CinemaNerdz: The Podcast

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus acknowledges that Ghostbusters: Frozen Empire is a welcome addition to the franchise and one that perhaps bodes well for future installments.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that Kobi Libii's The American Society of Magical Negroes is a film with a purpose as well as sound and earnest intentions that make it more powerful than not.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus finds the documentary Frida to be an honest and lovingly constructed film that brings to the forefront the far-reaching influence of Kahlo and her work.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus claims that the story of asserts that redemption and family at the heart of Arthur the King easily makes it one of the best family films of the year.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus asserts that although Kung Fu Panda 4 may not be one of the worst animated films ever made, it is certainly the least enjoyable and entertaining film in the series.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus insists that Not only is Dune: Part Two even more compelling and beautiful than the first installment, it also makes the third film in the series a must-see event.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus declares that Drive-Away Dolls may not mirror other films from the Coen Brothers, but it is an extremely entertaining and rewarding piece from an unapologetic filmmaker.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus says that the latest film about a musician – Bob Marley: One Love – ultimately plays out more as a celebration of Bob Marley than as a “warts-and-all" biography.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus declares that The Teachers' Lounge displays a profound depth of the story and sweeping breadth of the conflicts within that makes it one of the best films of the year.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus asserts that The Underdoggs is essentially a "comfort" movie that is neither provocative nor notable, but instead entertains just enough to get by.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus suggests that the disappointing mediocrity of Aquaman and the Lost Kingdom may have set a new low for the DCECU that it is unlikely to climb out of at any point soon.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus says that director Ridley Scott's film Napoleon makes for a far more sweeping tale of tragedy and romance than has been attempted before with regards to the story.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that The Hunger Games: The Ballad of Songbirds & Snakes ultimately becomes something far more deadly than anything found within the games themselves – unnecessary.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that Thanksgiving proves to be a plodding and thoroughly unenjoyable assault on an audience that may ultimately wish it had opted to stay home and eat leftovers.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus asserts that Sofia Coppola's new film Priscilla may ultimately be the best, and is certainly the latest, great film from a talented and gifted filmmaker.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus claims that while it may be more horror than anything else, there is more at work in Five Nights at Freddy’s than not, making it the best Blumhouse offering to date.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that Stop Making Sense, which recently enjoyed its 40th anniversary, prompting a reissue of the film, is considered by many to be the greatest concert film ever made.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that Landscape with Invisible Hand proves to be a significant achievement in the genre in that it is more powerful and poetic than many other sci-fi films.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus claims that Strays is ultimately an endearing portrayal of the kind of lasting friendships forged in the face of real adversity – albeit with more swears.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that The Last Voyage of the Demeter ultimately fails to deliver on its promise of classic tale of gothic horror.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus says that in a summer movie season that has provided very little in terms of memorable entertainment, Greta Gerwig's Barbie proves an undeniable triumph.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus claims that Mission: Impossible – Dead Reckoning Part One may perhaps be the best offering in the series since the impossible missions first began.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus says that Indiana Jones and the Dial of Destiny manages to recapture the spirit of the first three films and serve as a fitting sendoff for the now legendary character.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus claims that as far as feature debuts go, writer/director Celine Song's Past Lives suggests that a singular talent has arrived and that the audience should take notice.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus says that even though The Flash plays a bit long, the film delivers an entertaining and sometimes satisfying entry to the cannon of the DC Extended Cinematic Universe.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus laments that despite the many problems facing Book Club: The Next Chapter, there is a decent film to be had here, but this current incarnation is not that film.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that the latest film in the series, Guardians of the Galaxy Vol. 3, is ultimately more of the best elements of the formula that proved so successful in previous entries.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus states that although it may not play as a straight-forward horror film nor as a strict comedy, Renfield does deliver enough entertainment to be successful in both genres.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus laments that given the success of its namesake, it is discouraging that Shazam! Fury of the Gods is equally, if not more, disappointing than previous entries of the DCECU.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus says that, anchored by a strong lead performance from Willem Dafoe, director Vasilis Katsoupis’ Inside proves to be an engaging and engrossing thriller.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus talks about Idris Elba's return as DCI John Luther in Luther: The Fallen Sun, reprising the role he played in twenty-one episodes of the BBC TV series from 2010-19.

In this episode of CinemaNerdz: The Podcast, Editor-in-Chief Mike Tyrkus opines that the camaraderie and all-out good time being enjoyed throughout Ant-Man and the Wasp: Quantumania speaks to the enterprise having its heart in the right place.

80 for Brady proves to be a remarkably charming and endearing piece thanks in large part to the ensemble of fine actresses assembled for this road trip.

The Son is buoyed by an effective turn from Hugh Jackman as a father who, in echoing the failures of his own father, effectively dooms his own son as well.

Not only is Avatar: The Way of Water a striking piece of work, but it is also perhaps the pinnacle of James Cameron’s career.

There is a beauty and poignancy within Empire of Light, the new film from writer/director Sam Mendes, that is something akin to a cathartic experience.

Guillermo del Toro’s Pinocchio is easily one of the greatest incarnations of Carlo Collodi’s timeless classic and is, in its way, already a classic itself.

An earnestness to the story and the father/son relationship allows Strange World to resonate far more than the typical animated offering of this type.

Black Panther: Wakanda Forever serves as both a worthy sequel to the first film as well as an homage to the star of that film – the late Chadwick Boseman.

The Return of Tanya Tucker: Featuring Brandi Carlile is an engaging and emotionally satisfying examination of Tucker's life and an uplifting piece of work.

Black Adam, perhaps fares better as a stand-alone super-hero story, than it does when compared to the far more entertaining and seemingly retconned Shazam!

Julia Roberts and George Clooney somehow manage to elevate Ticket to Paradise above just a mediocre offering to something more endearing and entertaining.