser.
• You can read the essay titled Designing with Chaos, Allowing the Unprogrammable to Occur by Dr here.
• You can learn more about the World Forum for Acoustic Ecology here.
• You can learn more about the Australian Forum for Acoustic Ecology, and become a member, here.
• The Hearing Places project founded by Dr Ros Bandt and Leah Barclay, can be accessed here.
• You can learn more about the Federation Bells public sound-art project and the Federation Bells app that Dr Ros Bandt references in her audio sketch here.
• You can see images of the incredible underground Basilica Cistern (Yerebatan Sarnici, Istanbul) Dr Ros Bandt speaks about performing in and ‘sounding’ here.
• Dr Ros Bandt’s Tarhu Connections CD (which includes several recordings from the Yerebatan Cistern) and other releases can be found here.
• You can read more about Dr Ros Bandt’s famous father, Lewis Bandt, here.

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Our Audiosketch podcast title music is by Fia Fiell. This piece, All in the Same Room, is from Fia Fiell’s 2018 album of the same name, which you can find on bandcamp here.

Sound maker Roslyn Oades has embarked on a series of art dates with artists about their practice, with conversations particularly referencing how they are listening at this moment in time. Her first guest is producer and multi-disciplinary artist Rainbow Chan.

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• To learn more about Rainbow Chan’s work and listen to samples of her work, visit her website here.
• The mobile production tool app Rainbow recommended is Voloco.
• A link to In the Mood, A love Letter to Wong Kar-Wai & Hing Kong starring Rainbow Chan, Eugene Choi & Marcus Whale, as part of the Sydney Opera House Digital Season (streamed live from Joan Sutherland Theatre in September 2020) can be viewed here.
• This episode featured a sample from the track Lull ft. Chui Ping & Choi Linfrom the album Pillar by Rainbow Chan. Lull was Written, performed and produced by Rainbow Chan, mixed by Matthew Hadley and mastered by Becki Whitton. You listen to Pillar on bandcamp here.
• The current art crush Rainbow mentioned is Corin Ileto. You can listen to some of Corin’s work on Soundcloud here

Our Audiosketch podcast title music is by Fia Fiell. This piece, All in the Same Room, is from Fia Fiell’s 2018 album of the same name, which you can find on bandcamp here.