Episode #326 - What Happened To The DTV Market? Guest Bill Lustig
An episode of Radiodrome
By 12:01Beyond Productions
About
Join antagonistic film critic Josh Hadley and laid back film critic Cecil Trachenburg for a weekly look at the films you never heard of or simply forgot about alongside a true cine-masochist Petar Gagic. Radiodrome takes you back to a time of VHS tapes, exploitation on TV and the Adult Entertainment that mattered.
Join antagonistic film critic Josh Hadley and laid back film critic Cecil Trachenburg for a weekly look at the films you never heard of or simply forgot about alongside a true cine-masochist Petar Gagic. Radiodrome takes you back to a time of VHS tapes, exploitation on TV and the Adult Entertainment that mattered.
Ugh... we look at the career of Alex Cox... man this was not a fun episode to prep for.
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We look at the movies featured on MST3K as well as the impact of the show and derail into a rant about that piece of human trash that is Wade Williams.
Need a VPN? Please use this link www.1201beyond.com/dromevpn and we have a Patreon as well... www.patreon.com/1201_Beyond
Need a VPN? Please use this link www.1201beyond.com/dromevpn and we have a Patreon as well... www.patreon.com/1201_Beyond
Visit Mike White over at http://www.projectionboothpodcast.com/
A kind of follow up to our discussion about Richard Stanley were we talk about Orson Welles and Fred Dekker as the most screwed over filmmakers... and then Cecil and Petar somehow think Zack frigging Snyder is on the same level as Orson goddamn Welles. Yes they really do think this. Insane I know.
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What happens when a director moves outside of the genre they are most comfortable in?
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What franchises are simple trilogies? Lets find out.
Also please use this link if you are interested in Nord for your VPN. It's a great service and one that is oddly necessary in today's world.
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Filmmaker David Irons and I bitch about the movie industry and talk about his new book.
Here are some of the materials from the book you can and should check out.
Trailer:
https://www.youtube.com/watch?v=0yiW-H3UFfA
Music video:
https://www.youtube.com/watch?v=bAnSGen9FCI
7 Winters Alone Film:
https://www.youtube.com/watch?v=Hv8HuOY7HKQ&t=16s
Writer and producer Kevin C. Lockhart as as well as editor Bernard Lewandowski stop by as we discuss their new movie High On The Hog which you should check out.
https://www.youtube.com/watch?v=xnSRbTmQnPc
We love Richard Stanley here at RadioDrome so we take a look at the career he SHOULD have had.
Here is the previous episode about him with the interview we mention.
https://soundcloud.com/radiodromeshow/episode-333-richard-stanley-retrospective-wrichard-stanley
The amazing Gary Kent gives us the nuts and bolts on how Brad Pitt is more or less playing him in the new Tarantino movie Once Upon A Time In Hollywood.
Yes, I am aware we said "Dance of the Dead" multiple times and that it is "Dance of the Damned"... brain fart.
https://www.patreon.com/1201_Beyond
If you want to help out.
No idea what happened with my recording software... so parts sound like I keep cutting Cecil off to start talking are not how it was recorded. Not sure what happened.
We all lost something when Larry Cohen died. Lets take a look back at his legacy.
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Or paypal donations to 1201beyond@gmail.com
Joe Bob Briggs is here... we talk about the old stuff and Shudder and lots of things most people don't know about Joe Bob.
Our previous discussion with the man is here.
http://1201beyond.com/episode-315-joe-bob-new-year/
Can a sequel in a long running franchise actually make the original film worse?
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https://www.patreon.com/1201_Beyond
Or paypal donations to 1201beyond@gmail.com
Since I can not monetize if you want to help out the channel please do so here.
https://www.patreon.com/1201_Beyond
Or paypal donations to 1201beyond@gmail.com
Since I can not monetize if you want to help out the channel please do so here.
https://www.patreon.com/1201_Beyond
Or paypal donations to 1201beyond@gmail.com
Well? Who is the Darkman I asked.
If you want to help out the channel please do so here.
https://www.patreon.com/1201_Beyond
Or paypal donations to 1201beyond@gmail.com
Robots and AI are focused on but we do go off on a tangent about MST3K.
Since I can not monetize if you want to help out the channel please do so here.
https://www.patreon.com/1201_Beyond
Or paypal donations to 1201beyond@gmail.com
What happens when you are a genius and any criticism is an attack?
Yes we talk about David DeCoteau among others such as Jared Cohn and the laughable Justin Price.
The trailer to David Irons movie which is discussed.
https://www.youtube.com/watch?v=saOzi10orx0
It's a great movie.
Ben Lewandowski drops by to give us the lowdown on the new movie Skeletons In The Closet (https://www.imdb.com/title/tt3339376/?ref_=ttfc_fc_tt) which is now on VOD.
Check out the trailer:
https://www.youtube.com/watch?v=5szjVvzAW_Q
Hacks like Justin Price and Jared Cohn give all low budget filmmakers a bad name.
David Irons, Joe Badon and Graham Skipper are real low budget filmmakers with great skill.
There is a difference.
Lets look at just how limited streaming actually is and why the video store was so important.
A big help with this episode.
https://blog.blcklst.com/in-search-of-the-last-great-video-store-efcc393f2982
The Scarecrow video mentioned.
https://www.youtube.com/watch?v=9VMhEq6kxG4
When a long running franchise goes on for a while... why does it change so much from it's roots? When a long running franchise goes on for a while... why does it never change?
I love the 1999 House on Haunted Hill and there are good remakes out there... Cecil, Josh and Glenn Criddle explore a few of them and director William Malone stops by as well.
Here is my raw audio as shock jock Nathan Talbot for the upcoming video game from Pig Farmer (http://pigfarmergames.com/) Night Ripper.
This is meant to be a 1989 late night New York City shock jock who is a provoker and evocateur. The call in show will play as background in the game so in the final game I wager most of this will not be heard.
Also I want to note that I, Josh Hadley, do not share these feelings as expressed here... this is a CHARACTER I am playing.
Thanks to Sara Hanley as well for being my back up here... although I have no idea WHY she chose a southern accent for her part.
David Irons is one of the most creative forces in indy film today.
Check out the trailers and shorts and music videos we talk about here.
http://www.metropolfilms.com/films
I grew up on the films of Empire International and in this first part of our multi installment retrospective of the works of Charles Band we look at how the Empire was created.
There are many films which existed at one point and no longer do now... as well as many films that we simply can never see.
Petar and Josh look at some of these tonight.
Uwe Boll is leaving the film industry and this is a tragedy. We need a man like Boll to continue to fuck shit up.
We spoke with the man himself and you need to hear this interview. You need to.
It is presented here unbleeped.
Film Threat magazine made me the cynical asshole I am today... and now it might be coming back... Mike White stops by to help me look at this amazing magazine and Chris Gore is there too.
With, ugh, Sausage Party being heralded as the second coming of animated films for adults we look into what adult animation really means with the likes of Fritz The Cat, Heavy Traffic, Wizards, Cool World, Fire and Ice, Pink Floyd: The Wall, Heavy Metal, Flight Of Dragons, Zoom, Akira, Who Framed Roger Rabbit, Rock N Rule and more.
The worst movies ever made... has a ring to it huh? Well it's mostly bullshit. These are some bad movies, no doubt, but so many awful (truly terrible) films are really out there and this list is completely unaware.
What makes a movie bad? Is it one single thing or a conglomeration of things? Can a bad performance in a well written and directed film make it a bad movie? What about terrible direction to a fantastic idea? Is that a bad movie? What really make a bad movie?
With the massive flop of Legend Of Tarzan and a few years ago John Carter... why is it so damn hard to adapt the old pulp stories to the screen?
Guest Buzz Dixon.
There have been marketing disasters in the past, Aqua Teen Hunger Force, Star Trek Beyond and even the debacle that was David Manning... and yet 2016 will go down as the year that movie marketing went all tits up...
Why is this a franchise? Why are there 9 Madea films? How the hell are there a half dozen Step Up movies? Who the hell was asking for a 3rd Legally Blonde film? This is the question we examine... why the hell are some of these things franchises?
We all love Troma movies, from the classics like The Toxic Avenger and Class of Nuke em High to the lesser films such as Troma's War. Hell the Troma pick ups such as Screamplay or Christmas Evil are amazing too. Troma is the only Reel Independent company left out there and we should all celebrate them.
1984 was another amazing year, from Ghostbusters to Beverly Hills Cop to C.H.U.D. to Terminator, so many great films were in 1984 and we Petar puts it "1984 was the first year the 80's were comfortable being the 80's".
How accurate does a film have to be to be called a true story? If a movie is %80 made up can it still be a "true story"? What if a story has been thoroughly debunked and yet the movie that comes out years later still calls it a "true story"?
PG-13 used to be a real rating with real weight behind it whereas now PG-13 is simply a label for a compromised film. What happened to the rating and how did it fall so hard?
1982 might just be the most awesome year in film ever. Death Wish II, Conan, Tron, Blade Runner, Star Trek II, Friday the 13th III, Poltergeist, ET and so many other amazing films came out in 1982.
We are all old... lets face it. How has the new generation of low budget filmmakers changed how films are made and is it better or worse that this is happening?
Another episode, another year and 1981 was a damn good year indeed.
An American Werewolf in London, Charlie Chan and the Curse of the Dragon Queen, Escape from New York, Galaxy of Terror, Heavy Metal, Piranha II: The Spawning, Saturday the 14th and so many other key movies came out in this great year.
1980. What a perfect transitional year for film, part 70's and part of what the 80's will come to be defined by.
Airplane, Cannibal Holocaust, Friday the 13th, The Shining, Humanoids From The Deep, 9 to 5 and even Xanadu. 1980 was an eclectic year in film.
The finale of a story is the most important part, a good ending can save a bad movie the same way a bad ending can ruin a good movie.
Planet of the Apes and Empire Strikes Back are examples of great endings that defied convention... just how impactful is the ending in contrast to the rest of the film?
The ending of a movie can mean success or failure... a good ending can save a bad movie and a bad ending can ruin a good movie...
Planet of the Apes, Empire Strikes Back and so many others defined how much impact an ending can have... but just important is the ending?
1978 was a year of catch up in film. After Star Wars blew everyone away Hollywood was unprepared to follow it... so what happened in 1978? A lot and only some of it was good.
1977 was an amazing year in film, besides Star Wars. You also had Rolling Thunder, Wizards, Close Encounters of the Third Kind, Smokey and the Bandit and a litany of other great films.
We take a break from the years and look at how nostalgia has become it's own exploitation sub-genre.
Did we really need a Jem and the Holograms movie or were they simply exploiting your nostalgia? This is actually a thing they do now.
This week we take a look at 1976... there were many good films (Assault On Precinct 13, Network and Mako: The Jaws Of Death) and many bad films (King Kong, Logan's Run and The Omen). A year that attempted to eclipse it's predecessor and not really succeeding.
We look at the year 1975 in film this week... besides Jaws... what other films debuted this year? The good (A Boy and His Dog, Cleopatra Jones and the Casino of Gold, The Devil's Rain and Monty Python and the Holy Grail among others) and the bad (Barry Lyndon, Doc Savage: The Man of Bronze, The Happy Hooker and The Stepford Wives among others).
It was a turbulent year and one that marked the start of a new era in hollywood.
Brandon Tenold (https://www.youtube.com/playlist?list=PL6ELOg-SELapz7QEq6N-vVKMTkw9nHTHq) stops by again to help us look at the 3 great films Tobe Hooper made for Cannon films back in the 80's, Lifeforce, Invaders From Mars and Texas Chainsaw Massacre Part 2.
George Romero, John Carpenter, John Landis, Bob Clark, Mel Brooks and so many other great filmmakers had their heyday in the late 70's and early 80's... then the 90's brought only crap from them. Why? What happened to these guys?
When we were kids we didn't notice things in movies, such as that Ferris Beuller is a sociopath or that the guys of Delta House are the villains in Animal House.
Lets look at his growing up puts old movies into a new perspective.
You have to market a movie to let people know it's out there and to get people interested... but what happens when the downright bizarre marketing is employed? The new trailer for Star Trek: Beyond being a prime example. What the hell was that?
The original 1984 Silent Night, Deadly Night film is considered one of the sleaziest slasher films of the decade, but how many of you remember just how psychological and deep it was? How many of you forgot there were 4 sequels and a garbage "remake" .
There seems to be two extremes when it comes to films these days... low budget and blockbusters with no middle ground. It was not always like this though... what happened to middle class films?
How many people even knew this franchise was still going on? The Howling is a great movie, of that there is no doubt... what about the seven (7!) sequels to it though?
The second episode of Grindhouse Purgatory... Pete takes you back to the greatest street in movie history with his remembrances of the era through his unique perspective. This time we look at how video may have played a part in the demise of the grindhouse...
The first episode of Grindhouse Purgatory... Pete takes you back to the greatest street in movie history with his remembrances of the era through his unique perspective.
The video store was once such a prominent place in our lives... and the new book "I Lost It At The Video Store" (http://www.amazon.com/Lost-Video-Store-Filmmakers-Vanished/dp/1941629156) by Tom Roston looks at how various filmmakers grew up as video store addicts. Cecil, Josh and Petar use that look at the video as a jumping off point to discuss just how much video changed movies.
How many of you even remembered that Sleepaway Camp was a franchise? Even if you did remember that... how many knew there were 5 (technically 6) movies in said franchise? Cecil is making us do this episode and it hurts, these movies really hurt.
Sometimes a movie stands on it's own, sometimes it requires sequels to be good and sometimes those sequels almost ruin the original. This week we look at how sequels have become a plague in hollywood.
We all have insane fandoms that we encounter, from furries to bronies to juggalos to marvel zombies. Fandoms are everywhere for every thing but sometimes they go to far.
Ugh, last year we looked at the Children Of The Corn franchise and I was in over my head with that one... I apparently don't learn as I forced the Amityville Horror series on my co-hosts this year.
Everyone bitches that some movie is the worst movie ever, but what is really the worst in scifi or horror?
Cecil and Josh take a look what are considered the worst of the worst and we find many are not that bad.
Adam Black, creator of Locus sits down and talks to me about the state of independent comic publishing.
Make sure to check out Locus, Silk & Honey and Godslayer at
http://locus.departure-productions.com/
Do movies reflect society or does society reflect the movies? When one holds a mirror up to another is that a self perpetuating cycle or just how art works?
Sid freaking Haig man... this week we sit down and talk to the man himself about his career and life in TV and the movies, everything from Jason of Star Command to The A-Team to Werewolf to Galaxy Of Terror to House of 1000 Corpses.
Directors cuts are a relatively recent addition to film libraries so this week Cecil, Josh and Petar take a look how different cuts of films affects their reception and legacy.
Comic movies are a huge thing but most of them are superhero based... what about all of the comic movies that were NOT based on superheroes? Road to Perdition, Barb Wire, A History of Violence, Swamp Thing, Judge Dredd and so on? How many of you remember these?
30 Days of Night
300
Barb Wire
Barbarella
Constantine
The Crow
Fritz the Cat
From Hell
Hardware
Heavy Metal
The Mask
Men in Black
Model by Day
The Rocketeer
Shaun Of The Dead
Sheena
Tales from the Crypt:
Tales from the Crypt (1972)
Tales from the Crypt: Demon Knight (1995)
Tales from the Crypt: Bordello of Blood (1996)
Tales from the Crypt Presents: Ritual (2001)
Tank Girl
Timecop
V for Vendetta
Vampirella
The Vault of Horror
Virus
With Wes Craven's death, we forgo the scheduled topic and look at the career of Wes Craven. Everything from Last House On The Left and Nightmare On Elm Street to his TV work and even his porn work (yes, Wes Craven directed a hardcore porn).
You know, that guy, the one that was in that movie that was out last year...
We know these people, those guys that make a great villain or a great supporting player but never seem to achieve the stardom they deserve, they always steal the show and yet to the mainstream they are simply "that guy".
Michael Ironside, John Saxon, Sid Haig, Dick Miller, Lance Henriksen, Michael Biehn... the list goes on and on. We are giving "that guy" his due.
With the death of Roddy Piper we look at the trend of non-actors in movies and TV. Wrestlers, musicians, talk show hosts, sports figures and the like love to act in movies, are they good at it though?
With the recent passing of James Horner we look at just how much music in movies effects us. Everything from the soundtracks to Conan and Robocop to Aliens and Titanic, these pieces MAKE the film and James Horner was one of the absolute greats.
Jaws did more for the cinema than even Universal could have predicted... it spawned an entirely new genre. Petar, Josh and Cecil are joined this week by Brandon Tenold as we look at the best and worst of the Jaws knockoffs from Tentacles and Great White (The Last Shark) to Devil Fish and Cruel Jaws.
The Jaws films are so iconic (even if it's iconography is for how bad the sequels are) that it's about time Josh, Cecil and Petar looked into the impact this quadrilogy has had on film.
1989 was awash with movies set in the blackened deep of the oceans... outer space was no longer the great unexplored reach, but the darkest elements of our own planet.
Petar, Cecil and Josh look at all 6 of the underwater monster flicks that arose in 1989.
Leviathan, Deepstar Six, The Abyss, Lords Of The Deep, Endless Descent and The Evil Below.
Josh and Cecil look at just how much you used to be able to get away with on TV and no longer can.
All in the Family would never make it today. What about Miami Vice? Twilight Zone? NYPD Blue? St. Elsewhere? Hill Street Blues? It's nuts some of the examples we have.
Terminal City Ricochet is a film that more people need to see. Jello Biafra sits down with Josh to discuss his acting career and this movie in particular. Charley McMullen joins Cecil, Petar and Josh to examine Terminal City Ricochet in more detail. Check it out.
Day of the Animals is not just a movie, but a genre. This week we look at those animal attack films such as Jaws, Tentacles, Night Of The Lepus, Kingdom Of The Spiders, Tarantula, Jennifer The Snake Goddess, Frogs, Roar, Empire Of The Ants, Phase IV, Grizzly, Them and so many others.
Cecil Trachenburg, Petar Gagic and Josh Hadley are all fans of music videos and you will be surprised at just how many music videos were directed by movie directors.
Michael Bay, David Fincher, John Landis, Tobe Hooper, Tony Scott, David Lynch, Stan Winson, James Cameron, Katherine Bigelow and so many others.
VHS, it's how most of us acquired our vast database of movie knowledge. Cecil, Josh and Petar take a look at how VHS changed the face of movies and how VHS even changed the face of technology itself.
Joe Dante comes back to the show and talks about his TV work from low budget anthology shows to mainstream work such as Hawaii 5-0 and CSI and the rest of us talk about how television is becoming more and more theatrical.
Television has changed more than most people realize. It had gotten more graphic and yet more censored. It has become more free and yet more restrictive. The cast of RadioDrome have witnessed these changes throughout our lives and I bet you have too, you just didn't notice.
You have the right to remain silent... FOREVER. The Maniac Cop franchise is one of the most overlooked in the horror community and Josh, Cecil and Petar aim to change that.
Video Games are everywhere... movies, cartoons, comic books, novels and other assorted baubles... but does this form of art truly translate to other media? We look into this.
A few years ago I got together with frequent collaborator Mike White and KC Von B to put forth a radio program about adult films that was mature and introspective... the result was Sinema (KC Von B's title I remember correctly). In this pilot we examine the films Behind The Green Door and Cafe Flesh, films that have a relation you may not pick up on at first. We look at the stories, the histories and yes, the sex. Joining us for his thoughts is the one and only Bill Margold as well.
This never made it past a pilot stage due to outside influences (lack of sponsors mostly). I would love to revive this series if a sponsor could be located who would benefit from our work.
In the meantime, www.1201beyond.com/ is the place to go if you want more shows such as this or to help out the program.
Cop movies and vigilante movies are so common the themes in them are all but cliches at this point even when they should not be. Why is this? Why do we love to see the rogue cop take the law into his own hands to get the bad guy? Petar and Josh take a look at this while Cecil is off at PAX.
Uwe Boll, the name conjures up the starkest of images and yet the real man is down to earth and honestly just wants to make good films. Brad Jones, Alex Jowski and I sit down and talk to the man in a very candid piece that you are sure to devour.
Was there a better action movie director in the 1980's than James Glickenhaus? I don't think so. I sat down and talked to him on 2 separate occasions (both collected here) and got his take on movies today, his films in particular and the state of the industry and where it's going. We also discuss how 42nd Street radically changed after Shakedown was made.
Peter David, a name that any comic or scifi fan will know as one that engenders quality and originality. I sat down and talked to Mr. David about his body of work and how it was working within the confines of the franchises he works with.
How as the horror genre changed? Has it gotten better over time? Worse? Josh, Cecil and Petar look into this phenomena and then rant about how we all hate new horror films.
How much does the marketing of a movie play into it's success? Josh, Petar and Cecil examine this and Joe Dante (yes, that Joe Dante) stops by to talk about Trailers From Hell (trailersfromhell.com/) and some of the sequels to his movies... that he had nothing to do with.
In this second special episode of RadioDrome, writer Buzz Dixon reveals what it was like to work on the myriad of properties from the 80's which he made so distinct. G.I. Joe, Transformers, Visionaries, Thundarr and so forth.
Nuclear war, radiation, giant mutant bugs... the horrors of the age of the atom. Josh, Cecil and Petar take a look at the Atomic Horrors from the 1950's through today.
In this special edition of RadioDrome we look at film preservation and speak to Joe Rubin of Vinegar Syndrome about the upcoming Vinegar Syndrome TV project which you can help with here:
https://www.indiegogo.com/projects/vinegarsyndrome-tv-instant-digital-exploitation#/
A TV series, a film, a song... they capture (intentionally or not) the zeitgeist of the era they are created in... and that rarely translates well into a new era. Josh, Cecil and Petar take a look at some of these instances which both did and did not work being transferred out of their native times.
Petar Gagic takes his place as the new third on RadioDrome as we also welcome "special" guest Charley McMullen for this look at stoner movies. What is a stoner movie? Is it a movie that features drugs or movies made for those on drugs? Are they simply fun movies or do cautionary tales count as stoner films?
George A Romero is one of those directors who's works are iconic in the horror genre and yet... he has made far more than the average horror fan even knows. Josh, Cecil and guest Darren Orange take a look at the expansive career of George Romero.
Horror and comedy are things that go together better than they should. Special guest Mike White pops back in this week to help us look at this phenomena of horror comedies.
Classic movies were always beloved by the public were they not? No, many films now considered absolute classics and staples of their genres were critical punching bags upon their initial release. We take a look at some of these films and the criticisms laid onto them.