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Carnatic Vocal by Krish Iyengar

Carnatic Vocal by Krish Iyengar

By Krish Iyengar

Krish Rajesh Iyengar has been undergoing formal Carnatic (Indian Classical) Music training from the age of 6. Currently, he’s tutoring under Mrs Radha Vasudevan. Krish Iyengar leverages his good voice to sing and has sung in a few languages – English, Hindi, Tamil, Telugu, Kannada.
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Nanda nandana gOpAla

Carnatic Vocal by Krish Iyengar

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Nama Ramayana (Chorous)
Nama Ramayana (Chorous)
The Ramayana is a great Sanskrit epic poem written by Sage Valmiki. The Ramayana consists of 24,000 verses which are divided in seven books and 500 cantos. The conjunction of Rama and Ayana makes the word Ramayana which means The Journey of Lord Rama. Lord Rama is considered the 7th incarnation of Lord Vishnu. For Hindus, the Ramayana is a great religious book. It is widely believed that reciting Ramayana brings peace and prosperity into the family. Reciting whole Ramayana might take couple of days and many times due to time constraint it is not possible to recite the whole Ramayana in a single sitting. Nama Ramayanam is the condensed version of epic Ramayana written by sage Valmiki in Sanskrit. Nama Ramayanam consists of 108 Shlokas and similar to complete Ramayana, Nama Ramayanam has seven chapters which are divided into Balakandah, Ayodhyakandah, Kishkindhakandah, Sunderkandah, Yuddhakandah and Uttarakandah. Nama Ramayanam is very popular in South Indian states. Tamil Nama Ramayanam, Telugu Nama Ramayanam, Kannada Nama Ramayana and Malayalam Nama Ramayanam are very popular in Tamil Nadu, Andhra Pradesh & Telangana, Karnataka and Kerala respectively. Due to popularity of Ramacharitamanas in Hindi speaking regions, Nama Ramayanam is less popular in North Indian states. It should be noted that Nama Ramayana is not the condensed version of Ramacharitamanas written by Sant Tulsidas in Awadhi dialect of Hindi. There is even Eka Shloki Ramayanam, in which the whole epic Ramayana is narrated in a single Shloka.
10:15
October 04, 2022
Behag Varnam (Part)
Behag Varnam (Part)
Behag Varnam (Part)
02:04
October 04, 2022
Nanda nandana gOpAla
Nanda nandana gOpAla
Nanda Nandana Gopala Jaya : Nanda nandana gOpAla Gadyam 27 athakhaluvallavayuvatyo nijavallabha viraha santapa janita duranta cinta santapa mandıkrta bahyavisaya viveka vrttimaccityavatyah muhurmuhuh tadıya lılavinoda navarasaviskarana pravınah apanka pratyanka gunagana sama visama balabala vilasa vilasita grıvasirah kampa tribhangi lalita divyagatra bhrunetra hasta visesadyaviskrta avarasalankaralankrta vividha lasya visesam spuradadhara maniparimilita muralıkalarava sudhavatırita sudhakhanda mandalam smaram smaram svasvantahkaranapayena sarvantarangam madanasatakoti sundarangam dhyayantyo manasa pranamantyah sirasa gayantyo vacasaca purah sthitamiva sambodhya pratyekam gopalamagayanta || slokam madanasatakotivesam madhavamadhaya mamake manasi| vidalitasuraripubrndam visnum gayami visvabhartaram ||185|| nanda nandana gOpAla. rAgA: dhanyAsi/Sahana/Mohanam/rAgamAlikA. Adi tALA. P: nanda nandana gOpAla jaya navanIta chora gOpAla C1: kandarpa shatakOTi sundara sukhakara mandahAsa shrI gOpAla brndAvana gO-brnda yamunAnanda chandrAnana shrI gOpAla 2: lIlA mAnuSa pAlaka vESa phalAnuja vigraha gOpAla muraLIdhara muni brnda vicintita mukta janAshraya gOpAla 3: nanda su-nandAdi vandita charaNa aravinda mahOnnata gOpAla pATita ripu brNda bOdha rasAnanda sAdhita jadadaNDa gOpAla 4: gOpI manmatha gO-paripAlaka gOvardhandhara gOpAla rAsa maNDala naTa dAsa janAvana vAsavAdi vinuta gOpAla 5: mUla kAraNa mOhavAraka lakSmI bAla varAdhipa gOpAla ghOra bhavArNava tAraka pAlita nArAyaNa tIrtha gOpAla Share this: Back to top
04:11
October 04, 2022
Sarasvati Vidhiyuvati
Sarasvati Vidhiyuvati
Dikshitar Kriti - Sarasvati Vidhi Yuvati - Raga Hindolam sarasvatI vidhi yuvatI - rAgaM hindOLam - tALaM rUpakam
02:29
October 04, 2022
Nadaloka Duserrah Celebrations 2021
Nadaloka Duserrah Celebrations 2021
*Shloka*: Durga Suktam – Vikram (2:04) Yakuntendu Tushaara – Krish Iyengar (03:05) *Story* Mahishasura Mardhini- Arun (01:00) *Songs* Bahudaari Varnam  Arun and Sarvajith (02:49) Gambira Naatai Varanam – Nila and Keerthi (05:20) He Sharade Ma- Krish Iyengar (00:38) Parvati Patim – Sriharsh (01:38) Saraswathi Vidhiyuvathi- Guhan Bharadwaj (03:01) Sharanam Bevaani  Arun and Sarvajith (01:54)
23:35
October 08, 2021
A Million Dreams - The Greatest Showman
A Million Dreams - The Greatest Showman
Not a Carnatic Vocal, but then...
04:34
August 16, 2021
Krish - Ekla Chalo Re - Bengali
Krish - Ekla Chalo Re - Bengali
Jodi Tor Dak Shune Keu Na Ase Tobe Ekla Cholo Re ("If no one responds to your call, then go your own way alone"), commonly known as Ekla Cholo Re, is a Bengali patriotic song written by Rabindranath Tagore in 1905.LanguageBengaliPublishedSeptember 1905 Language Bengali Published September 1905 Genre Rabindra Sangeet Songwriter(s) Rabindranath Tagore Composer(s) Rabindranath Tagore
02:44
August 15, 2021
Intha Chouka, Bilahari Raaga, Adi Taalam
Intha Chouka, Bilahari Raaga, Adi Taalam
INTHA CHOUKA Ragam: Bilahari(29th Mela Janyam) Composer: Veenai Kuppaiyer Talam: Aadi Aarohanam:S R2 G3 P D2 S Aavarohanam:S N2 D2 P M1 G3 R2 S Pallavi: Intha chouka sEya idi mEkAdura sAmi Anupallavi: PanthamElara nAthO VenugOpAlA rArA eevElaI Charanam: Ninne kOri yunnArA
03:54
June 12, 2021
Begabaro (Mand)
Begabaro (Mand)
Begabaro (Maand) Maand is supposed to have evolved from Rajasthani folk music. Maand is a feisty raga, popular in North India and well-known for lighter pieces in the South. It is delightful to the listener and performer alike. It brings forth the mood of romance, combined with cheer and warmth.  Maand is often spiced up with foreign notes to make it “misra” Maand, like “chai” becomes “masala chai.” The notes that feature in the conventional Maand raga include Sadja, Suddha Rishabha, Antara Gandhara, Suddha Madhyama, Panchama, Chatusruti Dhaivata, and Kakali Nishada, and not in that order. It is the zigzag patterns in this raga that give rise to a feeling that only can be compared with enjoying a swing on a trapeze.
03:51
July 06, 2020
Yentha Pratibha (Mohanam)
Yentha Pratibha (Mohanam)
Yentha Pratibha (Raaga: Mohanam) Mohanam is a rāga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale). It is usually described as a janya rāga of Harikamboji (28th Melakartha Raga). However, alternate opinions suggest that Mechakalyani may be a more appropriate classification based on the lakshana of the raga. The equivalent of Mohanam in Hindustani music is Bhoop (or Bhopali). It is one of the common pentatonic scales across the world[1] and is very popular in East Asian and South-east Asian music, including China and Japan. https://en.wikipedia.org/wiki/Mohanam
05:05
June 29, 2020
Muddhugare Yashoda (Kurinji/ Nattakurinji)
Muddhugare Yashoda (Kurinji/ Nattakurinji)
Muddhugare Yashoda (Kurinji/ Nattakurinji) Kurinji or Nattakurinji is a raga (musical scale) in Carnatic music. It is an audava janya raga of 28th Melakarta raga Harikambhoji. This raga is good to sing in the evenings. It is used both in Hindustani and Carnatic music. Nattakurinji and is an asymmetric rāgam is said to have three types of ascending (arohana) and descending scales (avarohana). https://en.wikipedia.org/wiki/Nattakurinji
05:10
June 22, 2020