Moises Horta Valenzuela (aka hexorcismos) is an autodidact sound artist, technologist and electronic musician from Tijuana, México, working in the fields of computer music, artificial intelligence and the history and politics of emerging digital technologies. He crafts an uncanny link between ancient and state-of-the-art sound technologies channelled through a critical decolonial theory lens in the context of contemporary electronic music and the sonic arts.

In autumn 2021 Moises gave a workshop about sound synthesis with neural networks at Burg Giebichenstein and we’re happy to catch up with him again!

We’ll talk about how he expands his own musical practice in the field of Techno- and Noise music with Machine Learning algorithms, neural styletransfer, non-western sounds, indigenous ways of knowing, blurring the boundaries between sound and image, decolonizing AI aaaaaand more!

Since the shownotes for this episode are too extensive to fit in here, we have collected them all in this google doc for you. Here you can find links we talk about and also a time-coded overview of the episode.

Hexorcismo’s website: https://moiseshorta.audio/
Hexorcismos on Soundcloud: https://soundcloud.com/h-e-x-o-r-c-i-s-m-o-s
Hexorcismos on Twitter: https://twitter.com/hexorcismos

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We talk to makers, artists, and researchers who use artificial intelligence and robotics in their creative practices. How are these technologies used today? How does the creative process change? What will co-creation look like in the future? And how can we contribute to a realistic and critical perspective that does not shy away from the technologies’ deficits, limitations, and impacts on society. Produced and brought to you by Alexa Steinbrück and Simon Maris from the XLab, a research lab for AI & Robotics at the BURG Giebichenstein University of Art and Design in Halle, Germany.

From the archive: AATB - Practice for Non-Industrial Robotics

towards co-creationBy Alexa Steinbrück & Simon MarisJul 01, 2021