The Devil's Mouth

We started these celebrations with a legend of the West Yorkshire doom scene, so how about we close them with... another legend of the West Yorkshire doom scene? Though both Aaron Stainthorpe and Greg Mackintosh hail from the same region and their main bands have often been grouped together, both have also far transcended any genre-specific musical origins with their brilliant careers and greatly helped shape the history of metal along the way.

A  punk rocker at heart, Greg showed us that side well when he appeared as  a guest on episode #29 of The Devil's Mouth, and now we called upon him  again to pick one of his own songs. The choice fell on a recent Paradise Lost classic, 'Beneath Broken Earth', and... we'll let him explain the rest.

Thank you everyone who has participated in our signaling of episode #100! Normal programme will resume next week as we move on to our season 2 with episode #101.

Colin is a dear old friend, and he  was one of the first to support The Devil's Mouth, way back in episode  #15, it was a huge boost to have an artist of his caliber on the show at  such an early stage. As we celebrate episode #100, we get a lovely  story about how the already iconic 'Silver Needle/Golden Nail' song, the  opener for Amenra's 'Mass IIII' (2008) album, got its title. Neurosis and a  couple of very different drinks are involved.

And whaddya know, turns out that there is joy and jokes and friendship behind the gloomy hellscapes that are Amenra songs, too.

We know Royal Thunder are special. We know Mlny is special.If doubts remained, go listen to episode #87, which was one of the most awesome conversations we've ever had on this show. But when we asked her to be a part of these episode #100 celebrations, we honestly didn't know what we were going to get. A reflection about a song, maybe? A cool song, because all Royal Thunder songs are cool. Maybe a funny anecdote, because Mlny is smart and funny. A story few had heard before, at best. Maybe.

But then Mlny did that magic thing she does, always, whenever a mic is nearby, in one form or another. She blew us away with  her raw honesty, her capability to dredg up all the feelings we all need to, and take us along for the ride. Starting about one song, and ending about another (let's call them one big song, okay?), Mlny takes us through a deeply personal reflection on empathy, sincerity, relationships, accountability, love and peace. And being better.

Thank you, Mel.

The celebrations for The Devil Mouth's 100th episode continue! Next up on our testimonies - we asked a few of our previous guests to pick one of their own songs that is special somehow to them, and talk a bit about it, if you remember - is none other than the great Eugene S. Robinson, frontman for the legendary Oxbow and the currently on fire Buñuel too, as well as a renowned writer and actor and a bunch of other things. Also our guest for episode #18, if you can imagine how long ago that was and how shitty (shittier is perhaps more accurate!) the show must have seemed back then - Eugene is just an awesome, available and supportive guy like that.

In a  short but oh so sweet tale, Eugene recalls the inspiration behind 'The Stabbing Hand', a song on Oxbow's 1995 album 'Let Me Be A Woman'. Let's put it this way - you're in for a hell of a ride.

The Devil's Mouth is celebrating its 100th episode, and for that, we went back to the people without whom, besides our dear listeners of course, we couldn't have gotten anywhere - our guests! We have reached out to a little handful of previous The Devil's Mouth alumni, and asked them to pick one of their own songs that is special to them in any way and talk about it a bit.

First  up, Aaron Stainthorpe, who really doesn't need any introductions. The My Dying Bride vocalist was a guest on episode #26, and his presence on a very early stage of the show is typical of his kindness and availability. He kicks off our #100 celebrations in the best possible way - with a raw, honest and very emotional explanation of why 'Tired Of Tears', from the band's latest album 'The Ghost Of Orion', means so much to him, at the same time offering a priceless insight into the terrible times that preceded that landmark release.

Time flies by, and 2021 already marks the tenth anniversary of one of  the most decisive albums in the history of Icelandic superstars Sólstafir. 'Svartir Sandar' was everything anyone could have wished from  the cowboys of the ice - a massive double album, moody and thick with  atmosphere, but also boasting some of the quartet's most notable songs  every, including the show-stopping 'Fjara', which has been capturing  hearts all over the world ever since.

Having been recently  announced the band will signal this important landmark by playing 'Svartir Sandar' in full at the famous Roadburn Festival, we thought it was time to get their frontman "Addi" Tryggvason to reminisce a bit on  it. Because we know few bands are as full of stories as Sólstafir,  expectations were high, but we ended up with the longest Memory Lane episode so far and Addi's tales did not disappoint, as always.

Tune in now and discover why Addi often says jokingly that a book could be written about each Sólstafir album

The Memory Lane returns, and this  time we got together with Daron Beck to remember the very first Pinkish  Black album, almost a decade old by now. Written and recorded in a  rather dark period for the Daron Beck/Jon Teague duo, shortly after the  tragic ending of their previous band The Great Tyrant, it is a sombre  yet exhuberant collection of songs, and a solid foundation for what was  to come, as the experimental, unexpected and quirky traits that we today  associate with the band's very peculiar kind of songwriting already  present.

During the conversation, we also learn a whole bunch of  stuff about it - from the "minor" detail that we've been getting the  album title wrong all these years (it's actually called 'Everything Went  Dark') to the revelation that Daron's favourite Pinkish Black song is  on it, it was an engaging, informative and super fun chat as always with  this unique musician.