Skip to main content
the anitafrika method

the anitafrika method

By d'bi.young anitafrika

the anitafrika method is a guided transformational process that supports practitioners in: a.decolonising self, b.in metabolising experiences of colonial-historical oppression & c.in ritualising performance through devising biomyth monodrama. the method is a decolonial black-queer-feminist praxis emerging from the dub poetry & dubbin theatre of d'bi.young anitafrika. the interdisciplinary self-reflexive framework is informed by ubuntu philosophy, black liberatory pedagogy, autoethnography, somatics, polyvagal theory & the latest developments in cognitive science & trauma theory.
Currently playing episode

Queer Reflections of Dancehall, Spice & Growing Up in Jamaica

the anitafrika methodJun 02, 2022

00:00
18:13
Queer Reflections of Dancehall, Spice & Growing Up in Jamaica
Jun 02, 202218:13
apologies and reparations for jamaicans—an open letter to prince william and duchess kate
Mar 28, 202233:15
anitafrika method roots (pt1)

anitafrika method roots (pt1)

this episode is livecated to visionaries dub poet jean binta breeze & feminist bell hooks. thank you for embodying di chant of resistance. rest in peace, rise in powah. 

intro: global village what-a-gwaan? welcome to the first episode of the anitafrika method podcast. I am your host d’bi.young anitafrika. join me now, here, in the depths of a black hole, inna the midst of the timeless omniverse, where root networks of deep dark forests converge, converse-in infinite languages of baobab tree trunk branches, innerspanding di verbal riddims from outer space to inner grace, dubbin di vibes, overstanding the legacy of dub poetry, the rhizomatic roots of the anitafrika method. the method of anitafrika. the anitafrika method  is a freedom song-in-dub, wailing to be chanted by anyone who desires decolonial freedom from within, emancipating di conditioned colonial capitalist constructions of race, gender, class, ability, sexuality & other such outdated limitations of body, mind & spirit. reconceptualising, reimagining, re-envisioning our joyful, liberated, beautiful black selves as whole, wholistic, intrinsic, integrated, magically melanated. healed  healing. transforming, transitioning. learning. growing. living. questioning the bullshit. 

pon today’s episode we hear stories of 1970s 80s jamaica from anita stewart herself, pioneer dub poet & moddah to me & my breddah, big up yuhself johari. we also hear from winston young, master auto-engineer, aka pie eye, aka cool bwoy, aka my faadah, who as di telling goes was di one to get my moddah hooked pon theatre. last but not least, I am di dub poet. inna di multiverse, multiple verses diverge.dem say the apple don’t fall from the tree, well I am basically a tributary of my mommy and daddy, descended from african ancestry via the transatlantic colonial enslavementocracy, da land me inna jamdown, aka jamaica, aka Xamaca, the original indigenous name of my homeland. welcome to jamrock global village, di dub poetry side. di first chant is 'beggin is a ting' originally by anita stewart, check di remake version by yours truly. run di riddim selectah

outro: in this episode we heard from my parents—anita stewart & winston young—about what it was like growing up in kingston jamaica in the 70s/80s. the episode also features the prophetic dub poetry of louise 'miss lou' bennet'—considered the mother of dub poetry—jean binta breeze & anita stewart. these womxn, along with cheryl byron, afua & high times players headlined the 1986 dub poetry album woman talk: caribbean dub poetry, produced by mutabaruka. the woman talk album was the soundtrack of my childhood along with mikey smith's mi cyaan believe it. my mom would put the vinyl on the record player and I would chant to every single poem over & over & over again, until the words became my private rebellion before I understood what I needed to be rebel against. little did I know that dub poetry by black womxn, was to be my entry point into decoloniality, feminism, intersectionality. these stories form the roots of the anitafrika method, emerging from a long legacy of resistance, celebration & the profound love of freedom & community. join me next time global village for another dub session of the anitafrika method podcast where the vibes is always onwards & in-words.

music: 

rock fort rock by the skatalites

beggin is a ting by d'bi. 

extracted from v.a "woman talk (caribbean dub poetry)", heartbeat records, 1986.

politician by anita stewart

dutty tuff by louise bennet

reality by jean binta breeze 

begging is a ting by anita stewart

Jan 07, 202244:44