Gritty & Britty & Agatha Christie (ft. Ordeal by Innocence)

Lose yourself to find yourself in a labyrinth of mind-bending mayhem in the maze. Join Jon and Melissa on a journey into the mysteries of King, Kubrick, and Mark Z. Danielewski (House of Leaves), as they discuss symbolism and subtext on the silver screen and beyond.

Heroism has changed. The box office is booming with foul-mouthed mercenaries and feral mutants with a heart of gold, and those are just the ones in tights! In light of the release of Venom, (but in lieu of discussing the film,) Melissa and Jon shout out anti-heroes from literature, TV, and movies. Along the way, we give our takes on which tales of revenge, redemption, or irreverence resonate with us, and which have us clutching our pearls in disgust.

Don't call it a comeback, but Shyamalan has had a rollercoaster of a career. Two fans discuss the hits, misses, and misunderstandings surrounding his work, and why we're excited to see more from this prolific genre iconoclast.

New wave feminism meets new wave sci-fi in the bold but bleak dystopia of 'The Handmaid's Tale.' And this time, the revolution IS being televised! Jon and Melissa mill over the difficulty of separating their own beliefs from an unorthodox novel turned cultural milestone.

Is the golden age of British cerebral crime dramas influenced by the golden age of detective fiction? Jon and Melissa contrast the classic murder mysteries of Agatha Christie with contemporary TV from across the pond. What do modern adaptations of Christie's work teach us, and how do American and British crime dramas differ? Join our investigation!

Brotherhood is forged in the fires of captivity... sometimes. Jon and Melissa discuss their favorite prison escape stories and the novel, Papillon. Topics include bravery, male hubris, and the bonds created by corruption and suffering.

Distractions are deadly in storytelling. That's why Russian playwright Anton Chekhov stated that if a gun is hung on the wall in act one, it should be shot by act three. This week, Jon and Melissa use the sci-fi shoot-em-up KIN, as well as other films and books, to discuss the rules and risks of foreshadowing.

Darkness reigns in the "golden age of television," including must-watch sci-fi shows, like Black Mirror and Westworld. Melissa and Jon challenge the genre of "new wave" sci-fi, via Harlan Ellison's mind-bending short story, "I Have No Mouth, and I Must Scream."

Not all warlocks mentor hobbits, knights, or vampire-slaying cheerleaders. Some, like Harry Dresden, save the world all on their own, while others chomp cigars or try to kill God. Melissa and Jon discuss this new brand of heroism that mixes the magical and the mundane.

Why do we love garbage trash? Because why not?? Jon and Melissa get deep into their least liked stories, and try to explain what makes them redeemable. The key word being "try."

Who likes dystopia? We like dystopia! But did 'The Darkest Minds' revive the YA dystopia genre, or put the last nail in its coffin? Jon and Melissa use the plot of this latest book-to-screen adaptation to discuss common YA tropes and what predecessors give them hopes for upcoming films.

Aah! We've been invaded by meta-humor anime girls on acid! Or... maybe we're just not hip anymore? Those theories and more as Jon and Melissa discuss modern animation (i.e. Adventure Time, Steven Universe, and the upcoming ThunderCats reboot,) and how they clash with the Saturday mornings of our youth.

Melissa and Jon dissect everything Blade Runner: from the novel 'Do Androids Dream of Electric Sheep?,' to the 1982 film and its recent sequel, Blade Runner 2049.

Is magical realism taking over, or is sci-fi / fantasy becoming more grounded? Melissa and Jon use contemporary comics to discuss an emerging genre.

Can films have agendas, or is everyone overreacting? Also, a guest! Writer / editor Will Ford-Conway (@wafcstudios) gives his take, and commemorates over a decade of comics and superhero movies with his high school chum.

Mexico jumps from the headlines to the silver screen in Sicario 2, and the man behind the movie is screenwriter Taylor Sheridan. This episode, we discuss how the political and personal drama in Sheridan's screenplays set him apart.

Does too much angst sully the TV show sauce? Are the CW or YouTube Red worth watching? Check out our opinions of Cloak & Dagger, Impulse, and Marvel's Runaways.

An update on our upcoming live event and some thoughts on the Pixar flick, in lieu of an episode.

What makes a good heist movie? Is 'Ocean's 8' fun or flat? And what's the next random selection for our Patreon podcast, the Random Media Mini-cast? Find out inside the wavelengths of today's episode.

Are visual novels cinematic experiences or passive propaganda? Did David Cage do it again or is Detroit: Become Human his first dud?

Are prequels fan service or world-building? Also, what makes Solo so good, and "The Prequels" (aka Episodes 1, 2, and 3 of the Star Wars saga,) so bad?

Are dystopian novels propaganda, or something more? Learn about speculative fiction and get our take on the HBO adaptation of Fahrenheit 451.

What makes home invasion movies tick? Also, did Nolan make a high concept space epic, or a star bore? (...Get it?)

Knights. Empires. Magic. This used to be fantasy, but ever since 1977, it's the stuff of sci-fi. Join us in this Star Wars celebration! PLUS: A new segment called "Paper in a Hat!"

It's hard writing one character; try seventy-six! (...and 10 years of film history ...and over 75 years of comic book history...) Explore the "text" of Avengers 3 with your friendly neighborhood podcasters!

Take a journey into gamified story with this intro to role-playing games.

Jon mansplains female-centric thrillers to Melissa. Will she be able to contain her rage? Also, what is a "muffin movie?"

The unknowable invades this episode! Also, Melissa and Jon correctly pronounce their last name, and talk Lovecraft.

Does nostalgia ruin story? Join Melissa and Jon's discussion on Ready Player One, the blockbuster video game adventure that tackles escapism, nihilism, and nerd culture.