The Albums That Saved Us

By the late ‘80s, Depeche Mode had already evolved from their early synthpop roots into one of the most successful and influential alternative bands in the world. The group had built a devoted following with dark, electronic anthems, but their sound was still evolving. Music for the Masses had pushed them into stadiums, proving that electronic music could be as powerful live as rock music. But with Violator, Depeche Mode would transcend their status as cult heroes and become true mainstream icons.

Dive into the dreamlike dimensions of Love and Rockets' Express with us! Explore track by track as we unravel the captivating fusion of post-punk psychedelia on Albums That Saved Us. Tune in and let the music take you on a journey! #LoveAndRockets #AlbumsThatSavedUs"

 Sticky Fingers, released in 1971, stands as one of The Rolling Stones' most iconic albums, blending blues, rock, and country in a way that solidified their reputation as rock legends. The album also marked several important milestones for the band: it was their first release on their own Rolling Stones Records label and the debut of their iconic tongue and lips logo. The record's mix of gritty rock and introspective ballads showcases the Stones at the peak of their creative powers, and its influence has endured for decades.

In this episode we’re discussing The Smiths often considered quintessential album, The Queen is Dead. The Smiths are arguably my favorite band, and their singer Morrissey is arguably is my favorite artist. I love The Smiths and I don’t tell many people this, but I lean towards Morrissey solo over The Smiths.

In this episode, we’re talking about one of my favorite bands from when I was in high school, The Fixx. We will also dig into my favorite Fixx album, Reach The Beach.

When I moved to North County San Diego, in Oceanside California, I was exposed to new music from the alternative station 91X out of San Diego, and friends—especially my friend J.D. who was also a big fan of The Fixx. I heard a lot of their stuff on 91X, and J.D. copied me some of their early albums, and I became a big fan.

I discovered Oingo Boingo going to high school in southern California and listening to 91 X out of San Diego. I was attracted to this punky southern California band everyone seemed to love. They were fun, whacky, and had this interesting little halloweeny association, especially in southern California where for years they would do a run of epic shows in Los Angeles and San Diego. Eventually seeing them became a yearly thing for my friend Mike and me, lasting several years. We’d often see a couple of Halloween shows a year, whether at Irvine Meadows or San Diego State Open Air Theater. Even those couple of times towards the end without the horn section, believe it or not!

In this episode, we’re turning up the volume on The English Beat and General Public, bands that defied categorization and left an enduring legacy.

The English Beat, often lumped into the ska revival of the late 1970s and early 1980s, was far more than just another two-tone band. Their music was a vibrant fusion of ska, reggae, punk, and pop, creating an infectious and thought-provoking sound.

In 1980, The English Beat faced a crossroads. With creative differences emerging, the band decided to part ways. But the musical journey didn't stop for its members.

Dave Wakeling, Ranking Roger, and a new lineup formed General Public. This new project departed from the ska-heavy sound of the English Beat, leaning more towards pop and new wave.

Alright, let's dive into the world of X. This ain't your average punk band, folks. We're talking about a group that took the raw energy of punk and infused it with a poetic, almost folk-like sensibility. They were the heart and soul of the LA punk scene, and their influence stretches far beyond the genre.

Rockabilly music and culture have left an indelible mark on American music and style. From the pioneering work of Sam Phillips and the legendary Sun Records artists to its lasting influence on punk, Americana, and beyond, rockabilly continues to inspire and captivate new generations. The blend of music, fashion, and car culture ensures that rockabilly remains a vibrant and dynamic part of the cultural landscape.

In this episode, we're journeying back to 1980 with a children's classic that has enchanted generations: Raffi's "Baby Beluga." Known for its joyful melodies and gentle themes, this album isn't just for kids—it's a testament to the enduring power of music to bring people together, no matter their age.

This episode is dedicated to Nick Opalewski

 Formed in Long Island, New York, in the late 1960s, Blue Oyster Cult or B.O.C. has etched its name in rock history with a unique blend of hard rock, heavy metal, and psychedelic influences. Known for their cryptic lyrics and complex musicianship, Blue Oyster Cult has maintained a distinctive sound that has garnered a dedicated fan base over the decades.

Big Audio Dynamite was a band formed from the slowly drifting ashes of The Clash. The Clash would last a little longer, but would never be the same. Co-founder Mick Jones had just been kicked out of The Clash for wanting to move the punk pioneers in new directions and into new sounds. Less than a year later, Jones quickly regrouped with Big Audio Dynamite. Big Audio Dynamite was confrontational like The Clash, but in a different way—exploring new directions like melding dance with rock and liberally sampling sounds and movie clips as part of the band’s palette.

Pearl Harbour has quite a musical legacy. As part of the 70’s San Francisco rock scene she sang background vocals for the Tubes. She formed her own band Pearl Harbour and the Explosions, released an album, and toured with the Talking Heads. She moved to London and became part of a new scene and became connected with The Clash, eventually marrying Clash bassist Paul Simonon, touring with them and joining The Clash on stage many times.

In this episode we're talking about none other than The Power Station's self-titled debut album. Released in 1985, this album brought together a supergroup of musicians for an explosive mix of rock, funk, and pop.

On this episode I talk about My Favorite Concert Shirts and the Ones That Got Away. Over the years I amassed quite a collection of concert shirts, at quite an expense. I then gave them away in one fell swoop to a pair of identical twin teens who probably hadn’t heard of half the bands. I was wearing concert t-shirts before they were even born!

With their sixth studio album, "Black Celebration," Depeche Mode embarked on an artistic exploration that delved deeper into the shadows of human existence. Released in 1986, Black Celebration represents a pivotal moment in Depeche Mode's career, marking a departure from their earlier synthpop sound and paving the way for a more mature and brooding sonic landscape.

Danse Macabre is the sixteenth studio album from Duran Duran. A Halloween-themed album including three new tracks, covers and reworked versions of Duran Duran classics. Former guitarists Andy Taylor and Warren Cuccurullo appear, and Nile Rodgers and Victoria De Angelis of Måneskin also feature as guest artists.

Arcadia's debut album, "So Red the Rose," released in 1985, stands as a testament to the artistic prowess of Duran Duran's side project. With their innovative blend of synth-pop, art-rock, and new wave influences, Arcadia delivered a captivating and atmospheric sonic journey that remains a timeless gem in the realm of '80s music. The best album Duran Duran never did.

David Bowie's 1983 album "Let's Dance" marked a significant departure from his previous experimental and avant-garde sound, embracing a more commercial and accessible style. The album was produced by Nile Rodgers, known for his work with the funk and disco group Chic, and this influence is apparent in the album's slick, danceable grooves.

Overall, "Let's Dance" may not be Bowie's most groundbreaking or experimental album, but it's a testament to his ability to adapt and evolve with the times. The album remains a classic of '80s pop and a testament to Bowie's versatility and enduring influence.

One this episode of The Albums that Saved Us we're taking a closer look at Achtung Baby by U2, released in 1991. Achtung Baby is a masterpiece that challenged U2's fans to embrace change and pushed the boundaries of what a rock album could be. Its impact can still be felt today, and it remains a defining moment in the band's career. Whether you're a die-hard U2 fan or just a lover of innovative music, Achtung Baby is an album that deserves a place in your collection.

The Albums That Saved Us recap of the Cruel World 2022 Festival held in Pasadena, California featuring bands like Morrissey, Bauhaus, Devo, PIL, and many more...

Listen in as R.A. MacLean discusses his musical journey starting with early influences, his time as a DJ, stint as a rock journalist, his time in the San Diego music scene and beyond with Deadbolt, The Scariest Band in the World, his band Swamp Angel, nautical adventures, and more.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Rockabilly is such American music and culture. It touches rhythm and blues, hillbilly music, gospel, country, punk, psychobilly, Americana and more, It's also a lifestyle for many that ties into fashion, furniture, cars. My journey with this music has taken me through shows, Hootenannys, clubs like The Casbah and Tio Leos, and musicians ranging from Elvis, Johnny Cash, Reverend Horton Heat, The Cramps, Stray Cats and many others. I might have also dressed the part and gotten some tattoos along the way...

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

The Soundtracks of John Hughes, the music of our 80s teen movie tears, loves and crushes from Sixteen Candles, Pretty in Pink, Some Kind of Wonderful and more.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

The Soundtracks of John Hughes, the music of our 80s teen movie tears, loves and crushes from Sixteen Candles, Pretty in Pink, Some Kind of Wonderful and more. 

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Listen in as R.A. MacLean discusses his musical journey starting with early influences, his time as a DJ, stint as a rock journalist, his time in the San Diego music scene and beyond with Deadbolt, The Scariest Band in the World, his band Swamp Angel, nautical adventures, and more. 

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Rockabilly is such American music and culture. It touches rhythm and blues, hillbilly music, gospel, country, punk, psychobilly, Americana and more, It's also a lifestyle for many that ties into fashion, furniture, cars. My journey with this music has taken me through shows, Hootenannys, clubs like The Casbah and Tio Leos, and musicians ranging from Elvis, Johnny Cash, Reverend Horton Heat, The Cramps, Stray Cats and many others. I might have also dressed the part and gotten some tattoos along the way...

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Double Platinum came out in 1978, and my bio dad gave me the double cassette for my 8th birthday. Double Platinum, double cassette. I had a little bad portable tape recorder that sounded terrible, but it was my only option to listen to my new cassettes. These were the first cassettes I had. I might have also gotten the Village People’s Macho Man cassette that birthday too. I largely went the way of Kiss instead of the way of the Village People, at least at the time, but I still rocked some Macho Man.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Albums that saved us are made by BANDS that saved us. One of the bands that saved me was Men At Work. Technically only three studio albums, and a fall from the biggest band in the world to “Where Are They Now” status, but they were early groundbreakers in the first stage of new wave and were huge spike on my early musical landscape.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Not a history of punk rock, but my punk rock journey.  From tongue in cheek punk to political punk and hardcore, back to the origins in NY and UK and earlier, to SoCal punk, to the 90s mainstream acceptance.  From FEAR, Dead Kennedys, The Clash, Sex Pistols, Social Distortion, The Runaways, Green Day, and more...all part of my punk rock journey. Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Albums that saved us are made by BANDS that saved us. One of the bands that saved me was Men At Work. Technically only three studio albums, and a fall from the biggest band in the world to “Where Are They Now” status, but they were early groundbreakers in first stage new wave, and a huge spike on my early musical landscape.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Welcome to Behind the Music...this week we discuss Southern California’s Rio A Tribute to Duran Duran...the band, the lineups, the shows, the highs, the lows, the groupies. The height and the eventual rock bottom...

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Fandom is a largely thankless job. I've heard story after story of fans meeting famous musicians and being disappointed or even devastated. Obviously we've got this version in our heads of what our idols are like. If we meet them and they're not like we think, it's disappointing. I think this is the number one reason I so rarely band stalked. I didn't want to be disappointed if that singer just wanted to go to sleep, or that drummer just wanted to eat. I think they should consider that for the fan it's probably a once in a lifetime chance, and a little hassle is worth it for the lifestyle, but I'm not in their shoes.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Rio by Duran Duran  -- the quintessential 80s album, the quintessential 80s videos that helped put MTV on the map, and the quintessential 80s band, at least until about 1985. This year is the thirty-fifth anniversary of the Rio album, and it’s certainly one of the albums that saved us. Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

Double Platinum came out in 1978, and my bio dad gave me the double cassette for my 8th birthday. Double Platinum, double cassette. I had a little bad portable tape recorder that sounded terrible, but it was my only option to listen to my new cassettes. These were the first cassettes I had. I might have also gotten the Village People’s Macho Man cassette that birthday too. I largely went the way of Kiss instead of the way of the Village People, at least at the time, but I still rocked some Macho Man.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.

I’ve seen a lot of concerts. My first concert was Duran Duran in 1987 on the Strange Behaviour Tour, with Erasure opening. Several months later I saw Depeche Mode for the first time, and that was even better. I was hooked. I loved live music, and seeing the bands I loved. There’s nothing like a good live show. There are those moments that are transcendent and take you into an alternate reality. That’s why I love music and a good live show. Music should change your life and a good live show can change your life.

Look for #albumsthatavedus, email me at albumsthatsavedus@gmail.com, Instagram @albumsthatsavedus, Facebook @ https://www.facebook.com/albumsthatsaveduspodcast/.