Essential Blends

Diljeet Bhachu is is an improvising flute player from Glasgow, Scotland. She is currently engaged in a long-term process of unlearning some of the limitations of her training, leaning into imperfection and process.  Her improvised playing has been described as “Stunning, transporting to dream realms of music and restfulness…” (Bell Lungs). Diljeet completed her PhD at the University of Edinburgh in 2019. It was during her doctoral research that she gained clarity on how race and colonialism are embedded in her life and her working contexts, following years of informal work and activism to address inequalities.

Diljeet has been writing music on and off since childhood, largely informally before being introduced to ‘composition’ as a concept in high school.  She is now engaging with this more pro-actively and formally, most recently writing pieces for the new Trinity College London Graded Exam Flute Syllabus for Exams from 2023 onwards.  She has plans to record an improvised EP in 2023, and is also developing a more composed concept album. Diljeet enjoys collaborating, and in particular working with poets both in live and recorded settings. She also performs regularly in Kapil Seshasayee’s live band, and features on both of his albums.

Diljeet has been a trade union activist for over a decade, alongside a portfolio career that has included freelance research, teaching in higher education, and being an arts producer. She co-founded the Scottish-Asian Creative Artists’ Network in 2017, to create space for Scottish artists with Asian heritage whose practices do not explicitly or directly draw on Asian artistic traditions, alongside those who do work within heritage traditions. Shortly after recording this podcast, Diljeet started working for the Musicians’ Union, where she is an Equality, Diversity and Inclusion Officer.

http://meagreresource.com

Bandcamp:

https://markvernon.bandcamp.com

Soundcloud:

https://soundcloud.com/markvernon

Collaborations

Hassle Hound, Limelight Cordial, Lucky Bugs Win Prizes - https://staubgold.bandcamp.com/track/lucky-bugs-win-prizes

Run by Mark

With Monica Brown: Lights Out Listening Group

https://lightsoutlisteninggroup.wordpress.com

Radiophrenia

https://radiophrenia.scot

Places mentioned

Sura Medura - Shri Lanka residency place: http://suramedura.com/residencies/

PRIM Montreal: https://primcentre.org/en/our-program

Pieces that have made an impact or that have influenced Mark

Gavin Bryars - Jesus Blood

Negativland - over the edge / dense audio collages

Graham Lambkin - listening to listening

Luc Ferrari - anecdotal sound

Janek Schaefer - recorded delivery - conceptual sound work / audio voyeurism

Pure field recording - Chris Watson / Toshiya Tsunoda

Upcoming projects:

Callback Carousel

A Loop Within a Loop (Glasgow Underground)

Clock Radio

https://radioart.zone/sunday-10-july

Lucy Dhegrae is a singer committed to changing and challenging how vocal music is perceived, performed and programmed. Hailed as an “adventurous mezzo-soprano” and “raconteur” (The New Yorker) known for her “vocal versatility and an omnivorous curiosity” (The New York Times), she moves easily between a broad variety of styles, and can be found “everywhere new music is being sung” (New York Classical Review). Dhegrae is also the founder and director of the boundary-pushing Resonant Bodies Festival (2013-2021), which was praised by The New York Times as “an annual highlight [that] gives some of the world’s most adventurous vocal artists full freedom.”  

During the 2019-20 season, Dhegrae was selected among WQXR's "20 for 20 Artists to Watch” as someone "redefining what classical music can be...in thrilling ways” (WQXR), and also received the Career Advancement Award from Dawn Upshaw at the Dallas Symphony Orchestra’s inaugural Women in Classical Music Symposium. As Artist in Residence at National Sawdust, Dhegrae chose to present a multi-concert project entitled The Processing Series, exploring trauma’s relationship to the voice. Ultrafizz, her duo with pianist Nathaniel LaNasa, also had residencies at both Yellow Barn (Putney, VT) and Princeton University. In February 2020, Dhegrae made her New York Philharmonic debut with a new work by Paola Prestini; and in March, Dhegrae made her 92Y debut singing George Benjamin’s Into the Little Hill with Talea Ensemble.

Dhegrae is sought after as a collaborator and creator of a body of contemporary music that defies categorization of style or genre. Since 2013 she has been a public speaker with RAINN, the nation’s largest anti-sexual violence organization, sharing her story of vocal loss and trauma recovery. She has given several talks and keynotes about her journey to vocal wholeness, and currently is enveloped in her personal work and compositions using voice and electronics, as well as DJing in New York City.

Song of an intention

Performed by:
Emmanuelle Waeckerlé
Adriana Minu
Kevin Leomo

The poetic text score for voice(s) and instrument(s) proposes a lose structure and a situation for exploring through sounds subtle shift of attention and awareness of being one, of being two, of occupying that space between us while eluding to the romantic ideal and impossibility of ever achieving total unity or intimacy with another. The title is a sentence from Luce Irigaray’s book To be Two (Athlone press 2000), a feminist critique of gendered subjectivity, proposing a culture of  ‘between two’ as opposed to the culture of the One.

The text score was inspired by a collaboration with photographer and performance artist Manuel Vason, a commission for Photography and Culture  Volume 11, 2018 – Issue 2: The Theatre of Photography : Becoming One : a duologue in practice, a piece of experimental writing and a series of performative photographs (2017)  in which “We became one in writing and in breathing, in real time and in photographic time.“

Emmanuelle Waeckerlé is a London based academic, artist, composer and improviser interested in the materiality and musicality of language.

Her practice evolves across multiple interconnected work zones – conceptual writing, performance, new musical composition, artist-publishing – and manifests as poetic scores, occasions for their activation (installation, performance, workshop) and resulting image, text or sound works.

Ultimately devising situations to deepen our connection to or play (with) our interior or exterior landscape and each other, through or beyond words.

Summary:

Emmanuelle, Kevin, and Adriana discuss building community; generosity and power relations; self-care; clarity and intention; learning how to resist, stop, not work.

Together, they performed Emmanuelle’s ‘Song of an Intention’, which you can listen to in Episode 1.1.

Notes:

• Intention is at the heart of everything. to be clear about what it is you are doing, why you are doing it, who are you doing it for?
• Generosity is to be open, open to difference, open to things not happening the way you want them to be, open to not having expectations in return
• Keep some clarity in what is it you want and then you will have to make some tough choices

Texts & Links:

• Giles Deleuze – ‘minor literature’
• Rebecca Solnit – Hope in the Dark
• Robert Filliou – ‘Principle of Equivalence’
• Tim Morton – ‘the hyperobject’
• Wandelweiser