The 32nd Annual Will Eisner Comic Industry Awards were presented at a virtual ceremony on Friday evening, July 24.
Normally, these awards are held at the San Diego Comic Con (AKA The International Comic Con) but due to COVID-19, the Comics Con was cancelled. Luckily, the ceremonies were held virtually.
I believe this is our 6th Eisner Award review we have done on the Comics Misremembered Podcast. We like to cover the awards like Best New Series, Best Continuing Series, Best Writer, Best Artist but we don't cover all the awards. If you want to see the list of categories and winners then go to the Eisner Awards website.
Jon and I talk about the series and creators that we have read and which series that we are most interested in checking out.
We have been watching the CW show: Star Girl - which is set on Earth-2 and references the heroes and villains of the Golden Age of DC. The show does a good job of using the Golden Age villains and heroes without being too hokey or corny.
While watching the show, I was reminded on how I got to know the Golden Age characters as a comic reader. It was back in the early 90s, DC has a JSA comic series and I was enjoying it. Getting to become familiar with the Golden Age version of Green Lantern and Flash while learning about new characters like Hour Man, Wild Cat, Starman and others. Remember, we had no internet back then so I only had back issue and new comics to give me backstory.
In 1993, a relatively unknown writer, James Robinson pitched an Elseworlds story (The What If? equivalent for DC) about most of the JSA heroes called The Golden Age. It would feature art by the awesome Paul Smith and had colors by Richard Ory. DC would publish it as a 4 part prestige series between 1993 - 1994.
We are covering a comic related item this week - the recently released Netflix movie called The Old Guard.
This is based on a comic series written by Greg Rucka and art by Leandro Fernandez. It is published by Image comics. In fact, Greg Rucka wrote the script for the movie.
We normally like to read the comic that the movie is based on and then do a comparison of the movie to the comic to see if it is true to the source material or does it stray... *cough*Last Days of American Crime*cough*.
Unfortunately, we could not get a copy of the 1st trade paperback - it was sold out everywhere I looked. We will still try to pick it up and do a review of it later. For this review, we focus on the movie.
I know it was hard to wait a week for our review but thanks for coming back! We continue with our examination of the Wolverine miniseries written by Chris Claremont and drawn by Frank Miller. It was published by Marvel in 1982. We also compare the miniseries to the 2013 The Wolverine movie and show you how much they used from the miniseries in the movie.
A new week and a new comic. This week we are talking about Chris Claremont and Frank Miller's collaboration on the 1983 Marvel miniseries Wolvervine.
We recently read the trade paperback of the 4 issue miniseries and took some time out to watch the 2013 The Wolverine movie. There are many moments the movie uses which is directly taken from the miniseries.
This is it - the final installment of our Dystopia Futures run on comics. This does not mean that we won't talk about Dystopian Futures in... the future, but it mean next week will not be a Dystopian Future theme.
We are continuing were we left off last week - we are concluding our discussion of Frank Miller's Ronin six issue prestige format miniseries that was published by DC from 1983 - 1984.
We are at the final comic we will be covering for the #DystopianFutures theme and it is Frank Miller's Ronin. This podcast is so epic that we had to split into two! We will be posting part one today and follow up with part two next week.
Ronin was published by DC in 1983. DC's Editor in Chief, Jenette Kahn lured Frank Miller away from Marvel to publish this original story as part of DC's Prestige format comics - all glossy pages, 48 pages per issue and no ads. DC offered more creative control and Miller wanted to do a more mature comic so he agrees to write and draw the six issue miniseries.
We go over the history of what lead to the creation of Ronin. Influences Miller had when creating this comic and we start to talk about the story. Come back next week for the conclusion to our Ronin podcast.
We are getting close to the end of our Dystopian Future comics. This week we are talking about Sweet Tooth written and drawn by Jeff Lemire.
You know Jeff Lemire as the writer of great comics like Black Hammer, Gideon Falls, Hawkeye and many more. He started his career as an independent writer/artist and was able to get more mainstream attention thanks to Sweet Tooth which was published through DC's now defunct alternative, mature imprint Vertigo back in 2009.
Sweet Tooth is an tale of a young boy who sees his mother and father die due to a pandemic that is impacting most of the people on the planet. The young boy named Gus (who looks like a deer) is able to survive the oppressive environment thanks to the help of a human named Mr. Jepperd. He has sworn to protect Gus and take him to a safe place where all the "hybrid" children live called "Sanctuary".
It is Jon's birthday today (wish him a happy one), I gave him the opportunity to pick what ever comic related item he wanted to cover for the podcast. He kept the Dystopian Futures theme going by picking Akira - the anime movie to review.
Another week and we have another vision of a dystopian future in the 2007 comic The Last Days of American Crime. It is written by Rick Remender with art by Greg Tocchini and was originally published in 2007 as a 3 issue miniseries from Image Comics. This creative team has given us great stories like LOW and Uncanny X-Force. They come with the good stuff in this near future bank heist comic with a twist: the crew has to rob the bank the same day the government starts broadcasting a "anti-crime" signal which "makes it impossible for anyone to knowingly break the law in any way possible".
We have been doing dystopian future comics for a few weeks now and there are still several ideas we want to talk about in the coming weeks but a couple of weeks ago, I saw a movie that I thought was really good and would fit nicely into our Dystopian Futures conversation. That movie was:
Alita Battle Angel.
Last week, The Walking Dead aired episode 15 (the penultimate episode) of Season 10 and episode 16 will not air until Summer. Well, that is too long for us to wait to recap the season. There is a reason why we call part of the podcast “misremembered” – we don’t have the best memories. We knew we could not wait until Summer so we are going over what we saw so far in Season 10’s 2nd half.
The world is in a social crisis. COVID-19 is impacting everyone and we are all worrying about the future. Now seems like the perfect time to talk about a cheery subject – a totalitarian future were everyone’s freedoms are stripped away and there is no hope.
This is not entirely true. The is one hope – one man wages war on a despotic government to overthrow the tyrants and return freedom to the people. Hooray! We are going to be talking about V for Vendetta. A comic by writer Alan Moore and artist David Lloyd. It was originally published as a serial in a UK comic Warrior in 1982. DC converted it into a 10 issue miniseries in 1988.
Welcome back to the second and final part of our discussion of Alan Moore and David Lloyd’s V for Vendetta comic miniseries. The 10 issue miniseries was published by DC back in 1982.
We also compare the comic miniseries to the 2005 movie.
We are continuing with our review of Dystopian comics and next on the list is Tim Truman’s Scout. It was originally published by Eclipse Comics back in 1987.
BY TIMOTHY (CONAN WRITER/ARTIST) TRUMAN Scout, originally published in 1987 and created by Timothy Truman features the Native American hero, Emanuel Santana, and his one-man war against oppressive governmental forces in a post-apocalyptic United States.
The future is now! We are continuing our discussion on future dystopian comics and this week we are cover the future of American Flagg!
American Flagg! was a comic written and illustrated by Howard Chaykin with letters by Ken Bruzenak that originally started in 1983 and was distributed by First Comics, an independent publisher at the time.
Another week, another dystopian future. This week we are covering the future of Transmetropolitan. This is a 1997 comic series that was written by Warren Ellis with art by Darick Robertson. It was published by DC under the new defunct Mature Sci-Fi imprint of Helix.
We will be doing Dystopian Futures for the near future because in comics, there are hundreds of dystopian future comics and we want to talk about most of them.
This week, we are talking about an Epic Comic that is not really well known called The Last American. It was written by John Wagner and Alan Grant with art from Mike (Mick) McMahon. All 3 creators are based in the UK and created a comic that is an American Cautionary Tale.