Millions of Screens, IndieWire’s brand new TV podcast, provides an inside look at the TV industry, sharing conversations based in IndieWire’s original reporting, breaking down that ever-elusive Hollywood buzz about town, and highlighting thoughtful analysis of the best and most impactful series you’re watching right now. Hosted by TV Awards Editor Libby Hill, TV Deputy Editor Ben Travers, and Creative Producer Leo Garcia.
Where to listen
Disney+: "Is Disney Skynet?"
IndieWire's Millions of Screens • By IndieWire • Nov 13, 2019
On this week’s podcast, Ben T. Travers grills his co-hosts, Leo and Libby, about their viewing choices, specifically why they each chose to watch several hours of “Love Is Blind” and “The Circle,” Netflix’s first forays into the trashier corners of reality television, when there’s so much prestige TV out there. Additionally, Ben walks us through his “Hunters” review and the group discusses their excitement for future pod favorite, “Run.”
On this week's episode, Leo, Libby, and Ben bask in the glow of "Parasite" and Director Bong's impressive night, but can't help but wonder if the historic victory was tarnished by an incredibly bloated and at times confusing Oscars telecast. With ratings down from last year's host-less enterprise (in the wake of Kevin Hart debacle), the Academy is sorely in need of suggestions to help bring relevancy (or at the very least streamlining) back into the program, especially when you consider all the alternatives viewers have at their disposal across both the television landscape and the various streaming platforms. Additionally, Ben and Libby argue about the success of Quibi's first foray into the commercial space, and Libby defends CBS' decision to revive CSI as an event-series.
On this week's podcast, Ben, Libby, and Leo sit down with Raphael Bob-Waksberg, creator of 'BoJack Horseman,' in the wake of the show's final episodes becoming available for fans over the weekend. Topics covered over the course of the interview include characters returning for the last season, mental health, the state of the anithero, and what he learned from his old sketch troupe, Olde English. Additionally, the group chats about Super Bowl ratings and the WGA awards, which saw some podcast favorites win.
On this week's episode, Ben, Libby, and Leo talk about Sundance (where Leo was in attendance heading up IndieWire's Sundance Studio, where 87 interviews were recorded over the course of four days) and what potential value it can bring to projects included in its Indie Episodic program. Additionally, Libby discusses her trip to the DGAs, Ben delves into what this week's Nic Pizzolatto/HBO split means for the future of 'True Detective,' and everyone makes their Super Bowl picks.
On this week's episode of Millions of Screens, Ben, Libby, and Leo talk about the second half of the Television Critics Association's Press Tour, where Ben and Libby have spent what likely seems like the last month, focusing on Apple TV+'s inaugural session and HBO Max's somewhat confusing presentation on what exactly will be included when the streamer launches. Additional topics on this week's episode include which shows are currently in the Emmy driver's seat after reviewing what the guilds have chosen to celebrate, with Libby reporting back from her time at the ACE Eddies, the PGA Awards, and the SAG Awards. Also, Ben's befuddlement returns, as he was able to sit down with showrunner Richard Price and ask why and how anyone would turn Stephen King's 'The Outsider' into a show.
On this week's episode of Millions of Screens, Ben, Libby, and Leo talk about the Television Critics Association's Press Tour, otherwise known as the TCAs, where Ben and Libby have spent that last week. Additional topics on this week's episode include the somewhat sloppy rollout of the Directors Guild television nominations, Ben's befuddlement about why anyone would turn Stephen King's 'The Outsider' into a show, and the news of Bong Joon Ho partnering with Adam McKay for an HBO limited series based on 'Parasite.'
On this week's post Golden Globes episode, Ben, Libby, and Leo discuss the various highs (Ramy Youssef, 'Succession') and lows (Ricky Gervais, Russell Crowe's win for 'The Loudest Voice') of this year's ceremony. Ben and Libby also discuss their various post-Globes party stops, and why Quibi (which has yet to give Libby a show) isn't at TCAs.
On this week's episode, Ben, Libby, and Leo talk about Netflix’s most popular movies and shows (well, one popular show that’s also Leo’s favorite show of all time), the truncated television press schedule dictated by an early Oscars, and share their picks for Sunday's Golden Globes ceremony.
On this week's podcast, Libby, Ben, and Leo sat down with Damon Lindelof, creator, executive producer, and showrunner of HBO's 'Watchmen' in advance of the show's finale. Over the course of the conversation, Damon discussed audience expectations, the fate of Lube Man (and his unseen sidekick), the impetus behind American Hero Story, if there was ever a plan for PeteyPedia to include video assets, how he built the 'Watchmen' writers' room, Liza Richardson's work as music supervisor and how she worked in concert with Trent Reznor and Atticus Ross, how other shows in the current television landscape like 'Atlanta,' 'Legion,' and 'Mr. Robot' impacted the story he and the writers wanted to tell, as well as a slight tangent into Paul's Boutique's place in the Beastie Boys' discography. We also do our due diligence, and ask the obligatory "Will There Be A Season 2 of 'Watchmen?'
On this week's episode, Libby, Ben, and Leo take a closer look at Monday's Golden Globe nominations, focusing on those selections that surprised or disheartened them. They also take a look at HBO's 'Watchmen' ratings and talk about 'The Amazing Adventures of Kavalier & Clay' getting a series commitment at Showtime.
On this week's episode, Ben, Libby, and Leo talk through Ben's Best TV of 2019 list, where "Fleabag" claimed the number 1 spot, and delve into why we either enjoy/dread putting lists together, and what exactly we're seeking when we click on someone else's lists. Plus, we prognosticate about what insane nominations the HFPA may unleash unto the world Monday, and what the SAG Awards are likely to do two days later.
On this week's Thanksgiving-themed episode, Ben, Libby, and Leo discuss the elements of the 2019 television industry that they're thankful for, including but not limited to, living in the era of "too much tv," great second seasons, and Werner Herzog's continued presence on Disney+'s 'The Mandalorian.' We also coin the phrase, "The Reginaissance." And speaking of Regina King, we dig a bit more into this past Sunday's episode of 'Watchmen,' aptly titled, "This Extraordinary Being." Also, Libby regales us with tales from The Paley Honors: A Special Tribute to Television’s Comedy Legends, which featured speeches from noted comedy luminaries Bob Newhart, Lily Tomlin, Carl Reiner, Carol Burnett, and Norman Lear.
On this week's episode, Libby, Ben, and Leo invite the star and directors of Netflix's 'Living With Yourself' Paul Rudd, Jonathan Dayton, and Valerie Faris onto the pod as their inaugural guests. During their conversation, which took place over various sparkling waters, Rudd revealed using 'Celery Man' as an inspiration for his take on playing multiple versions of the same person, Dayton and Faris outlined some of the technical issues they encountered in trying to capture two Paul Rudds in a single frame, and everyone agreed that the stark contrast of comedy and tragedy within the original scripts is what attracted them to the project. Additionally, we chat about Netflix's upcoming David Fincher-helmed 'Chinatown' prequel, ask why Damon Lindelof hates dogs, and issue our first correction (kinda).
Disney+ has officially arrived, complete with a headlining Star Wars property, an animated spork explaining concepts like currency in two-minute bursts, and reams of nostalgia porn to stream endlessly. It's with this in mind, that Ben, Libby, and Leo discuss what exactly the arrival of Disney+ means for the rest of the entertainment landscape, including Disney's decision to air four FX originals exclusively on Hulu. Additionally, Libby regales us with tales from Apple TV+'s official awards season kickoff and both Ben and Libby posit theories as to why Netflix is launching the latest season of "The Crown" on Sunday, as opposed to their typical Friday rollout strategy.
With last week’s rollout of Apple TV+, next week’s Disney+ launch, and the news of HBO Max’s forthcoming streaming offering, Libby, Ben, and Leo take a moment to figure out just which streaming services they would keep when given a strict budget. Additionally, Libby talks about the premiere of His Dark Materials on HBO and with the release of Netflix’s The Irishman in theaters, everyone picks a miniseries (and/or limited series) they’d be willing to sit through in a theater.
With the launch of Apple TV+ just two days away, and the review embargo officially lifted, Ben, Libby, and Leo dive into Apple's initial launch titles 'The Morning Show,' 'Dickinson,' and 'For All Mankind' while discussing if Apple has done enough to educate potential customers on how exactly they can view these shows. Also, just in time for Halloween we discuss some of the scariest shows currently streaming, a list which includes 'Hannibal,' a show which Libby argues is due for comeback that would allow its titular villain to tap into the zeitgeist and literally "eat the rich." And we check back in with last week's top story regarding HBO's decision to release 'Watchmen' ratings last week, while diving into the Nielsen numbers for its second episode.
Who Watches 'Watchmen?' On this week’s episode of Millions of Screens, Ben, Libby, and Leo discuss HBO’s decision to release the pilot’s streaming numbers, Kirsten Dunst’s award hopes with the end of ‘On Becoming A God In Central Florida,’ as well as the upcoming premieres of ‘Mrs. Fletcher’ and the first half of the sixth season of ‘BoJack Horseman.’
In the pilot episode of IndieWire’s new TV podcast, Millions of Screens, Ben, Libby, and Leo discuss, amongst other things, their reactions to the season finale of ‘Succession’ (aka “the only good show on television”), the red carpet premieres of ‘Watchmen’ and ‘For All Mankind,’ and argue about the perceived strengths and weaknesses of the two new entrants into the forthcoming streaming war: Apple TV+ and Disney+.