Any Other Anythings?
By Grey Box Collective
Any Other Anythings?Sep 18, 2021
S4 E 12: Wrap-Up
Episode Overview:This episode contains Molly’s final thoughts about this season of Any Other Anythings and what has transpired in Grey Box Collective's past. How do you bring closure to something? Thank you for listening to this season of Any Other Anythings. Take care of yourself and each other.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E11: Stairway Thoughts
Episode Overview: You may be asking, what the heck are stairway thoughts? Well, stairway thoughts are those things that you remember as soon as the call ends, or as soon as you walk out the door. In this episode Molly goes into her stairway thoughts she’s had upon recording season 4 of Any Other Anythings.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E10: The Future of GBC
Episode Overview: In previous episodes Molly has reviewed the past seasons of Grey Box Collective. After this time of reminiscing she is ready to divulge her plans for the future. This plan includes workshops, performances, partnerships and of course living in the grey messy areas of life.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E9: Unfolding Echoes of Seasons Past
Episode Overview: This episode is about season 8, which is still ongoing at the time of this recording. GBC has transitioned into being a project based company and has been performing Understanding Otherness. One of the main focuses of this season has been the education branch of GBC and our Patreon. GBC’s Play in the Grey Series has been releasing workshops and materials as a part of our Patreon.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://open.spotify.com/playlist/1yuCLGRBqWRICtu0loFnW2?si=a2781bfd70714cbf
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E8: A Frenetic Do-Over: Season Seven
Episode Overview: At Grey Box Collective season seven is referred to Murphy’s law of a season, because everything that could go wrong did. It was an overwhelming and busy season for GBC. Molly shares some writing she had done when thinking about how individuals show up within the company.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://open.spotify.com/playlist/0KnU48LV2bIxQKiZvGL4pB?si=972478bed2394ace
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E7: A Misfired Bow & Arrow Moment: Season Six
Episode Overview: Season six came with a reboot of old partnerships and of live performances. GBC had digital and in-person creative teams resulting in a hybrid performance of PAUSE… . This season was about being launched into a place that was not expected.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E6: Rattled to My Core: Season Five
Episode Overview: Season five of Grey Box Collective spanned fall 2020 to spring 2021, and we all know what happened in 2020. This season had fully transitioned into being online and postcard performances were the new norm. Molly discusses the impact that this season had on her and the company, and she touches on creativity that originates in survival mode.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E5: A Pandemic Was Not In The Business Plan: Season Four
Episode Overview: Molly goes into detail about how the pandemic impacted Grey Box Collective. Many events had to be canceled, but this was also an opportunity to experiment. This time of uncertainty brought about postcard performances, the online store (which was shut down in summer of 2023) and this podcast.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E4: Settling In & Hitting Our Stride: Season Three
Episode Overview: This is the season where Grey Box Collective started to hit their stride. The educational branch of Grey Box Collective starts to take shape this season. New works were being created for the Wild Card Series. Molly also discusses her experience through the lens of a founder.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E3: Gaining Traction Inauthentically: Season Two
Episode Overview: Episode Overview: 2017 to 2018 was a time of partnerships and restaging the work that inspired Grey Box Collective. Language and rituals were starting to develop - such as, care-to-shares, need-to-knows and trauma-informed creative practices. These are now staples in GBC and are an essential part of the company.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E2: A Journey of Confident Disbelief: Season One
Episode Overview: The first official season of Grey Box Collective and the story of doing more with less. This season GBC performed Understanding Otherness, Out of Hiding, Social/(anti) social, and Fool me Once…Fool me Twice… Molly also gives insight into hustle culture and its effect on a company and the people within it.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
S4 E1: Reflecting in Retrograde: Season Zero
Episode Overview: In this episode Molly goes into Grey Box Collective before it was Grey Box Collective. What started as a thesis project has turned into a company that is now in its eighth season. Molly will dive into the details of what inspired the company and what her process was becoming a clunky entrepreneur.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
This episode was edited by Jenna Laplante
Season 3 - 4 Interlude
Episode Overview: A brief episode that acts as a bridge from season 3 to season 4. Molly shares some of the intention, motivation, and inspiration behind Any Other Anythings season 4.
Special Note about Season 4 of Any Other Anythings: This season features GBC Founder and Creative Producer Molly W. Schenck as she archives the journey of GBC from 2016 to present day. We highly recommend listening to this season of Any Other Anythings in chronological order …unless you want a more non-linear experience in which case, feel free to hop around.
Producing Company Bio: Grey Box Collective is an arts organization that produces projects on social emotional wellbeing (i.e. we make weird art about tough stuff). GBC was founded in 2016 by Molly W. Schenck. GBC’s work is interdisciplinary, experimental, and post-dramatic. We work primarily at the intersection of performing arts, visual arts, educational psychology, somatics (body and mind connection), and feminist theory. We aim to explore brand new forms of expression and make choices to rebel against the “norms”. Our work prioritizes investigating broad ideas (ex. hate, othering, shame, mental health and sexual violence) and typically steps away from traditional plot lines or characters. Since forming, we have been in residency and performed with nue[BOX], the Phoenix Center for the Arts, the Boulder Fringe Festival, and the Network of Ensemble Theatre’s annual conference. We have partnered with the Artist’s Box, Z-Room, The Movement Project, The Phoenix Hostel and Cultural Center, Scottsdale Museum of Contemporary Art, Prison Law Office, the Arizona Coalition to End Sexual and Domestic Violence, and Take Back the Night Phoenix, and La Frontera (EMPACT)'s Trauma Healing Services Division. For more information, check out the links below.
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
Host’s Bio: Molly W. Schenck is fascinated with human movement and what interrupts its full expression. This has guided the evolution of her studies and career. She specializes in the intersection of creativity and trauma. She is the creator of Trauma-Informed Creative Practices and author of Trauma-Informed Teaching Practices for Dance Educators. She has presented workshops and trainings for individuals, organizations, and arts leaders on the intersection of trauma and creativity locally, nationally, and internationally. For more information or to contact Molly regarding trainings, workshops and consultations, please visit mollywschenck.com
More links to GBC:
https://www.greyboxcollective.com/
https://www.patreon.com/PlayintheGrey
https://www.facebook.com/GreyBoxCollective
https://www.instagram.com/greyboxcollective/
S3 E9: Hannah & Molly
Episode Overview: Hannah Bridgeo, a collective of GBC, interviews GBC’s director, Molly Schenk. In this episode, Hannah & Molly dive into Molly’s origin story as a creative and discuss moments of connection. Tune in to this episode to hear Molly’s vision behind this season and seasons to come.
More about the speakers:
The body of work by Molly W. Schenck (MFA, MEd.) is rooted in a quest to understand humans. Fascinated with human movement - whether a social justice movement, individuals persisting through systems, or how a body moves through space and time. She is interested in what interrupts full expression of movement (stress, trauma, burnout, injuries, chronic pain, etc.). This guided the evolution of her studies & career path. She worked in higher education as an adjunct professor & administrator for 10 years. She taught mindbody & group fitness classes for 12 years. She specializes in intersection of creativity, trauma & is the creator of Trauma-Informed Creative Practices. She is the founder of Grey Box Collective (an interdisciplinary, experimental, post-dramatic, trauma-informed arts organization that devises original performances around topics of social and emotional wellbeing i.e. makes weird art about tough stuff). She is the author of ‘Trauma-Informed Teaching Practices for Dance Educators’, is a certified Trauma Support Specialist, Personal Trainer, a 500-hour experienced yoga teacher (focused on asana, pranayama, and meditation), Certified Teacher of BodyMind Dancing™, a registered somatic dance educator and a Dynamic Embodiment™ Practitioner. For more info visit: mollywschenck.com
Hannah Bridgeo is a dance educator, artist, musician & a grown-up theater kid. Currently, Bridgeo works as a dance & theater teacher at a high school in northern Phoenix. Bridgeo started dancing at 4 years old and performed her first drama monologue in kindergarten. She started learning reading and performing various instruments around the same time. Bridgeo graduated from Grand Canyon University in 2021 with a degree in Dance Education. She is passionate about teaching in public schools because she believes everyone should have access to learn, create and produce art. This is Bridgeo’s second season with Grey Box Collective & she looks forward to many more. Instagram: @hannahmb57
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshawn Watkins
Theme music Fox Williams
S3 E8: Rayshawn & Hannah
Episode Overview: Rayshawn Watkins interviews fellow GBC collective Hannah Bridgeo. Rayshawn and Hannah dive into Hannah’s origin story and reminisce on their shared time together in college. This heartfelt podcast episode will give you the warm and fuzzies as members realize the depth of their friendship.
More about the speakers:
Hannah Bridgeo is a dance educator, artist, musician and a grown-up theater kid. Currently, Bridgeo works as a dance and theater teacher at a high school in northern Phoenix. Bridgeo started dancing at 4 years old and performed her first drama monologue in kindergarten. She also started learning reading and performing various instruments around that same time. Bridgeo graduated from Grand Canyon University in 2021 with a degree in Dance Education. She is passionate about teaching in public schools because she believes everyone should have access to learn, create and produce art. This is Bridgeo’s second season with Grey Box Collective and she looks forward to many more. Instagram: @hannahmb57
Rayshawn is currently working in the valley as a full time teacher at Heritage Academy Gateway. In his free time he performs with multiple groups in the valley such as Grey Box Collective, Automatic Response, and DDT to name a few! He plans on to keep sharing his love for dance to the scholars and people he runs into! Instagram: @jaquay.w
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded its digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshawn Watkins
Theme music Fox Williams
S3 E7: Lizbett & Fox W.
Episode Overview:
In this episode, Fox and Lizbett nerd out over noise, explore spectrums of queer transness, and discuss what it is to be present and be known in and through art!
More about the speakers:
Fox Williams [fæ/she] is a queer, nonbinary performer and sound artist living in Phoenix, AZ. Fæ doesn't have any accolades, just a day job that allows fær to play in fær spare time. She wants you to know she is beloved by her girlfriends, her partner Liza, and their three cats: Castor, Pollux, and Dash. faeinthewae - twitter, ig, soundcloud
Lizbett is an artist, educator, and facilitator with a background in intersectional intergenerational feminism and theatre. Dr. Benge works with young, system-involved people, facilitating arts-based social-emotional learning projects and experiential political education. She loves being part of creative processes and learning with people. In October 2022 she initiated the first phase of her decade long community-based sci-fi circus mystery dinner theatre experience. Her upcoming projects include producing queer feminist burlesque + wrestling + performance art & dance experiences around the Phoenix valley, launching Starstuff a global pop-up arts festival, and building her creative consulting and arts firm, Skeleton Key Creativity.
IG: Lizberryburlesque
skeletonkeycreativity
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshawn Watkins
Theme music Fox Williams
S3 E6: Chasity & Lizbett
Episode Overview: In this episode, chasity and lizbett share stories about delve into being different, and commiserate with one another by way of horror, sci-fi, and burlesque.
More about the speakers:
Chasity Flores is a professional Dancer/Choreographer, an Arizona State University Alumni. She received her BFA in Dance and has been a part of many works at Arizona State University and throughout her community of Arizona. Since she and her twin sister, Destiny Flores (aka Ave Marcello of The Sintrics;local Arizona Rock Band)were young girls they would sing in beauty pageants together and at many event as well as performing songs in ASL (American Sign Language).She has been performing since she could walk, she started out a beauty pageant baby, young philanthropist for the cool hand club foundation, competitive cheer and was featured on ESPN with her pop-warner cheer-team, the boilermakers, Fiesta bowl runner up for Best soloist 2014, and 10 years of teaching experience from learning centers , group homes,studios, internships, and her true passion for dance. She is a trauma informed artist and facilitator. She choreographed a duet called Fallen Robin that was showcased in the spring 2016 undergraduate show at ASU as well as a Solo titled Shhh...eets and the bed along with it presented in the spring showcase of 2016.She has danced in works by artists around the valley with artists such as Jenny Gerena, Ricardo Alvarez,and Molly Schenck.
IG: Florwerkberserk
Lizbett is an artist, educator, and facilitator with a background in intersectional intergenerational feminism and theatre. Dr. Benge works with young, system-involved people, facilitating arts-based social-emotional learning projects and experiential political education. She loves being part of creative processes and learning with people. In October 2022 she initiated the first phase of her decade long community-based sci-fi circus mystery dinner theatre experience. Her upcoming projects include producing queer feminist burlesque + wrestling + performance art & dance experiences around the Phoenix valley, launching Starstuff a global pop-up arts festival, and building her creative consulting and arts firm, Skeleton Key Creativity.
IG: Lizberryburlesque
skeletonkeycreativity
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshawn Watkins
Theme music Fox Williams
S3 E5: Haley & Chasity
Episode Overview: Haley Interviews Chasity, delving into the layered origin story that created Chasity’s movement quality. Chasity talks about dance as redemption, and exploring movement with GBC as a healing process.
More about the speakers:
Chasity Flores is a professional Dancer/Choreographer, an Arizona State University Alumni. She recieved her BFA in Dance and has been a part of many works at Arizona State University and throughout her community of Arizona. Since she and her twin sister, Destiny Flores (aka Ave Marcello of The Sintrics;local Arizona Rock Band)were young girls they would sing in beauty pageants together and at many event as well as performing songs in ASL (American Sign Language).She has been performing since she could walk, she started out a beauty pageant baby, young philanthropist for the cool hand club foundation, competitive cheer and was featured on ESPN with her pop-warner cheer-team, the boilermakers, Fiesta bowl runner up for Best soloist 2014, and 10 years of teaching experience from learning centers , group homes,studios, interships, and her true passion for dance. She is a trauma informed artist and facilitator. She choreographed a duet called Fallen Robin that was showcased in the spring 2016 undergraduate show at ASU as well as a Solo titled Shhh...eets and the bed along with it presented in the spring showcase of 2016.She has danced in works by artists around the valleywith artists such as Jenny Gerena, Ricardo Alvarez,and Molly Schenck.
IG: FlorWerkBerserk
Haley Nielsen is the costume designer for Understanding Otherness. She has an undergraduate degree in art from ASU and a Masters in Design from Oslo National Academy of the Arts. Her focus areas are folk costume, natural dye and the dialogue between body and culture.
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshawn Watkins
Theme music Fox Williams
S3 E4: Adam & Haley
Episode Overview: Adam interviews Haley, reminiscing on past creative collaborations and the compulsion to create that pushes her to work in the arts a decade later.
More about the speakers:
Haley Nielsen is the costume designer for Understanding Otherness. She has an undergraduate degree in art from ASU and a Masters in Design from Oslo National Academy of the Arts. Her focus areas are folk costume, natural dye and the dialogue between body and culture.
Adam is grateful to be a part of Grey Box Collective once again, and create original works. Raised in the cold mountains of Helena, MT and starting in poetry & musical theatre, Adam received his BA in Theatre (Acting Concentration) from ASU in 2016. That following winter, Adam moved to LA to pursue acting dreams & networking. Adam continues to work on film & theatre in the area, primarily works with an educational theatre program currently (Kaiser Permanente). He also practices and writes his own sounds with his instruments: guitar, violin, harmonica & piano. Adam Mendez has also voiced his first VO character in the project, “In the Ring with Daisy King” alongside Ramona Young. Adam’s family also runs a taqueria in Helena, MT, El Vaquero Taqueria, so be sure to visit if you want flavorful at an affordable price, in the beautiful mountains of Helena, Montana. For more about Adam visit his IMDB page and listen to his music on spotify.
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshawn Watkins
Theme music Fox Williams
S3 E3: Delia & Adam
Episode Overview:
In this episode, Delia and Adam use the idea of “otherness” to identify experiences as children of immigrants, discuss creativity as healing as opposed to creativity as part of a job, and wind in and out of talking about colonization ending up at the best taco toppings.
More about the speakers:
Adam is grateful to be a part of GBC again, and create original works. Raised in the mountains of Helena, MT and starting in poetry & theatre, Adam received his BA in Theatre from ASU in 2016. Adam moved to LA to pursue acting & networking and continues to work on film & theatre, he primarily works with an educational theatre program currently (Kaiser Permanente),he practices and writes his own sounds with guitar, violin, harmonica & piano. Adam voiced his first VO character in the project, “In the Ring with Daisy King” alongside Ramona Young. Adam’s family also runs a taqueria in Helena, MT, El Vaquero Taqueria,be sure to visit if you want flavor at an affordable price, in Helena, Montana. For more about Adam visit his IMDB page and listen to his music on spotify.
Delia Ibañez is a place-based interdisciplinary artist and administrator raised in Virginia where Dividing Creek opens out to the bay. With a BA in Performance and Movement and certification in Socially Engaged Practice in Design and the Arts from Arizona State University, Delia utilizes the arts as a way to encourage critical thinking and relationship building. Delia’s personal body of work, Process in Place, has four branches - workbooks, residencies, collections, and workshops - which all intertwine to form networks of creative action directly impacted by geographical context. As the child of Alvaro Ibañez, a Colombian-born artist and graphic designer, and Denise DeVries, a writer and translator, Delia gained the family value for supporting access to the arts in rural communities (Learn about the family’s work here A-Ibañez Art Design,). This led directly into work in dance, language, and visual/media design elements to create immersive and interactive reflective experiences. Delia is collaborating with Greybox Collective utilizing the Trauma Informed Creative Practices model. They are also involved with Safos Dance Theatre and Latin Hispanic Dancers United in addition to independent choreography, dance films, and publications
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast.
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshawn Watkins Theme music Fox Williams
S3 E2: Molly & Delia
Episode Overview:
In this episode, Delia shares their origin story as a child both of artists and of the Chesapeake Bay as a jumping off point to discussions on place, creative processes of the digital and in-person devising process. Delia and Molly also discuss how this work exists in the in-between.
More about the speakers:
Delia Ibañez is a place-based interdisciplinary artist and administrator raised in the Northern Neck of Virginia where Dividing Creek opens out to the bay. With a BA in Performance and Movement and certification in Socially Engaged Practice in Design and the Arts from Arizona State University, Delia utilizes the arts as a way to encourage critical thinking and relationship building. Delia’s personal body of work, Process in Place, has four branches - workbooks, residencies, collections, and workshops - which all intertwine to form networks of inquisitive creative action directly impacted by geographical context. As the child of Alvaro Ibañez, a Colombian-born visual artist and graphic designer, and Denise DeVries, a writer and translator, Delia gained the family value for supporting access to the arts in rural communities (Learn about the family’s work here A-Ibañez Art Design,). This has led directly into their work in Artist Grants at Arizona Commission on the Arts. Being raised in the arts also allowed Delia to prioritize an interdisciplinary practice combining dance, language, and visual and media design elements to create immersive and interactive reflective experiences.Delia is currently collaborating with Greybox Collective utilizing their Trauma Informed Creative Practices model. They are also involved with Safos Dance Theatre and Latin Hispanic Dancers United in addition to independent choreography, dance films, and publications
The body of work by Molly W. Schenck (MFA, MEd.) is rooted in a quest to understand humans. She is fascinated with human movement - whether that is a social justice movement, individuals persisting through systems, or how a body moves through space and time. She is also interested in what interrupts the full expression of movement (stress, trauma, burnout, injuries, chronic pain, etc.). This has guided the evolution of her studies and career path. She worked in higher education as an adjunct professor and administrator for ten years. She taught mindbody and group fitness classes for twelve years. She specializes in the intersection of creativity and trauma and is the creator of Trauma-Informed Creative Practices. She is the founder of Grey Box Collective (an interdisciplinary, experimental, post-dramatic, trauma-informed arts organization that devises original performances around topics of social and emotional wellbeing i.e. makes weird art about tough stuff). She is the author of ‘Trauma-Informed Teaching Practices for Dance Educators’. She is a certified Trauma Support Specialist, Personal Trainer, a 500-hour experienced yoga teacher (focused on asana, pranayama, and meditation), Certified Teacher of BodyMind Dancing™, a registered somatic dance educator and a Dynamic Embodiment™ Practitioner. For more information visit: mollywschenck.com
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshaawn Watkins Theme music Fox Williams
S3E1 with Molly (Season 3 Intro)
Episode Overview: In this episode, Molly sets listeners up for what they can expect this season. She talks about how creatives will be switching things up between hosting and interviewing. And she introduces listeners to the three part structure each episode will follow.
More about the speakers:
The body of work by Molly W. Schenck (MFA, MEd.) is rooted in a quest to understand humans. She is fascinated with human movement - whether that is a social justice movement, individuals persisting through systems, or how a body moves through space and time. She is also interested in what interrupts the full expression of movement (stress, trauma, burnout, injuries, chronic pain, etc.). This has guided the evolution of her studies and career path. She worked in higher education as an adjunct professor and administrator for ten years. She taught mind body and group fitness classes for twelve years. She specializes in the intersection of creativity and trauma and is the creator of Trauma-Informed Creative Practices. She is the founder of Grey Box Collective (an interdisciplinary, experimental, post-dramatic, trauma-informed arts organization that devises original performances around topics of social and emotional wellbeing i.e. makes weird art about tough stuff). She is the author of ‘Trauma-Informed Teaching Practices for Dance Educators’. She is a certified Trauma Support Specialist, Personal Trainer, a 500-hour experienced yoga teacher (focused on asana, pranayama, and meditation), Certified Teacher of BodyMind Dancing™, a registered somatic dance educator and a Dynamic Embodiment™ Practitioner. For more information visit: mollywschenck.com
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
This episode was edited by Rayshaawn Watkins
Theme music Fox Williams
S2 E9 with Micah & Molly
Episode Overview: In this episode, Micah and Molly wrap up the season and talk about how season 2 recordings went and Molly shares more about her personal journey, GBC’s vision and how the podcast fits into it.
More about the speakers:
Micah’s bio/links/etc. A US-born transplant and newly ecstatic resident of Ottawa, Micah Jondel DeShazer (micahjondel.com), over the last 15 years (between New York, Phoenix, Los Angeles, Chicago and Madison) has developed into an accomplished actor, director, musician, artistic leader and educator. He had quickly immersed himself in the Ottawa theater community, acting in several local works, musical directing at Orpheus Theatre (Memphis), and directing independent works (Puzzles, Ottawa Fringe Festival 2022.), while staying plugged into his roots in Phoenix through his continued work with GBC. Always seeking the unexpected and drawn to passionate artists, Micah is honored to have been an ever growing list of so many. Notable projects include: The Tempest (Torchlight Theater - Company of Fools), Matilda (CTM), Passing Strange (iTheatre Collaborative) & Native Son (ariZoni, Best Actor).
The body of work by Molly W. Schenck (MFA, MEd.) is rooted in a quest to understand humans. She is fascinated with human movement - whether that is a social justice movement, individuals persisting through systems, or how a body moves through space and time. She is also interested in what interrupts the full expression of movement (stress, trauma, burnout, injuries, chronic pain, etc.). This has guided the evolution of her studies and career path. She worked in higher education as an adjunct professor and administrator for ten years. She taught mind body and group fitness classes for twelve years. She specializes in the intersection of creativity and trauma and is the creator of Trauma-Informed Creative Practices. She is the founder of Grey Box Collective (an interdisciplinary, experimental, post-dramatic, trauma-informed arts organization that devises original performances around topics of social and emotional wellbeing i.e. makes weird art about tough stuff). She is the author of ‘Trauma-Informed Teaching Practices for Dance Educators’. She is a certified Trauma Support Specialist, Personal Trainer, a 500-hour experienced yoga teacher (focused on asana, pranayama, and meditation), Certified Teacher of BodyMind Dancing™, a registered somatic dance educator and a Dynamic Embodiment™ Practitioner. For more information visit: mollywschenck.com
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
S2 E8 with Micah & John
Episode Overview: In this episode John and Micah discuss multidisciplinary artistry, the importance of experimentation in the rehearsal space and Gwen Stefani.
More about the speakers:
J O H N I D A L I S is a primarily performance based artist currently residing in Phoenix, Arizona. Their work spans several mediums including music, poetry, and acting. This is their fourth season with GBC. For more info, you can follow them on Instagram, Tiktok, Twitter, and Facebook @johnidalis and their website, johnidalis.com.
Micah Jondel DeShazer (micahjondel.com) is a newly established artistic leader and performer in the Ottawa community. He kicked off his career over the last 15 years, working in Phoenix, Los Angeles, Chicago, Madison, and now in Canada has developed him into an accomplished actor (2018 ariZoni award - Best Actor), director (nominated for 2022 Prix Rideau award; Puzzles), artistic leader and educator. Micah is specifically drawn to bridging the unique experiences of BIPOC, Anglo-Saxon, LGBTQIA+ & religious individuals finding commonality and understanding through the forging of a passionate collective dedicated to multidisciplinary collaboration in pursuit of radical transformation throughout the artistic world.
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
S2 E7 with Micah & Chasity
Episode Overview: In this episode Chasity and Micah discuss: Vulnerable artistic and personal expression; Generational curses/blessings; Dance; Choosing to stand out; Choosing to be vulnerable and going against “norms”; Making change through the arts, impact of art even if no one likes it; and how we change things ourselves or things change for us.
More about the speakers:
Chasity Flores is a desert flower blooming in Las Vegas, Nevada. She is a professional Dancer/Choreographer, an Arizona State University Alumni. She recieved her BFA in Dance and has been a part of many works at Arizona State University and throughout her home community of Arizona. Since she and her twin sister, Destiny Flores (aka Ave Marcello of The Sintrics;local Arizona Rock Band)were young girls they would sing in beauty pageants together and at many event as well as performing songs in ASL (American Sign Language).She has been performing since she could walk,as a child she was a young philanthropist for the Cool Hands Club Foundation,movement begin in competitive Cheerleading; she was featured on ESPN with her pop-warner cheer-team, the Boilermakers Fiesta bowl runner up for Best soloist 2014, and 12 years of teaching experience from learning centers , group homes,studios, interships, and her true passion for dance. She is a trauma informed artist and facilitator. Still competing for Crowns in Nevada; participating more in the Burlesque community of Las Vegas and it's glamourous appeal to empower sensuality through the female gaze; the art of tease,Flores was born to illuminate the stage. Follow her on Instagram for more: @florwerkberserk
A US-born transplant and newly ecstatic resident of Ottawa, Micah Jondel DeShazer (micahjondel.com), over the last 15 years (between New York, Phoenix, Los Angeles, Chicago and Madison) has developed into an accomplished actor, director, musician, artistic leader and educator. He had quickly immersed himself in the Ottawa theater community, acting in several local works, musical directing at Orpheus Theatre (Memphis), and directing independent works (Puzzles, Ottawa Fringe Festival 2022.), while staying plugged into his roots in Phoenix through his continued work with GBC. Always seeking the unexpected and drawn to passionate artists, Micah is honored to have been an ever growing list of so many. Notable projects include: The Tempest (Torchlight Theater - Company of Fools), Matilda (CTM), Passing Strange (iTheatre Collaborative) & Native Son (ariZoni, Best Actor).
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
S2 E6 with Micah & Delia
Episode Overview: In this episode Delia and Micah discuss trauma-informed creative practices and creating from personal experiences, existing in draft, sustaining as artist, Play in the Grey, and virtual connections over the world. Delia references a project “Breaking Pachanga” which was facilitated and visioned by Phoenix Dance Artist Ruby Morales.
More about the speakers:
Delia Ibañez is a place-based interdisciplinary artist and administrator living in the Northern Neck of Virginia. With a BA in Performance and Movement and certification in Socially Engaged Practice in Design and the Arts from Arizona State University, Delia utilizes the arts as a way to encourage critical thinking and relationship building. Delia’s personal body of work, Process in Place, has four branches - workbooks, residencies, collections, and workshops - which all intertwine to form networks of inquisitive creative action directly impacted by geographical context. In Delia’s artistic, activist, and administrative work they aim to develop relationships and support systems that parallel our ecosystems and honor both the human and nonhuman ancestors. Delia is the author of the Rare Sea: Creation Workbook. They are working with/alongside William Sterling Walker, Safos Dance Theater, and the Grey Box Collective. IG: @processinplace www.deliadibnez.com
A US-born transplant and newly ecstatic resident of Ottawa, Micah Jondel DeShazer (micahjondel.com), over the last 15 years (between New York, Phoenix, Los Angeles, Chicago and Madison) has developed into an accomplished actor, director, musician, artistic leader and educator. He had quickly immersed himself in the Ottawa theater community, acting in several local works, musical directing at Orpheus Theatre (Memphis), and directing independent works (Puzzles, Ottawa Fringe Festival 2022.), while staying plugged into his roots in Phoenix through his continued work with GBC. Always seeking the unexpected and drawn to passionate artists, Micah is honored to have been an ever growing list of so many. Notable projects include: The Tempest (Torchlight Theater - Company of Fools), Matilda (CTM), Passing Strange (iTheatre Collaborative) & Native Son (ariZoni, Best Actor).
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
S2 E5 with Micah & Ray
Episode Overview: In this episode Ray and Micah discuss: Paving your own way as an artist when doors are closed otherwise; Working as a full time artist later in your life; and accessibility and differences working as artists in the autistic and African-American communities
More about the speakers:
Ray is a performer, creative, disabled artist, and trauma informed survivor of domestic, physical, and gang violence. Partially raised in foster care, healing, culinary and performing arts was a way to escape a very tragic home life as a child, which turned into advocation and a passion as a later, medically retired adult. Education background includes child psychology, child development, alcohol and drug counseling, broadcast media relations, culinary arts, performance arts, choirs/choir directing, performance including theatrical and performing on drill/majorette dance teams as well as church praise and worship/lethargic/interpretational dance teams, abnormal psychology, criminal Justice and holistic wellness life coaching.Future plans and goals are to expand in Radio/music arts, healing arts and performance arts, including working with children from marginalized communities interested in using the arts as a form of diversion from gang violence, childhood abuse, expression, Autistic arts, working with foster children, youth in the juvenile system, youth and young adult healing, dealing with bullying and as a career.
Micah Jondel DeShazer (micahjondel.com) is a newly established artistic leader and performer in the Ottawa community. He kicked off his career over the last 15 years, working in Phoenix, Los Angeles, Chicago, Madison, and now in Canada has developed him into an accomplished actor (2018 ariZoni award - Best Actor), director (nominated for 2022 Prix Rideau award; Puzzles), artistic leader and educator. Micah is specifically drawn to bridging the unique experiences of BIPOC, Anglo-Saxon, LGBTQIA+ & religious individuals finding commonality and understanding through the forging of a passionate collective dedicated to multidisciplinary collaboration in pursuit of radical transformation throughout the artistic world.
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
S2 E4 with Micah & Hannah B.
Episode Overview: In this episode Hannah B. and Micah discuss: the PAUSE creative process, juxtaposing virtual vs. online group; Hannah’s personal journey; how to take care of yourself as an artist (mental health/rituals/structures); and grief and loss in life and art.
More about the speakers:
Hannah Bridgeo is a dancer, a thespian, and a creative. In her second season with Grey Box Collective, Hannah is passionate about GBC and its vision. Hannah grew up performing and fell in love with teaching dance and theater in her high school years. Having taught music, dance in theater all over the world, Hannah graduated with her degree in Dance Education at Grand Canyon University in 2021. Before graduating, Hannah taught and performed in London, England, Paris, France, Rio de Janeiro and Sao Paulo, Brazil, Nuuk, Greenland and she toured throughout the country of Denmark. One commonality throughout her experience was that people use their various artforms as opportunities to reflect on themselves and what they are going through. This inspired Hannah to become an educator so she can teach her students how to create art and express themselves in unique ways. For more information, you can follow her instagram @hannahbridgeo.
Micah’s bio/links/etc. Micah Jondel DeShazer (micahjondel.com) is a newly established artistic leader and performer in the Ottawa community. He kicked off his career over the last 15 years, working in Phoenix, Los Angeles, Chicago, Madison, and now in Canada has developed him into an accomplished actor (2018 ariZoni award - Best Actor), director (nominated for 2022 Prix Rideau award; Puzzles), artistic leader and educator. Micah is specifically drawn to bridging the unique experiences of BIPOC, Anglo-Saxon, LGBTQIA+ & religious individuals finding commonality and understanding through the forging of a passionate collective dedicated to multidisciplinary collaboration in pursuit of radical transformation throughout the artistic world.
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
S2 E3 with Micah & Adam
Episode Overview: In this episode Adam and Micah discuss what are the limits of arts, should/does art come at the expense of the artists? What types of creative spaces do artists engage in? Are they all safe? Is art made in “not great spaces” any less or better, and childlike wonder as adult artists & freely going against the grain.
More about the speakers:
Adam is grateful to be a part of Grey Box Collective once again, and create original works. Raised in the cold mountains of Helena, MT and starting in poetry & musical theatre, Adam received his BA in Theatre (Acting Concentration) from ASU in 2016. That following winter, Adam moved to LA to pursue acting dreams & networking. Adam continues to work on film & theatre in the area, primarily works with an educational theatre program currently (Kaiser Permanente). He also practices and writes his own sounds with his instruments: guitar, violin, harmonica & piano. Adam Mendez has also voiced his first VO character in the project, “In the Ring with Daisy King” alongside Ramona Young. Adam’s family also runs a taqueria in Helena, MT, El Vaquero Taqueria, so be sure to visit if you want flavorful at an affordable price, in the beautiful mountains of Helena, Montana. For more about Adam visit his IMDB page and listen to his music on spotify.
Micah Jondel DeShazer (micahjondel.com) is a newly established artistic leader and performer in the Ottawa community. He kicked off his career over the last 15 years, working in Phoenix, Los Angeles, Chicago, Madison, and now in Canada has developed him into an accomplished actor (2018 ariZoni award - Best Actor), director (nominated for 2022 Prix Rideau award; Puzzles), artistic leader and educator. Micah is specifically drawn to bridging the unique experiences of BIPOC, Anglo-Saxon, LGBTQIA+ & religious individuals finding commonality and understanding through the forging of a passionate collective dedicated to multidisciplinary collaboration in pursuit of radical transformation throughout the artistic world.
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
https://www.instagram.com/grey_box_collective/
https://www.instagram.com/traumainformedcreativepractice/
S2 E2 with Molly & Micah
Episode Overview: This episode really kicks off season two as Molly interviews our host for season 2: Micah. In this episode, Micah and Molly discuss the creative process throughout the pandemic, the 2017 version of Understanding Otherness, what it means to be a full time artist, and allowing ourselves to be poured into.
More about the speakers:
A US-born transplant and newly ecstatic resident of Ottawa, Micah Jondel DeShazer (micahjondel.com), over the last 15 years (between New York, Phoenix, Los Angeles, Chicago and Madison) has developed into an accomplished actor, director, musician, artistic leader and educator. He had quickly immersed himself in the Ottawa theater community, acting in several local works, musical directing at Orpheus Theatre (Memphis), and directing independent works (Puzzles, Ottawa Fringe Festival 2022.), while staying plugged into his roots in Phoenix through his continued work with GBC. Always seeking the unexpected and drawn to passionate artists, Micah is honored to have been an ever growing list of so many. Notable projects include: The Tempest (Torchlight Theater - Company of Fools), Matilda (CTM), Passing Strange (iTheatre Collaborative) & Native Son (ariZoni, Best Actor).
The body of work by Molly W. Schenck (MFA, MEd.) is rooted in a quest to understand humans. She is fascinated with human movement - whether that is a social justice movement, individuals persisting through systems, or how a body moves through space and time. She is also interested in what interrupts the full expression of movement (stress, trauma, burnout, injuries, chronic pain, etc.). This has guided the evolution of her studies and career path. She worked in higher education as an adjunct professor and administrator for ten years. She taught mind body and group fitness classes for twelve years. She specializes in the intersection of creativity and trauma and is the creator of Trauma-Informed Creative Practices. She is the founder of Grey Box Collective (an interdisciplinary, experimental, post-dramatic, trauma-informed arts organization that devises original performances around topics of social and emotional wellbeing i.e. makes weird art about tough stuff). She is the author of ‘Trauma-Informed Teaching Practices for Dance Educators’. She is a certified Trauma Support Specialist, Personal Trainer, a 500-hour experienced yoga teacher (focused on asana, pranayama, and meditation), Certified Teacher of BodyMind Dancing™, a registered somatic dance educator and a Dynamic Embodiment™ Practitioner. For more information visit: mollywschenck.com
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
S2 E1 Welcome to Season 2!
Episode Overview: This episode is a bridge from season 1 to season 2. In this wicked quick episode Molly shares what you can expect in season 2 of Any Other Anythings..
More about the speaker: The body of work by Molly W. Schenck (MFA, MEd.) is rooted in a quest to understand humans. She is fascinated with human movement - whether that is a social justice movement, individuals persisting through systems, or how a body moves through space and time. She is also interested in what interrupts the full expression of movement (stress, trauma, burnout, injuries, chronic pain, etc.). This has guided the evolution of her studies and career path. She worked in higher education as an adjunct professor and administrator for ten years. She taught mind body and group fitness classes for twelve years. She specializes in the intersection of creativity and trauma and is the creator of Trauma-Informed Creative Practices. She is the founder of Grey Box Collective (an interdisciplinary, experimental, post-dramatic, trauma-informed arts organization that devises original performances around topics of social and emotional wellbeing i.e. makes weird art about tough stuff). She is the author of ‘Trauma-Informed Teaching Practices for Dance Educators’. She is a certified Trauma Support Specialist, Personal Trainer, a 500-hour experienced yoga teacher (focused on asana, pranayama, and meditation), Certified Teacher of BodyMind Dancing™, a registered somatic dance educator and a Dynamic Embodiment™ Practitioner. For more information visit: mollywschenck.com
Producing Company Bio: Grey Box Collective (GBC) devises interdisciplinary, experimental, and post-dramatic work about social and emotional wellbeing (i.e. we make weird art about tough stuff). GBC finds innovative ways of exploring, challenging, and igniting difficult conversations. This is achieved by living in the messy grey areas of life and tackling socially relevant topics such as hate, shame, sexual violence, depression, and anxiety. GBC was founded in 2016 by Molly W. Schenck. Since then, GBC has produced over 20 new works, created by nearly 100 artists, and partnered with a dozen local organizations. GBC has presented work at the Boulder Fringe Festival, the Network of Ensemble Theaters’ annual conference, Scottsdale Museum of Contemporary Art, and at the Phoenix Center of the Arts while in residency with nue[BOX]. In response to the pandemic, GBC expanded it’s digital offerings by hosting virtual workshops on Trauma-Informed Creative Practices, opening an online store with devising tools, and launching a podcast. For more information, sign up for GBC’s newsletter, check out GBC’s website, and follow GBC on social media.
Links to more about Grey Box Collective:
https://www.greyboxcollective.com/
https://www.greyboxcollective.com/podcast
https://www.greyboxcollective.com/shop
https://www.greyboxcollective.com/product-page/introduction-to-trauma-informed-creative-practices
https://www.greyboxcollective.com/newsletter
https://www.facebook.com/GreyBoxCollective/
Dialogue on Trauma-Informed Creative Practices
This episode is from a portion of the Association for Theatre in Higher Education conference round table featuring Jisun, Sarah, Lizbett, Chris, and Molly discussing trauma-informed creative practices.
Season 1 Wrap-Up
A wicked brief wrap-up of Season 1 with Molly where she answers her own rapid fire questions and shares what will be coming up in Season 2.
Interview with Fox
In this episode, Fox shares their experience as a sound creative and performer within GBC in the digital and pre-COVID world and talks about their journey to sustaining their artistry.
Care & Creativity Panel Discussion
This episode is from a panel discussion held near the start of the pandemic and features collective members Fox, Chelsea, and Briana as they unpack their experiences of care and creativity in digital rehearsal spaces. This panel was moderated by Sarah and features some familiar GBC voices in the Q&A at the end.
Interview with John
In this episode - recorded near the beginning of the COVID - John shares their experience as a zoom performer and recent graduate navigating the new pandemic theater environment.
Interoception within the Arts Excerpt
This episode is an excerpt from GBC's workshop on Interoception within the Arts featuring Molly, Sarah, and Chris. You can purchase the workshop in its entirety in our shop from now until the end of 2021. Visit greyboxcollective.com/shop for more details.
Interview with Dienae
Surveillance. Queer. Public/Private. In this episode, Dienae shares their process of developing performance art, working with technology (pre-COVID and during COVID), and how the monitoring of ambiguous bodies informed the content of their shows with GBC.
Interview with Sarah
In this episode, Sarah and Molly discuss devising with young people and the transferability of trauma-informed creative practices.
Interview with Ji Sun
In this episode, Molly and Ji Sun discuss art making within Grey Box Collective specifically within COVID times. Their conversation kind of wanders all over the place.
Interview with Chelsea
Molly and Chelsea discuss some of Grey Box Collective's most unique experiences and the journey of vulnerability when diving into devising theatre.
Interview with Chris
In this episode, Chris talks about his unique combination of experiences in GBC including working with youth, traveling to Boulder Fringe, and the trauma-informed work he has done with the education branch of GBC.
Interview with Lauren (2020)
In this episode, Molly and Lauren wander all over memory lane (and completely off of it) as they talk about the past six years of creating works together. They also discuss how this work has informed their day jobs as educators and impacted their personal lives.
Interview with Lizbett
In this episode, Lizbett discusses her shows about the foster care system in AZ, what living a creative life means to her, and shares some highlights from her work with GBC.
Trauma Informed Creative Practices in the Classroom Discussion
We're a collective of artists and educators. In this episode, listen as Lauren, Lizbett, and Chris share how they use trauma informed approaches in the classroom. This was originally recorded as part of a live panel discussion.
Podcast Reboot!
We're started working on this podcast over a year ago...then life happened...followed by more life happening...followed by 2020, which, ya know *gestures at the world* So, seems like a good time to officially launch a podcast about creating experimental art in trauma-informed, sustainable ways that support artists, our communities, and the organization as a whole. We're a little biased, but, it's pretty great content (and now, more than ever, super relevant) stuff! So, please allow us to re-introduce ourselves and out podcast :-)
Conversation with Thomas, Lauren, and Molly
This was a completely unplanned episode...it was a good behind the scenes conversation that we decided to record and share. Enjoy!
Interview with Thomas
This podcast wouldn't have started if it wasn't for Thomas. In this 2019 interview, Molly and Thomas talk about the many roles he's played within the collective.
Interview with Lauren (2019)
In this episode, Molly and Lauren discuss...well...a lot! Lauren has been a part of the collective since before it began and has so many good stories to share!
GBC's Story and Motivation
In this episode, Molly shares the narrative that resulted in the formation of Grey Box Collective.