Music Production Talks

Welcome back, Joel! This is part 2 of our interview with Joel Arnow.

Joel Arnow comes to making records from the perspective of a musician first and foremost.  His training, at the New England Conservatory of Music, has given him the musical skills to write, arrange, and perform all types of music.  After touring for over a decade, he began to switch his focus to music production, recording, and mixing.  Making records is what he loves to do and it has allowed him to work and collaborate with some truly incredible musicians.  

Joel is a New York-based musician with extensive experience performing, recording, and producing. After graduating from New England Conservatory of Music with a BA in Jazz Performance in 2005, he started his career as a drummer. He has performed with an array of artists in New York, throughout the country, and abroad. He have supported singer-songwriters, played in instrumental groups and recorded with a diverse range of artists.

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Joel Arnow comes to making records from the perspective of a musician first and foremost.  His training, at the New England Conservatory of Music, has given him the musical skills to write, arrange, and perform all types of music.  After touring for over a decade, he began to switch his focus to music production, recording, and mixing.  Making records is what he loves to do and it has allowed him to work and collaborate with some truly incredible musicians.  

Joel is a New York-based musician with extensive experience performing, recording, and producing. After graduating from New England Conservatory of Music with a BA in Jazz Performance in 2005, he started his career as a drummer. He has performed with an array of artists in New York, throughout the country, and abroad. He have supported singer-songwriters, played in instrumental groups and recorded with a diverse range of artists.

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JP and Chris discuss the first session at Chris's new space in Nashville.

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Check out the interview here:

https://www.bbc.co.uk/sounds/play/m0017rhn

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This week Chris freaks out about his new hardware EQs, shares some tips for EQ'ing and for getting your head even further around EQ. Hope you enjoy listening as much as we enjoyed chatting.

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Instead of focusing on just one aspect of recordings, such as recording or mixing, we're taking a look at the whole process. This episode was inspired by a question that one of our listeners, Felix Picolet, asked us. Thanks, Felix! If you want to have your question answered on the show, hit us up on Instagram.

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This week Chris is going solo (JP is couldn't make the show this week) and getting nerdy, dry, and detailed. This topic is what separates the pros from the noobs. Take notes, apply to your recordings and you'll be cooking your audio at a nice medium rare and making better-sounding music.

We get into... 

• Gain-staging throughout the entire recording chain.
• Why DAWS and peak meters will lead you astray.
• Peak vs. RMS levels
• What the "sweet spot" is and how to hit it
• Digital reference levels
• The difference between 16, 24, and 32-bit.
• How to set levels when recording.
• How to gain-stage your mix
• Calibrating buss compression
• And calibrating your monitors

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This week we go a little deeper into the topic of EQ. We do a shootout of Neve, SSL, and API-style EQs and discuss what we like and don't like about them. We give examples of what certain EQ moves sound like so you can start to get your ear around different frequencies. 

And we even get into why having massive brain surgery makes you tired AF ...who knew?!? 

As always, thanks for listening!

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This week we’re talking about EQ. If you’re new to EQ and wanting to get an understanding of the basics, this is a great episode for you. We get into terminology, the differences between some common classic EQ’s, and some examples of why in some cases common EQ moves are great and why in others they will completely kill the vibe of your recording.

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Hello and Welcome!

Each week on Music Production Talks join Chris Jacobie and me, JP Ruggieri, as we skip over teaching you how to make PHAT beats and record screaming electric guitars …not that there’s anything wrong with that.

And instead, we’re going to jump straight into having nuanced conversations about producing music that actually says something.

If you’re a musician that wants to discover how to actually record your songs in a way that you want them to sound, or you’re a producer that’s looking to hone your skills.

Or maybe you just want to hear interesting stories from the other side of the glass, so to speak you are in the right place.

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This week we take a break from talking about recording engineering and instead get more into music production. 

We analyze the production of Feist's The Bad In Each Other and take a look at the songwriting, instrumentation, arrangement, recording, and mixing in this song.

Listen To The Song

Don your white lab coats and your pen protector. We're getting even geekier this week. 

What is phase and what is polarity? If you don't understand these two audio concepts, you're in for a painful recording experience as soon as you add in a 2nd mic or more.

Have no fear though. This week we'll walk you through all the things you need to think about to make multi-mic recordings that sound great! And we'll show you a few audio examples to help tune your ears to potential polarity and phase issues you could run into.

If you haven't listened to last week's episode, start there.

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This week we're talking about microphone basics! We get into terminology and specs, microphone types and their applications. We also shootout 4 different microphones so you can hear the sound. Lastly, we answer listener questions and make mic recommendations.

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Splish, splash, taking a bath ...in reverb! This week we dive into the history or reverb and JP demonstrates various different reverb types from UAD.

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Welcome to episode 1 of Music Production Talks with Chris Jacobie and JP Ruggieri. This episode we introduce ourselves and the show and then dive into the art and science of compression.

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