Is the golden age of British cerebral crime dramas influenced by the golden age of detective fiction? Jon and Melissa contrast the classic murder mysteries of Agatha Christie with contemporary TV from across the pond. What do modern adaptations of Christie's work teach us, and how do American and British crime dramas differ? Join our investigation!
Brotherhood is forged in the fires of captivity... sometimes. Jon and Melissa discuss their favorite prison escape stories and the novel, Papillon. Topics include bravery, male hubris, and the bonds created by corruption and suffering.
Distractions are deadly in storytelling. That's why Russian playwright Anton Chekhov stated that if a gun is hung on the wall in act one, it should be shot by act three. This week, Jon and Melissa use the sci-fi shoot-em-up KIN, as well as other films and books, to discuss the rules and risks of foreshadowing.
Darkness reigns in the "golden age of television," including must-watch sci-fi shows, like Black Mirror and Westworld. Melissa and Jon challenge the genre of "new wave" sci-fi, via Harlan Ellison's mind-bending short story, "I Have No Mouth, and I Must Scream."
Not all warlocks mentor hobbits, knights, or vampire-slaying cheerleaders. Some, like Harry Dresden, save the world all on their own, while others chomp cigars or try to kill God. Melissa and Jon discuss this new brand of heroism that mixes the magical and the mundane.
Who likes dystopia? We like dystopia! But did 'The Darkest Minds' revive the YA dystopia genre, or put the last nail in its coffin? Jon and Melissa use the plot of this latest book-to-screen adaptation to discuss common YA tropes and what predecessors give them hopes for upcoming films.
Aah! We've been invaded by meta-humor anime girls on acid! Or... maybe we're just not hip anymore? Those theories and more as Jon and Melissa discuss modern animation (i.e. Adventure Time, Steven Universe, and the upcoming ThunderCats reboot,) and how they clash with the Saturday mornings of our youth.
Can films have agendas, or is everyone overreacting? Also, a guest! Writer / editor Will Ford-Conway (@wafcstudios) gives his take, and commemorates over a decade of comics and superhero movies with his high school chum.
Mexico jumps from the headlines to the silver screen in Sicario 2, and the man behind the movie is screenwriter Taylor Sheridan. This episode, we discuss how the political and personal drama in Sheridan's screenplays set him apart.
It's hard writing one character; try seventy-six! (...and 10 years of film history ...and over 75 years of comic book history...) Explore the "text" of Avengers 3 with your friendly neighborhood podcasters!