How might multimodal anthropology reconcile the use of iconic images that reinforce racist stereotypes? As a visual anthropologist, when you create a multimodal output such as a film, you often have to balance your desire to attract the stakeholders’ attention with your attempt to challenge and avoid reproducing iconic stereotypes that are perpetuated through the media. Interestingly, the medium of film itself often inherently reproduces many stereotypes.

Therefore, it is both difficult and interesting to think within the media industry. For instance, participants of the ARTlife Film Collective state that there is something “with the iconic” that they always have to negotiate and work in friction with. This is often one of the most productive frictions in these kinds of collaborative multimodal projects. Working multimodally and with images allows them to think differently about collaborative filmmaking. At the same time, such films often cut across various genres - including documentary, docu-fiction, hybrid, ethno-fiction, etc. - allowing them to forge new connections and reach a broader audience. Read all the insights here - https://www.urgentemergent.org/talking-uncertainty/artlifefilm

TU#04 - Seeding Happiness: SumArth’s Farmer-led Agri-Models for Rural Development in India with Prabhat Kumar

Talking UncertaintyBy Emergent Futures CoLabApr 05, 2022