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Women in Jazz Media: The Podcasts

Women in Jazz Media: The Podcasts

By Women In Jazz Media

Women in Jazz Media is a place to explore, discuss and collaborate with women who work in Jazz Media.

In our ‘In Conversation with…’ series we invite guests from across the world to discuss their careers, their challenges and inspirations and to explore what actions we can all take to support and encourage a more diverse Jazz Media industry.
In our 'On The Bookcase' series, with explore the world of female authors across the world, talking to guests about their careers, processes and more.
In our 'Around the World' series, Rouhangeze Baichoo shares music from women in jazz around the world.
Where to listen
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Women in Jazz Media: In Conversation with Migdalia Van Der Hoven
Women in Jazz Media: In Conversation with Migdalia Van Der Hoven
Welcome to our latest episode of ‘In Conversation With’ featuring music from Hannah Horton! You can find our podcasts in the top 60 Best Jazz Podcasts in FeedSpot! In this episode, host Hannah Horton welcomes our special guest, Migdalia Van Der Hoven Migdalia van der Hoven is an award-winning Mexican drummer known for her groove, sensitivity and versatility across multiple genres such as funk, jazz, latin and pop. Having just recorded a new album 'Point of Departure' live at Abbey Road Studios we are excited to chat to her before her debut performance at Jazz Café Posk this week. Migdalia became the first Mexican Female drummer to ever perform at Ronnie Scott’s and the EFG London Jazz Festival and recently was honoured as “Woman of the year 2022” in Mexico in arts and culture for her contribution in music nationally and internationally. Currently touring with SIX the Musical across the UK, Migdalia is also a Vater Drumsticks, Bosphorus Cymbals and RTOM Corporation artist. She is a Berklee College of Music graduate (where she studied and performed with Jackie Santos, Terri Lynn Carrington, Victor Mendoza and Mark Walker). Migdalia has performed in the UK with Scott Stroman, Adam Glasser, Russell Brand, Paul Enger (Caffe Nero), The All Souls Orchestra, Women in Jazz and on the BBC/ITV. She was part of the Beantown Jazz Festival in the USA and is currently a member of the National Jazz Orchestra of Mexico where she performs and also supports young women through scholarships to continue their studies in jazz. She also offers masterclasses internationally and is one of the UK judges for Hit like a Girl Contest 2022, which is the biggest female drum/beats contest worldwide. Together with her latest project "The Migdalia van der Hoven Quartet", she launched her new EP "Girl Facing South" with a series of dates in and around London including the EFG London Jazz Festival 2021, Ronnie Scott’s Jazz Club, Toulouse Lautrec, Pizza Express Live and more. The EP comprises a mix of original and West Coast fusion tracks and has received positive reviews from Grammy Award winning artists. Hannah is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw
43:01
November 28, 2022
The Notes Between with Lara Eidi and Liv Monaghan
The Notes Between with Lara Eidi and Liv Monaghan
Welcome to the very first episode of our brand-new podcast series’ The Notes Between’ with Lara Eidi. Conversations exploring everything behind and about the world of songwriting! Our gorgeous theme music ‘Opened Eyes’ is from Lara Eidi herself available here In this first episode, Lara talks to songwriter Liv Monaghan. Liv Monaghan is a vocalist and songwriter based in Paris. Producer and story-teller with two studio albums of compositions released between 2016 and 2018 and another on the way. ‘My music pulls threads from Jazz, Soul, Rock, and Romanticism to create an alternative, sometimes experimental, often poetic and always original sound’. Lover of the left-behind, of old things of letter-notes and half-light ghosts which get stitched, strung or typed back up together to make something new. Liv Monaghan website Lara Eidi is an artist that thrives on being different.  Born in Athens Lebanese- Canadian parents, her entire life and career is that of a  singer-songwriter , multidisciplinary artist, educator and writer. Undefined by style, Lara’s music has earned her own unique place in the music world as a storyteller, jazz and folk singer, composer and recording artist heard at venues in London including the Barbican, St Martins in the Fields, Green Note, Edinburgh Festival, Beirut International Festival to name a few. Born in Athens to Lebanese-Canadian parents, her music has gained her critical acclaim as an artist with a truly unique voice (BBC Artist, 2020- 2021), who manages to shift between musical styles and vocations owed to her diverse background as a singer ( Guildhall School of Music and Drama ) ; writer ( English Literature from the University of St. Andrews) and educator. Lara's passion and artistry comes from a pure and authentic drive to connect with audience members as well as students, creating a space where the healing power of music can be felt by all.  Recently supported by Hawkwood College and the Francis W Reckitt Arts Trust, Lara is set to record her new album in Spring 2023, and has just launched her very first podcast on songwriting 'The Notes Between' with Women in Jazz Media.  Finally, her passion for music as a life choice has led her to become an in demand educator, offering workshops at leading music institutions as well as community spaces in Europe. "Lara Eidi is one of those singers who connects with the audience as soon as she starts to sing. Perhaps psychologists can explain the gift – and it is a gift "Sandy Brown Jazz- London Lara Eidi website
50:19
November 23, 2022
Women in Jazz Media: In Conversation with Esther Bennett
Women in Jazz Media: In Conversation with Esther Bennett
Welcome to our latest episode of ‘In Conversation With’ featuring music from Hannah Horton! You can now find our podcasts in the top 60 Best Jazz Podcasts in FeedSpot! In this episode, host Hannah Horton welcomes our special guest, Esther Bennett. Esther Bennett is one of the jazz scene’s most respected and widely loved vocalists, juxtaposing sensitivity with a sparky sense of humour; her song delivery leaving audiences utterly compelled. Her innate sense of musicality, gleaned from her earlier years of saxophone playing and study of the jazz idiom, inform a voice that has individuality, originality and flair Esther’s debut album Just in Time was produced by multi award winning singer Ian Shaw and launched at London’s 606 Club in 2005. Since then, she has carved out a prestigious career as a jazz singer performing extensively in major venues in and around London across the country and in Europe, accompanied by some the UK’s leading jazz musicians.Her repertoire chooses original material, highly individual interpretations of jazz standards & popular songs and from the Duncan Lamont Songbook.“Esther is a rare breed of performer who truly commits herself to expressing the lyrics of a song and bringing them to life in a new and innovative way” – Sound Generation Hannah Horton is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw
54:56
October 30, 2022
Women in Jazz Media: On The Bookcase. Episode 8 with Paulette Jackson
Women in Jazz Media: On The Bookcase. Episode 8 with Paulette Jackson
Welcome to the eight episode in our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross, with original music from Hannah Horton. In this episode we welcome Paulette Jackson. You can find our podcasts at number 12 in the top 60 Best Jazz Podcasts in FeedSpot! Paulette Jackson, Founder/CEO of SCORP Radio Network and Jazz Zone Radio, host of "The Classic Soul Music Café", “The Jazz Zone” and Center Stage” Internet Radio Shows, Voiceover Artist (my company, Ms. Music’s Voice). Published author of the newest release, “My Test(Imony)”, "The Music In Me" and “The Music Through the Storm”, her current published books were accepted for consideration for the 2020 Author Academy Awards. Recently, Paulette has started working with several artists on promotions and show bookings. Also, creating several video series and other creative projects including SCORP Lady Ventures . Paulette has been featured in four magazine publications and is currently working on a monthly editorial as well as being a contributing editor for an online magazine publication and contributing writer for a music based magazine. Paulette is a proud member of ASCAP (American Society of Composers, Authors and Publishers) member as a songwriter and music publishing. ‘I attended and graduated from the Cleveland School of the Arts as a Dance and Vocal Music Major, 1983-1987 and attended Master Voiceover Classes at Such A Voice, based in Burlington, VT. My love has always been music and entertainment and worked in many areas of the business. I continue to work on various artistic and creative ventures and will release two more books in the coming new year. I have two adult daughters, Paris 33 and Brooke 32 also have a love of music and dance’ linktr.ee/MsMusic1
26:45
October 12, 2022
Women in Jazz Media: On the Bookcase. Episode 7 with Dr Joan Cartwright
Women in Jazz Media: On the Bookcase. Episode 7 with Dr Joan Cartwright
Welcome to the seventh episode in our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross, with original music from Hannah Horton. In this episode we welcome Dr Joan Cartwright Born in Queens, NY, Dr Joan Cartwright is a poet, musician, composer, author, and historian. In addition to CDs, Cartwright is the author of 11 books including GaiaMind Poems, and the Joan Cartwright Song Book submitted to the Guinness Book of Records for designation as the "First woman in the world with a jazz and blues songbook." Her essays, articles, and interviews have been published locally and internationally online, in magazines, journals, anthologies, and newspapers. In 2007, Joan founded Women in Jazz South Florida, Inc. to promote women musicians, globally. She is a Doctor of Business Administration/Marketing and a Professor of Speech Communications She conducted workshops at United Cerebral Palsy facilities, Broward Schools and Libraries in South Florida. In New York, she presented Amazing Musicwomen at York College and Langston Hughes Library and was a guest of the International Women in Jazz Festival in 2008. In 2010, she performed in Kingston, Jamaica, for the U.S. Embassy at Blues on the Green. In 2013, her Amazing Musicwomen Ensemble performed at the Sunrise Civic Center and Biennes Center for the Arts in Fort Lauderdale. In 2014, she performed and presented a workshop for the Grand Bahama Performing Arts Society in Freeport, Grand Bahamas. Also, in 2014, Joan’s quartet was featured at Jazz on 4, on the Allure of the Seas of Royal Caribbean Cruises. Joan is an ASCAP publisher and songwriter, and a member of Women in Music, in New York. Her organization WIJSF is an International Honor Committee member of Fondazione Adkins Chiti: Donne in Musica in Rome, Italy, and Women in Music Serbia. . During her 40-year career, Joan performed with Jazz giants Lou Donaldson, Dr. Lonnie Smith, Freddie Hubbard, Dorothy Donegan, Philly Joe Jones, Shirley Scott, Trudy Pitts, Carline Ray, Paula Hampton, Bertha Hope, Kim Clarke, Giovanni Mazzarino, and hundreds of musicians in the U.S., Caribbean, Europe, and Asia! Joan Cartwright website Women in Jazz South Florida website
43:07
September 19, 2022
Women in Jazz Media: In Conversation with Amy Gadiaga
Women in Jazz Media: In Conversation with Amy Gadiaga
Welcome to our latest episode of ‘In Conversation With’ featuring music from Hannah Horton! You can now find our podcasts in the top 60 Best Jazz Podcasts in FeedSpot! In this episode, host Hannah Horton welcomes our special guest, bassist, composer and vocalist Amy Gadiaga. Recently signed by Jazz Re:Freshed, Amy bridges the old school jazz tradition of musicians such as Betty Carter and Wayne Shorter with the modern bops of artists such as D'Angelo and Kimbra. Amy's band offers an energetic performance that celebrates art, freedom and black pride. Having already performed at the EFG London Jazz Festival, the Jazz Cafe and several festivals last year, Amy is currently working on her debut EP. Over almost three decades, Tomorrow’s Warriors has proved a crucial development platform for many of the artists now tearing up the international jazz scene – Moses Boyd, Nubya Garcia, Cassie Kinoshi and Nérija, Femi Koleoso and Ezra Collective, Binker Golding, Shabaka Hutchings and Sons Of Kemet, Cherise Adams-Burnett, Eska, Denys Baptiste, Soweto Kinch, Zara McFarlane, and so many more…An alumni of the Tomorrow's Warriors umbrella, Amy is now flying solo and has no limits in terms of genres and disciplines practiced and experimented with.  ‘Amy Gadiaga’s star is indeed rising and shining brightly. ’ Jazz in Europe linktr.ee/amygadiaga Hannah is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/
50:52
September 15, 2022
Women in Jazz Media: In Conversation with Julia Biel
Women in Jazz Media: In Conversation with Julia Biel
Welcome to our latest episode of ‘In Conversation With’ featuring music from Hannah Horton! You can now find our podcasts in the top 60 Best Jazz Podcasts in FeedSpot! Click here In this episode, host Hannah Horton welcomes our special guest, award winning British singer, songwriter, piano player, producer and guitarist Julia Biel. An award-winning original - singer, songwriter, piano player, producer and guitarist - whose neo mellow sound combines her jazz approach with art-pop sensibilities, Julia Biel’s unhurried, unmistakable and timeless voice drips with emotion with every syllable. Dubbed ‘fiercely gentle’ (Jazzwise) early on in her career, she continues to sooth and stir the listener in equal measure whether accompanying herself on her acoustic, stripped back piano versions in her current ‘Black and White’ series or singing over fuller studio productions. Critically acclaimed solo albums featuring her self-penned songs, ‘Black and White, Vol.1’ (2020), ‘Julia Biel’ (2018), ‘Love Letters and Other Missiles’ (2015) and ‘Not Alone’ (2005), as well as MOBO and Urban Music Award nominations have launched the British artist onto the worldwide stage whilst collaborations with the likes of Ben Watt (Everything But the Girl), Stimming, Polar Bear and Soothsayers have given added momentum to her word of mouth success. In 2019 her music reached the ears of Bob Dylan who hand-picked her to open for him at his concert in Schloßplatz, Stuttgart as part of the Jazzopen Festival. Her trademark warm and textured voice draws on the spirituality of gospel music, the joie-de-vivre of soul, the sorrow of the blues and the freedom of jazz, whilst poetic lyrics reveal a sharp perspective on life and love against a magical backdrop of contemporary musical soundscapes to lose yourself in. The sound of an intense inner musicality paired with a defiant passion and a burning and individualistic creative spirit, these are the qualities that have seen Julia Biel compared time and again to some of music’s most celebrated voices ranging from Joni Mitchell, Nina Simone and Billie Holiday to Björk, Radiohead, Amy Winehouse and Chet Baker. “There’s so much strength that shines through their vulnerabilities”, says Julia of these comparisons. “They inspire me to be fearless in mood and melody - that’s what I’m striving for.” https://www.juliabiel.com/ Hannah is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/
49:04
August 17, 2022
Women in Jazz Media: On The Bookcase. Episode 6 with Tish Oney
Women in Jazz Media: On The Bookcase. Episode 6 with Tish Oney
For this sixth episode in our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross, we welcome guest Tish Oney. We have original music from Hannah Horton and you can now find our podcasts in the top 60 Best Jazz Podcasts in FeedSpot! International performing artist, author, and composer Dr. Tish Oney tours worldwide as a symphony pops and big band soloist, jazz vocalist, voice pedagogue, and musicologist. An avid arranger and composer, Oney has arranged several hundred pieces for jazz combo including contemporary jazz, Great American Songbook standards, and her originals. An esteemed conductor, she often works with professional, university, church or community choirs, vocal jazz ensembles, and solo singers as a guest clinician and master teacher. Oney has performed and/or recorded with scores of renowned jazz artists and has headlined at hundreds of performance venues worldwide. She was featured as a big band/symphony soloist in the PBS-broadcast concert recorded at Galen Center in Los Angeles: “We Love Ella! A Tribute to the First Lady of Song.” She has performed as soloist with Detroit Symphony Orchestra, Rochester Philharmonic Orchestra, Williamsburg Symphony, Spartanburg Philharmonic Orchestra, Symphoria, the U.S. Army Jazz Ambassadors, Army Voices, Army Blues (Pershing’s Own), SC Bach, Greenville Chorale, and other outstanding ensembles. She has headlined at international jazz festivals, Las Vegas casinos, and major stages throughout the world. She has appeared as headlining performer at many jazz hotspots including The Jazz Bakery (Los Angeles), The Jazz Corner (Hilton Head Island), Feinstein’s at Loews Regency, and the off-Broadway Triad Theatre (New York). An experienced film, stage, and television actress, Oney imbues her live performances with dramatic power and warmth. In addition to her full performing and recording career, Dr. Oney has served as a professor of music at several major universities and colleges, most recently as Coordinator of Music, Director of Jazz Studies and Commercial Music, Director of Voice, and Director of Choral Activities. Several of her former voice students have enjoyed major careers on Broadway, as well as in opera, jazz and commercial music. Considered an expert in multi-genre singing, Dr. Oney has served the National Association of Teachers of Singing as a workshop presenter and master teacher of jazz, classical, opera, music theatre, and commercial styles. She teaches online voice lessons for professional and pre-professional singers throughout the United States and abroad. As critically acclaimed musicologist and bestselling author of Peggy Lee: A Century of Song, Tish enjoys opportunities to travel and share her knowledge as part of the official Peggy Lee 100 worldwide centennial campaign. She was honored to be invited as musicologist/artist to the Grammy Museum panel discussion and toast for Lee’s 100th birthday (May 26, 2020). Following the worldwide acclaim for her book, Tish has been a guest on international talk shows “q with Tom Power” broadcast on the CBC, NPR, PRI, and Sirius XM networks, as well as “The Daily with Dave Hodgson” on Talk Radio Europe (broadcast to 120 countries). She is a frequent guest on talk radio, podcasts, and television, and has hosted her own podcast, “The Singer’s Muse” on WGJC in Greenville. Oney’s second book, Jazz Singing: A Guide to Pedagogy and Performance, released in February 2022. A prolific jazz journalist and contributing author to The Journal of Singing, JazzTimes, and Classical Singer Magazine, Oney also writes a column titled “Anatomy of a Standard” for All About Jazz. Her diverse artistic talents combine to form an outstanding performing artist-pedagogue with exceptional technique, improvisational skill, and expertise. https://tishoney.com/
31:43
July 29, 2022
Women in Jazz Media: In Conversation with Collette Cooper
Women in Jazz Media: In Conversation with Collette Cooper
Welcome to our 13th episode of ‘In Conversation With’ hosted by Hannah Horton. You can now find our podcasts in the top 60 Best Jazz Podcasts in FeedSpot! In this episode, host Hannah Horton welcomes our special guest British singer-songwriter, actor, podcast host and all-round artist extraordinaire Collette Cooper. Music by Hannah Horton too! Collette Cooper is a critically acclaimed artist signed to the independent label Thelonious Punk Records championed by BBC Introducing, BBC Radio 2, BBC Radio 6 Music, Soho Radio and Jazz FM. Her influences go back as far as Bessie Smith, Sister Rosetta Tharpe, Nina Simone, Kurt Weill, and Billie Holiday. Collette is difficult to fit into any box – she has a unique sound of her own. Her music is eclectic with dramatic, dark, and sometimes theatrical tones, with a strong blues and jazz influence. Her truly unique style and visually captivating performance leave audiences enchanted and wanting more with her raspy, hauntingly unique vocals. Her vocal style is often described as ‘Janis Joplin channeling Edith Piaf with a sprinkling of Esther Phillips’. Her original work is timeless yet fresh, and her versions of covers are unlike anything else you’ve ever heard, she completely makes them her own. Collette plays at all major venues in and around London with sold-out performances at the Jazz Café, the Blues Kitchen, The 100 Club, The Roundhouse, The Piano Bar Soho, amongst others. Alongside her musical and acting career, Collette is also an activist. She currently has a piece of her artwork in The Now Exhibition curated By Leah Wood. An exhibition bringing awareness to the current climate and helping raise money for Drop4Drop charity. Collette has performed for Samuel l Jackson’s charity One For The Boys at Abbey Road Studios recently performed for Vivienne Westwood’s Cool Earth charity in an effort to save the planet and is an ambassador for the Nordoff Robbins Music Therapy Charity. She recently performed a gala night in their honor at the Grosvenor House Hotel alongside KT Tunstall and Texas. Collette is also a proud ambassador for the Wild at Heart Foundation, a London-based dog rescue charity. https://www.collettecooper.com/ Hannah is a British Female Jazz Saxophonist whose music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/
53:18
July 21, 2022
Women in Jazz Media: Sticks and Thrones with Migdalia Van Der Hoven and Ciara Chinniah
Women in Jazz Media: Sticks and Thrones with Migdalia Van Der Hoven and Ciara Chinniah
Excited to launch the first episode of our new drummer focussed series ‘Sticks and Thrones’ with host Migdalia Van Der Hoven, with our first guest Ciara Chinniah. Theme music 'Girl Facing South' by Migdalia Van Der Hoven Migdalia van der Hoven is an International Award winning Mexican drummer currently touring with SIX the Musical across the UK. She is also a Vater Drumsticks, Bosphorus Cymbals and RTOM Corporation artist and a Berklee College of Music graduate (where she studied and performed with Jackie Santos, Terri Lynn Carrington, Victor Mendoza and Mark Walker). She is known for her groove, sensitivity and versatility across multiple genres such as funk, jazz, fusion, latin jazz, pop and world music. She became the first Mexican Female drummer to ever perform at Ronnie Scott’s and the EFG London Jazz Festival. Migdalia has become “Woman of the year 2022” in Mexico in arts and culture for her contribution in music nationally and internationally. https://www.migdaliavanderhoven.com/ Ciara Chinniah is a British Drummer and Educator from Essex in the UK with a love of Odd Time signatures, Ciara has been described as a Pop/Rock drummer with a progressive/fusion edge. Upon graduating from the ACM, Ciara has played many theatre shows, performed in bands across the UK, Europe and America. Everything from folk, fusion and blues to Rock, pop and metal! Aside from ACM, Ciara went on to study intensively at LAMA in LA under Ralph Humphrey and Joe Porcaro. Subsequently she returned and studied with the great Jazz drummer Bob Armstrong. Ciara currently has a busy schedule, teaching and recording from her home studio in Essex. She is the co-host of the Podcast ‘Drum Education Live’ and 'Drummer Mamas' a podcast opening up the conversation about juggling parenthood and a career in drums.Ciara plays for Electro Pop duo The Penelopes who regularly gig in Paris and London. Whilst she explores her love of odd meters with her band Red Monster and on her social media. Ciara endorses NickyMoon cymbals. For more info please see www.ciaradrums.com
27:17
July 07, 2022
Women in Jazz Media: On The Bookcase: Live with Maxine Gordon
Women in Jazz Media: On The Bookcase: Live with Maxine Gordon
This special edition of ‘On The Bookcase’ is a live recording of the inspirational Maxine Gordon, in conversation with Fiona Ross during the ‘Sophisticated Giants’ event held on June 4th, 2022 in London to celebrate her work. The event was a rare UK visit from Maxine Gordon and an opportunity for a Q&A couldn’t be missed! The first part of the event was dedicated to her award-winning book ‘Sophisticated Giant’ and her life with Dexter Gordon, with a special set of his music performed by an incredible line up of saxophonists, Camilla George, Tony Kofi and rising stars Emma Rawicz and Hannah Horton. The second part of the evening with pianist Wendy Kirkland, vocalist Vimala Rowe and trombonist Laura Impallomeni, explores the rarely heard music of Shirley Scott, Velma Middleton, Melba Liston, Maxine Sullivan, the focus of Maxine’s next book, Jazz Quartette. Maxine Gordon is an award-winning Arts Advocate, Jazz Historian, Archivist, Scholar, Manager & Producer and Legend. Author of Sophisticated Giant: The Life and Legacy of Dexter Gordon, (which was awarded Book of the Year by the Jazz Journalist Association) and forthcoming book, Jazz Quartette: Shirley Scott, Velma Middleton, Melba Liston, Maxine Sullivan. Maxine is the President of The Dexter Gordon Society, consultant at the Bronx Music Heritage Centre, Jazz Researcher at the Bronx African American History Project, archivist for The Dexter Gordon Collections, Library of Congress and so much more… https://www.maxinegordon.com/
21:11
June 26, 2022
Women in Jazz Media: In Conversation with Emma Rawicz
Women in Jazz Media: In Conversation with Emma Rawicz
In this episode, the first with Hannah Horton as our official host, we have guest Emma Rawicz. We also have some new music from Hannah herself 'Nardis'. A brilliant track from her new album 'Inside Out' ​Emma Rawicz is an award winning young saxophonist and composer, already making waves on the UK music scene. She has been described as 'a force to be reckoned with' (Jazzwise) and 'a fast rising star' (London Jazz News). At the age of 20 she has already recorded her eagerly awaited debut album featuring Ant Law, made up entirely of her original compositions, the first single Voodoo was released in February and the second Mantra in April. The album Incantation is due to be released in May 2022. Emma has also created a name for herself both as a bandleader and a sideman. A new arrival on the scene, she has already made an impact, regularly playing at major London jazz venues with a wide range of established musicians. Emma is a recipient of the 2021 Drake Yolanda Award. Emma's influences range from modern jazz and fusion to folk and soul, key figures in her musical development including Chris Potter, Ari Hoenig, Kenny Jarrett, Joe Henderson, Chick Corea and more.  Growing up in rural North Devon, Emma didn't discover jazz until the age of 15, and didn't pick up a tenor saxophone until a year later, but had spent her childhood otherwise immersed in largely folk and classical music. Emma is a natural performer. Her music has a unique sound, fusing all her many influences, and her compositions range from lilting Afro Cuban inspired grooves to hard hitting modern jazz and funk numbers. https://www.emmarawicz.com/ Hannah is a British Female Jazz Saxophonist who’s music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/
33:08
May 29, 2022
Women in Jazz Media: In Conversation with...Aydenne Simone
Women in Jazz Media: In Conversation with...Aydenne Simone
In this episode we have tempted back special guest host, Hannah Horton who chats to Aydenne Simone – Big Mama! ​Aydenne has been dubbed ‘London’s Queen of Swing’ a badge she wears with pride and honour. The Big Mama Trio came about organically as ‘band trees’ do, but Mama wanted to have a band that ‘got her’, understood what proper jazz swing sounded like.  Mama wanted musicians that could swing like the clappers and she meant really swing! The most important thing for Aydenne was that her musicians played with authenticity, not just what was in front of them.  The history of jazz is about how it feels.  Feel something, don’t just play it.  One of Aydenne’s favourite composters is Duke Ellington who said “ If it sounds good and feels good, then it IS good”. The Big Mama Trio musicians play as if they were born in the wrong era, they play jazz as if they were born to, so it comes from the heart!.  Having been a jazz singer for nearly 30 years, to say the Big Mama Trio;  Olly Chalk, Tom Dring, and Gwilym Jones is the best jazz trio she has ever had is quite a statement, as she has worked with some super musicians over the years, but a statement she is willing to stand by.  Having been given a Sarah Vaughan album (‘You’re Mine You’ produced by Quincy Jones)  at the tender age of just six, quality jazz is in Aydenne’s DNA. ​Aydenne or ‘Mama’ says “ Olly, Tom & Gwilym just make jazz so real for me. Jazz for me is personal.  The most important thing about the Big Mama Trio is that each of them has authenticity, passion, and play with love and care.  The Big Mama Trio manages to deliver jazz at a level it should be played at,  with sheer quality, no snobbery, just authenticity, feeling and a depth of soul". A little background for you............Aydenne’s nickname actually came from a song she wrote ‘off the top of her head’ called ‘Mama told me’, which she performed at a wedding in Jersey C.I.) with her function band ‘Jazz Culture’.   Aydenne’s nickname  ‘Big Mama’ is not so strange, in African or Black culture ‘Mama’, ‘mummy’ or ‘Auntie’ is a mark of respect for women of a certain age.  Usually a matriarch or senior member of a community or family, it’s lovely!.    So, Aydenne being known as 'Big Mama' or just 'Mama is a nickname Aydenne  just loves! https://www.aydennesimone.co.uk/ Hannah is a British Female Jazz Saxophonist who’s music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latets album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/
55:35
April 30, 2022
Women in Jazz Media: In Conversation with...Tatiana Gorilovsky
Women in Jazz Media: In Conversation with...Tatiana Gorilovsky
In this episode we have tempted back special guest host, Hannah Horton who chats to Tatiana Gorilovsky Born in Russia, Tatiana Gorilovsky is an award winning freelance photographer based in London. She started to photograph jazz musicians around 2008 in Moscow and continued after moving to London with her family in 2015. Tatiana’s pictures have been published in Jazzwise magazine, The Guardian, The Times, Financial Times, Time Out and many other printed and digital media. She is the winner of several photographic contests and her photographs have been exhibited in Moscow, Stuttgart and London. Tatiana loves to convey the atmosphere of the gigs with creative shots which use long exposure and multiple exposure. She also often photographs in the studio or outside to create portraits for different promotional purposes and album covers. Tatiana’s Covid innovative lockdown pro-ject, a ‘Women in Jazz’ calendar, presents 125 black and white portraits of female jazz musicians with the QR codes leading to the music for each one. http://www.tatianajazzphoto.com/ Hannah is a British Female Jazz Saxophonist who’s music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latets album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/
39:04
March 31, 2022
Women in Jazz Media: On The Bookcase Episode 04 with Maria Golia
Women in Jazz Media: On The Bookcase Episode 04 with Maria Golia
The fourth episode in our podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross, with original music from Hannah Horton. In this episode we welcome the brilliant Maria Golia, who has an inspirational portfolio of work including her recent book ‘Ornette Coleman: The Territory and the Adventure’.  An American Author in Egypt. ‘Egypt where I’ve lived for thirty years, has been a source of inspiration in my life and writing.  My non-fiction books, Photography and Egypt and Cairo, City of Sand involved extensive historical research alongside an intimate understanding of the country’s present moment, its place in today’s world as much as in that of the past. In addition to many years as columnist and commentator for Cairo, Beirut and British publications (including the New Internationalist, Oxford), I’ve contributed to Vogue (New York), The International Herald Tribune, Süddeutsche Zeitung (Munich), and the New Statesman (UK). I’m currently Middle-East reviewer for the Times Literary Supplement (London). Following Egypt’s 2011 popular uprising, as the unrest continued for over two years, writing about it all became rather fraught and frankly repetitive. The political side of the story may be summed up as follows: power seeks to preserve itself and Egypt’s seemingly inflexible authoritarian regime has so far managed to bend with the winds of the Arab Spring without breaking, while ensuring that no viable opposition can emerge. In terms of Egypt’s fragile desert environment, the subject of many of my articles over time, the main advances have been towards greater destruction. To achieve some intellectual distance, I turned to outer space. Meteorite, a cultural history of space rocks (2015). While writing Meteorite, I started listening Ornette Coleman(1930-2015), who I had the chance to meet while working at the Caravan of Dreams, in Fort Worth Texas (1985-1992), Ornette’s hometown. I hadn’t heard those CDs in over twenty years, nor had I been particularly receptive to Ornette’s music before. But the time had come and Ornette worked his magic. I was reminded of how little I knew about the musicians I booked to the club, and hung out with after hours. I grew up with jazz, thanks to my father’s love of music and my brother Frank’s decision to make a career of music and composition, but I had paid virtually no attention to these great artists’ lives. This knowledge gap needed to be filled in order to make those seven years of experience at Caravan mean something. Plus, someone needed to get the history of this progressive arts venue, located smack dab in the heart of defense-industry corporate American, on the record. It was quite a juxtaposition; while we were promoting the break-away arts in the 1980s, building on the gains of the 1960s and 1970s, corporate culture was consolidating, as a way of life and political force. Hearing Ornette in the wake of Egypt’s uprising, when I had dared to hope that this part of the world would one day experience its summer of love, got me thinking about the 1960s. I was a little too young to experience it firsthand, but the ideas that emerged from that opening marked me. It was a time when artists of every genre were breaking with convention, convinced of their power to change the world, which for a while at least, they did. Ornette was not only there, his music was the soundtrack of the moment. In fact, Ornette was key to everything I needed to learn more about and to share: Texas music history, 1960s art collectives, the pre-internet 1980s, the role of jazz in the international avant-garde, and the life stories of some of the greatest American musicians of all time. https://mariagolia.wordpress.com/about/
40:05
March 04, 2022
Women in Jazz Media: On The Bookcase: Episode Three with Jordannah Elizabeth
Women in Jazz Media: On The Bookcase: Episode Three with Jordannah Elizabeth
The third episode in our new podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross, with original music from Hannah Horton. In this episode we welcome Jordannah Elizabeth. Jordannah Elizabeth is an American journalist, commentator lecturer, music critic, author and founder of the literary organization and independent Small press, Publik / Private and author of recently published ‘She raised Her Voice! 50 Black Women who sang their way into Music History’ Elizabeth started her professional writing career by earning bylines in Vice Magazine, Nerve.com and Bitch Media in March 2013. In October 2013, she was brought on as a regular contributing writer and entertainment reporter for New York Amsterdam News arts and entertainment section where she has conducted high profile interviews with African American leaders of their fields like producer, Teddy Riley, Walter Williams of The O'Jays and Black Girls Code founder, Kimberly Bryant. As a national journalist, Jordannah wrote for a number of Bay Area publications in 2014 such as San Francisco Bay Guardian, East Bay Express, SF Weekly and worked as the associate editor of The Deli Magazine San Francisco from 2013 to 2017. Jordannah expanded her reach as a global journalist, writing for MTV Iggy, MTV’s (now defunct) world music blog and covering global Women’s and Girl’s Rights for Ms. Magazine. From 2015 through 2018, Jordannah’s work became more focused on literature, jazz criticism and global feminist reporting,Elizabeth has shared panels with esteemed journalists like Greg Tate, Lara Pellegrinelli and Michelle Mercer. Her bylines have expanded to Chicago Reader, DownBeat, LA Weekly, Hearst Magazines, NPR Music, Popsugar and other publications. Elizabeth’s writing ranges from interviews, music journalism, personal essays, articles on healing in relationships and trauma to literary journalism. Her broad voice has made her an active teacher and lecturer,teaching writing and journalism workshops at institutions like Maryland Institute College of Art and Center for New Music in San Francisco. She has lectured at Pratt Institute in Brooklyn, New York, De Montfort University in Leicester, England, and was invited as a guest journalist at Harvard University’s Black Lives Matter: Music, Race, and Justice Conference in February 2017. She has also moderated panels on literature and film at Baltimore Book Festival and Creative Alliance in Baltimore, MD. Jordannah is the author of an anthology of 40 of her articles entitled, “Don’t Lose Track Vol 1: 40 Articles, Essays and Q&As published by UK based publisher Zero Books” and the existential chapbook series, “The Warmest Low” published by Publik / Private Small Press. https://jewriting.com She Raised Her Voice: 50 Black Women who sang their way into Music History Here is the link to the book Jordannah recommends: Where and When I Enter
28:46
February 04, 2022
Knocking Down The Door with Camilla George
Knocking Down The Door with Camilla George
The second episode in our new podcast series 'Knocking Down the Door' with partners Céline Peterson and Black Lives in Music, produced and hosted by Ashaine White. Platforming inspirational black women in the Jazz industry. In our second episode, we have Ifelayo guest hosting her first ever podcast and speaking to the inspirational Camilla George. Camilla George is a London based saxophone player, improviser, composer and teacher.She began playing when she was 11 years old where she won a music lesson and as a result, won saxophone lessons. Camilla has studied with many jazz greats such as sax giant, Jean Toussaint (of Art Blakey fame), Tony Kofi, Christian Brewer, Julian Siegal and Martin Speake. In 2012 she graduated with a Masters in Jazz from Trinity College of Music where she also won the Archer Scholarship for outstanding performance.Since 2004 Camilla has been working with both Tomorrows Warriors and the Nu Civilisation Orchestra (including a UK tour performing at many prestigious venues such as the Queen Elizabeth Hall), as well as leading workshops for the younger members of The Warriors family. In 2009 she joined award winning band, Jazz Jamaica whose alumni have included Jason Yarde, Soweto Kinch and Nathaniel Facey. In October 2009 she performed with Jazz Jamaica and Ernest Ranglin at London’s Ronnie Scotts jazz club. In 2013 Jazz Jamaica were nominated for a MOBO award for Jazz Performance. Most recently in October 2014, Camilla performed at Ronnie Scott’s for 3 consecutive nights with Jazz Jamaica. The performance received rave reviews and was a sell out performance. In 2014 she also joined Courtney Pine's Venus Warriors, an all female super group who had their debut gig at The Hideaway jazz club. Camilla’s love of fusing African and Western Music to make her own unique style is a key reason why she is a firm fixture on the new London Jazz scene alongside peers such as Nubya Garcia, Shabaka Hutchings and Zara McFarlane. Her music is a hypnotizing blend of Afrofuturism, hip hop and jazz. Camilla’s music is politically minded and heavily linked with African history and in particular slavery. Her latest album looks at tales that slaves passed onto their children through generations and whilst full of sorrow, is essentially a story of hope for black people and mankind that we can one day live together in harmony.   http://www.camillageorge.com/index.html https://blim.org.uk/ https://www.celinepeterson.com/
41:22
January 29, 2022
Women in Jazz Media: In Conversation with...Claire Martin OBE
Women in Jazz Media: In Conversation with...Claire Martin OBE
In this episode we have tempted back special guest host, Hannah Horton who chats to Claire Martin OBE. Hannah is a British Female Jazz Saxophonist who’s music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latest album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/ ‘One of the finest jazz singers in the world today’ Jazz Journal. Linn recording artist Claire Martin has to worldwide critical acclaim established herself as a tour de force on the UK jazz scene gaining many awards, including winning the British Jazz Awards eight times during her career which spans over three decades. At the Queen’s Birthday Honours in June 2011 Claire was delighted to be awarded an OBE for her Services to Jazz and in 2018 she was the proud recipient of the BASCA Gold Badge Award for her contribution to jazz. Full her full biography and to find out more about her work please visit: https://clairemartinjazz.co.uk/ Claire Martin OBE and Chris Traves have vast combined knowledge from over 60 successful years in the music industry and have joined forces to provide a state of the art recording facility for both singers and instrumentalists.Soup to Nuts Productions offers the perfect package to turn an initial idea for a recording project into the end result of placing a mixed and mastered CD in your hands.From advice on repertoire, arrangers and arrangements, booking and suggesting musicians, vocal tuition before and during studio sessions, the whole journey of making a recording is seamless and professionally delivered so that the artist can just concentrate on making music. https://souptonuts.productions/
47:03
January 21, 2022
Women in Jazz Media: In Conversation with...Isabella Di Biase
Women in Jazz Media: In Conversation with...Isabella Di Biase
In this episode we have a special guest host, Hannah Horton, in conversation with Isabella Di Biase.  Hannah is a British Female Jazz Saxophonist who’s music is rooted in jazz, folk and funk. She has performed with many great jazz artists including Ian Shaw, Amy Winehouse, John Etheridge, Tina May, Georgia Mancio, Polly Gibbons, Natalie Williams, Esther Bennett and Irene Serra; and at venues including Ronnie Scott’s, Pizza Express Dean St, The 606, The Pheasantry, Love Supreme Jazz Festival, Royal Festival Hall and The Barbican. She has also toured in Europe and USA with her own and other groups. Her latets album has been going down a storm across the world. “Hannah makes the big beast of a baritone sax sound like an angel” – Ian Shaw https://hannahhorton.com/ Isabella Di Biase is a foh/monitors engineers and work in various incredible London venues (Scala, Union Chapel, Heaven, Underworld, etc). She also works as stage tech in London festivals (All Points East, British Summer Time Hyde Park) and as a merch seller for CMI. Isabella was part of a team of female sound engineers for the Women in Jazz Media event for the EFG London Jazz Festival at Toulouse Lautrec in 2021. https://womeninlivemusic.eu/member/isabella-di-biase/
01:04:25
December 05, 2021
Women in Jazz Media: In conversation with...Dr Kathy Dyson and Naadia Sheriff
Women in Jazz Media: In conversation with...Dr Kathy Dyson and Naadia Sheriff
In this episode we have a special guest host, Helena Summerfield in conversation with two incredible women: Dr Kathy Dyson and Naadia Sheriff Helena Summerfield has worked in music education since 1999 and is a regular performer (saxophone and flute) on the Manchester jazz scene. Helena became the project manager for Jazz North’s Jazz Camp for Girls in 2019 which gives young female musicians a positive first experience of playing jazz and improvising. Helena is a regular contributor to Jazz North’s online broadcasts and hosts the monthly ‘Midweek Jazz’ show on Reform Radio. Naadia Sheriff is a UK Jazz Pianist, Composer, Musical Director Arranger and educator.  In April 2021 Naadia Released ‘Beyond The Fear’ in collaboration with Aimee Hilton. The piece, written as a response to COVID includes spoken word, field recording and a remotely recorded ‘street band’. It raised over £1000 for the charity Breast Cancer Nowand is available to listen to on all platforms.  Naadia is a founder member of Yazz Ahmed’s Hafla band. She appears on the albums ‘La Sabotueuse’ and ‘Polyhymnia’ In 2020 the band were guests on the radio 2 programme J to Z. Since 2018 Naadia has been the pianist and occasional accordionist for Lara Eidifor whom she wrote the song ‘Anon’ using text from Virginia Woolf’s ‘A room of One’s Own’. This was premiered at ‘Hampstead Jazz Club’ for the International Woman’s Day Concert 2020. Since 2019 Naadia has been the Keyboardist for the band ISQwith whom she appears on the albums ‘Requiem for the Faithful’ and ‘Requiem for the Faithful the Remixes’ She also produced one of the tracks ‘Where Beauty Lives’ for the album.Naadia is a teacher of jazz and classical piano currently holding positions in London at St Paul’s Girls School and Merchant Taylors Boys School. She has also worked extensively on the jazz course at Junior Guildhall. In 2019 Naadia founded ‘Kids Concert Club’* and in 2020 received a national lottery grant to fund future concerts.  Naadia is an examiner for ABRSM. Dr Kathy Dyson: As a jazz guitarist I perform in the North with saxophonist John Dyson, with Deirdre Cartwright in ‘Remembering Emily Remler’ and in a duo with NYC guitarist Sheryl Bailey playing here at the Huddersfield Jazz Guitar Festival.  Research reports include two for Arts Council England on the economy for jazz musicians in the North West and on ways to improve jazz education in the North East.I also co-authored a chapter in the Women in Jazz Series and presented many academic conference papers in the UK and abroad, most recently at the Centre for Musical Performance as Creative Practice conference in Cambridge University. These have been based on PhD research in Learning Improvisation and this work continues through my teaching practice.
48:23
October 31, 2021
Knocking Down The Door with Céline Peterson and Roger Wilson
Knocking Down The Door with Céline Peterson and Roger Wilson
The first episode in our new podcast series 'Knocking Down the Door' with partners Céline Peterson and Black Lives in Music, produced and hosted by Ashaine White. Platforming inspirational black women in the Jazz industry. In our first episode, host Ashaine White talks to our partners Céline Peterson and Roger Wilson. Artist Representative and Producer Céline Peterson has presented concerts and given inspiring speeches all over the globe (Canada, The United States, Denmark, Barbados, Switzerland, and South America), and manages some of the most exciting jazz artists on the scene today, including JUNO Award winner Robi Botos, 2018 Ellis Marsalis Piano Competition winner Ben Paterson, and Member to the Order of Canada, Dr. Dave Young. She is a producer of the Kensington Market Jazz Festival, which takes place every September in the heart of downtown Toronto and over the course of 3 days and presents over 400 local artists in 24 venues to 5000+ patrons. This artist-driven and volunteer-fuelled festival is led by singer, songwriter, philanthropist, and Officer of the Order of Canada, Molly Johnson. Céline has also worked extensively with Coalition Canada and their Youth4Music initiative as an Ambassador. Céline has always been a proud ally to the up-and-coming generations of musicians, and along with her work at the Coalition, has done workshops at various schools including Durham College, and The Chicago Academy for the Arts. "Working with Music Makes Us, and specifically as a youth ambassador for the Youth4Music program, Céline has consistently proven to be an articulate, passionate and inspiring leader who motivates others in person and through her writing." - Holly Nimmons • former Executive Director, Music Makes Us, the Coalition for Music Education in Canada. Black Lives in Music addresses the current inequality of opportunity for black people aspiring to be artists or professionals in the Jazz and Classical music industry. Black Lives in Music believes in real equality for Black people to learn musical instruments at grassroots level and to allow them to pursue and realise their musical ambitions. Made up of a number of partners who are all working towards the same goal: to dismantle structural racism in our industry, they aim to support the industry in providing better professional opportunities and achieve equality for Black professionals at all levels and in all areas of the UK Jazz and Classical industry. Representation matters, we need to take action together and create a level playing field for everyone to have an equal chance to succeed. Black Lives in Music stands for equal opportunities – for Black people to be able to work successfully in the UK music industry without being the subject of discrimination. Roger Wilson has many years of experience on both sides of the stage as musician, educator, tour manager and administrator. Conservatoire trained, he has worked extensively in the commercial, jazz and classical sector with a wide range of artists from Lesley Garett and Bryn Terfel to James Brown and Quincey Jones. He has also played in some of London’s most successful music theatre productions. As an instrumental teacher and lecturer, Roger has worked throughout the UK music education sector at all levels. In recent years, he has been dedicated in his support for the professional development of aspiring young jazz musicians.
37:43
September 25, 2021
Women in Jazz Media: On The Bookcase. Episode Two with Monika Herzig
Women in Jazz Media: On The Bookcase. Episode Two with Monika Herzig
The second episode in our new podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross, with original music from Hannah Horton. In this episode we welcome Monika Herzig. In 1987, the pedagogical institute in Weingarten, Germany awarded a scholarship for a one-year exchange program at the University of Alabama to one of their students, jazz pianist Monika Herzig. Together with her partner and guitarist Peter Kienle, she arrived in the States on a one-way ticket, with one suitcase of belongings and one guitar in August 1988. Since then she has completed her Doctorate in Music Education with minor fields in Jazz Studies at Indiana University, where she is now a faculty member in Arts Administration. Her book “David Baker – A Legacy in Music” was released November 2011 on IU Press, and Experiencing Chick Corea: A Listener’s Companion on Rowman and Littlefield, 2017. As a touring jazz artist, she has performed at many prestigious jazz clubs and festivals, such as the Indy Jazz Fest, Cleveland’s Nighttown, Birdland, the Manchester Craftsmen Guild, to name just a few. Groups under her leadership have toured Germany, opened for acts such as Tower of Power, Sting, the Dixie Dregs, Yes, and more. She has released more than a dozen CDs under her leadership on her own ACME Records as well as Owl Studios and Whaling City Sounds. Her awards include a 1994 Down Beat Magazine Award for Best Original Song, a Jazz Journalist Association Hero 2015 award, as well as grants from the NEA, the Indiana Arts Commission, MEIEA, among others. Her newest project “SHEroes” features the world’s leading female jazz instrumentalists including Leni Stern, Jamie Baum, Ingrid Jensen, Jennifer Vincent, Ada Rovatti, Mayra Casales, Reut Regev, and more with a second release date of March 2018. Thomas Garner from Garageradio.com writes, “I was totally awed by the fine musicianship throughout”. https://www.monikaherzig.com/
32:06
September 11, 2021
Women in Jazz Media: In Conversation with...Janine Irons and Gary Crosby
Women in Jazz Media: In Conversation with...Janine Irons and Gary Crosby
In this episode Ashaine White talks to two inspiration people - Gary Crosby OBE and Janine Irons MBE, founders of the incredible Tomorrow Warriors. Tomorrow’s Warriors believes in a world where opportunities for participation, ownership and leadership in music and the arts are available to all and its CEO Janine Irons is a woman with a purpose.  With three decades of service to the music industry as joint leader and founder of the acclaimed and respected talent development organisation, she has always been a passionate advocate for excellence, equality and an inclusive approach in the design and delivery of music education. Through her work, she has delivered alongside co-founder Gary Crosby OBE, against considerable odds, a unique organisation that with its focus on black and female talent and those facing socio economic barriers, truly gives back and significantly contributes to the progress of young talent progression, diversity & social mobility in the arts in this country. Gary Crosby OBE is a towering figure in jazz. He was a founder member of the seminal Jazz Warriors in the 1980s. As founder of Gary Crosby’s Nu Troop and Jazz Jamaica, he has earned a reputation as one of the UK’s most respected bassists and band leaders whilst, as cofounder of Tomorrow’s Warriors, he has nurtured the early careers of hundreds of aspiring young jazz artists, from the inaugural Tomorrow’s Warriors of Byron Wallen, Tony Kofi and Denys Baptiste to the current ‘new wave’ of Sons of Kemet, Zara McFarlane, Binker & Moses, Ezra Collective, Nubya Garcia and Nérija. https://tomorrowswarriors.org/
57:24
July 30, 2021
Women in Jazz Media: In Conversation with Charisse Beaumont
Women in Jazz Media: In Conversation with Charisse Beaumont
In this episode Ashaine White talks to Charisse Beaumont, Chief Executive of Black Lives in Music. Black Lives in Music addresses the current inequality of opportunity for black people aspiring to be artists or professionals in the Jazz and Classical music industry. Black Lives in Music believes in real equality for Black people to learn musical instruments at grassroots level and to allow them to pursue and realise their musical ambitions. Black Lives in Music is made up of a number of partners who are all working towards the same goal: to dismantle structural racism in our industry. We aim to support the industry in providing better professional opportunities. We also want to achieve equality for Black professionals at all levels and in all areas of the UK Jazz and Classical industry. Representation matters, we need to take action together and create a level playing field for everyone to have an equal chance to succeed. Black Lives in Music stands for equal opportunities – for Black people to be able to work successfully in the UK music industry without being the subject of discrimination. Charisse Beaumont has over 13 years of experience in brand creation and delivering market innovation. A former Company Director of Preacher Boy Entertainment, an independent award-winning artist management and record company, Charisse has worked with corporate businesses, media organisations, artists and charities, providing first-hand extensive advisory and consulting services to artists, managers, labels and students to develop and manage their career in entertainment. Charisse has a strong knowledge of the UK’s urban music scene and has worked closely with award-winning and Grammy-nominated music artists across the UK and US from the beginning of their career. https://blim.org.uk/
38:29
June 12, 2021
Women in Jazz Media: On The Bookcase. Episode One with Dr Tammy Kernodle
Women in Jazz Media: On The Bookcase. Episode One with Dr Tammy Kernodle
The first episode in our new podcast series ‘On The Bookcase’, featuring female authors from across the world, with host Fiona Ross, with original music from Hannah Horton. In this episode we welcome Dr. Tammy L. Kernodle. Her work is hugely significant and inspirational to many. Primarily in the areas of African American music (Classical and Popular), jazz, and gender and popular music, she served as the Scholar in Residence for the Women in Jazz Initiative at the American Jazz Museum and has worked closely with a number of educational programs including Kennedy Center’s Mary Lou Williams Women in Jazz Festival, Jazz@Lincoln Center, NPR, Rock ‘n’ Roll Hall of Fame Lecture series and the BBC.  Her work has appeared in American Studies, Musical Quarterly, Black Music Research Journal, The Journal of the Society of American Music, American Music Research Journal, The U.S Catholic Historian, The African American Lectionary Project and numerous anthologies. Dr Kernolde is also the author of biography Soul on Soul: The Life and Music of Mary Lou Williams which sits proudly on ouy Women in Jazz Media bookcase. She served as Associate Editor of the three-volume Encyclopedia of African American Music and as a scholarly consultant for the National Museum of African American History and Culture’s inaugural exhibits entitled “Musical Crossroads” and appears in a number of award-winning documentaries including Mary Lou Williams: The Lady Who Swings the Band and Girls in the Band and recently Miles Davis: Birth of the Cool. In 2014, she received the Effective Educator Award from the Miami University Alumni Association and in 2018 was awarded the Benjamin Harrison Medallion. The Harrison Award is the highest award given to a Miami University faculty member in recognition of their research, teaching and service. She is currently the President of the Society for American Music. https://miamioh.edu/cca/academics/departments/music/about/faculty-staff/musicology/tammy-kernodle/index.html https://www.press.uillinois.edu/books/catalog/83hbk7nh9780252043604.html https://hannahhorton.com/
53:02
June 04, 2021
Women in Jazz Media: In Conversation with...The F List
Women in Jazz Media: In Conversation with...The F List
In this episode we have a guest host, Women in Jazz Media team member,  Wendy Kirkland in conversation with two incredible women: Vick Bain, founder of the F List and board director Amy Pearce. ‘There is simply no excuse not to have as many women onstage as men’ Former CEO of BASCA, now PhD researcher, women in music campaigner and equality, diversity and inclusion consultant Vick Bain created the fantastic F List for Musicians: “It’s my mission to make the music industry a more equitable and inclusive environment for all women to succeed and flourish in. Together we are going to do amazing work’. Joining us with Vick, is board member, promoter, producer, strategic content consultant and jazz specialist Amy Pearce. Women in Jazz Media is very proud to be one of their sister organisations and have the opportunity to discuss their work. https://thef-listmusic.uk/ https://vbain.co.uk/
43:14
May 06, 2021
Women in Jazz Media: In Conversation with...Ashaine White talks to Céline Peterson
Women in Jazz Media: In Conversation with...Ashaine White talks to Céline Peterson
In this episode Ashaine White talks to Céline Peterson ‘In terms of race and gender, it’s incredibly uneven, in every aspect of the industry. And the other thing I want through in there is age. I’m young, you’re young and we are not taken as seriously by older, white men in particular, and older white women…and I really can’t wrap my head around it! It’s infuriating. It’s definitely made been more difficult, being a young woman of colour. It’s like everything going against us in that sense’ Artist Representative and Producer Céline Peterson has presented concerts and given inspiring speeches all over the globe (Canada, The United States, Denmark, Barbados, Switzerland, and South America), and manages some of the most exciting jazz artists on the scene today, including JUNO Award winner Robi Botos, 2018 Ellis Marsalis Piano Competition winner Ben Paterson, and Member to the Order of Canada, Dr. Dave Young. She is a producer of the Kensington Market Jazz Festival, which takes place every September in the heart of downtown Toronto and over the course of 3 days and presents over 400 local artists in 24 venues to 5000+ patrons. Céline has also worked extensively with Coalition Canada and their Youth4Music initiative as an Ambassador. Céline has always been a proud ally to the up-and-coming generations of musicians, and along with her work at the Coalition, has done workshops at various schools including Durham College, and The Chicago Academy for the Arts. ​Céline’s career began over a decade ago when she started working in Social Media Management, a field in which she is still active. Her efforts and successes have put her at the top of the list for many artists who want to expand their online presence. It started when she created a Facebook page for her late Father, legendary jazz pianist Oscar Peterson, which now serves as both a hub where his fans can gather and find endless content both personal and professional about one of the world’s most celebrated jazz artists, and as a platform where she chooses to showcase some of today’s up and coming artists in the jazz world. "Céline Peterson is a brave and articulate champion for jazz. A valiant writer and speaker who works lovingly and tirelessly for the cause of dedicated musicians. Her brilliant mind and deep heart motivate her outspoken support for the present and future of music education. With honest humility and courage, she speaks the truth of the immeasurable importance for our evolving society to realize that jazz is a precious art form for us to invest ourselves in and to treat with care, dignity and devotion. I’m grateful for Céline’s encouragement of my efforts, because her sincerity won’t ever allow her to “pretend” where the sanctity of music is concerned. Céline is the real deal and the international jazz community is blessed by her humanity, soul and voice." - Benny Green, Pianist, Composer, and Educator https://www.celinepeterson.com/
43:16
March 24, 2021
Rouhangeze presents: Around the world Women in Jazz Vol 1
Rouhangeze presents: Around the world Women in Jazz Vol 1
Special edition and launch of new series for International Women's Day 2021: Rouhangeze presents: Around the World Women in Jazz
01:05:15
March 08, 2021
Women In Jazz Media: In Conversation with...Angelika Beener
Women In Jazz Media: In Conversation with...Angelika Beener
In this episode, Ashaine White talks to writer Angelika Beener. A fascinating and inspiring conversation exploring working in today’s Jazz industry and how to develop a career as a writer: ‘Do the work, rise to the occasion as much as you can and then shoot your shot! You’d be surprised who might give you a chance, especially if you are black and especially if you are woman. This is a good time for us to kick in the door’
48:46
February 28, 2021
Women in Jazz Media: In Conversation with...Jiaowei Hu
Women in Jazz Media: In Conversation with...Jiaowei Hu
In this, episode, Ashaine White talks to Jazz writer Jiaowei Hu.  Jiaowei tells us that ‘Through jazz writing, I hope to bring people and different parties together, to build bridges for people to meet, across ethnicities and races, across religions and beliefs, across genders and generations, across occupations and fields, even across diverse ways of thinking. That's how jazz has enlightened me, so I want to write about it in return. One day it suddenly hits me, that I should help to let the world hear what's happening in China as well. I feel it part of my mission since I'm also among those who write the most about jazz in my country. Being a long-time follower of All About Jazz, I wish to contribute, as much as to learn. To connect, as much as to be connected. Diversity. Freedom. Naturality. I'm totally in for these and jazz just has them all. So here I am, writing on jazz from the Far East, from China. Here is a growing market; the musicians can tell, too. But that's only the shallow surface of it. To dig a bit deeper, I think today many Chinese are in common in the spirit - usually a bit timid to express it though - that we aspire to open up to the world and get connected. Be it our musicians, aficionados, agents and managers...our culture. To connect and be connected, just like anyone else'
22:38
February 28, 2021