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Packaging Podcast

Packaging Podcast

By Packaging podcast

How do you design packaging? How do you, source manufacturers? How do you know what box structure to use or what materials to choose from? There are a million questions in packaging design. This packaging podcast will answer all of them.

Got a question for The Packaging Podcast? Leave a voice message on our site:
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How to Write a Packaging Design Proposal - Discovery Phase | #25

Packaging PodcastJul 05, 2021

00:00
12:09
How to Write a Packaging Design Proposal - Discovery Phase | #25
Jul 05, 202112:09
How to Design Packaging Dielines & Templates Fast | #24
Jun 21, 202106:08
What Happens to Compostable Plastic Packaging? | #23
Jun 18, 202106:16
How Viral Brands Make Packaging Design Work for Them | # 22
Jun 16, 202106:38
Packaging Design for End of Life Sustainability
Jun 14, 202106:32
Material Selection in Packaging Design
Jun 09, 202106:36
Deliver Value to Brands with Packaging Design
Jun 08, 202105:29
Design Packaging to Compete on Shelf
Jun 07, 202106:41
Paralyzed by Packaging Design

Paralyzed by Packaging Design

Developing Innovative Packaging concepts

  • Limitless possibilities of kick-off
  • Harsh realities of manufacturing
  • Soul-crushing budgetary constraints
  • Creativity sucking timelines
  • Currently I’m early in the limitless possibilities stage of a project and wanted to talk about how I’m feeling because I can’t imagine I’m the only one that goes through these ups and downs.

I love the project, one the brand, love how bluesky everything is at this stage.

At this stage I can take the red pill or the blue pill:

RED pill: I can design bluesky packaging that isn’t based in reality and takes into account manufacture, budgets, timelines and all of those parameters and deliver something the client will fall in love with instantly…

Or the Blue Pill, I can design something that pushes the bounds of the parameters we’re locked into because of manufacturing, budgets, timelines and everything else that compresses your creativity.

Here’s why I wanted to talk, because at this stage I don’t do either.

I actually don’t do anything at all.

I have ideas that roam between 1 and 2 running through my mind

I see the potential and fall in love with an idea, but I also see the limitations which deflate the concepts

But what I don’t do is I don’t begin to sketch or create anything tangible.

WHY? Because I am afraid. I am so afraid that my concepts won’t work when I put them down on paper, I worry that I will sketch them out and see their flaws of how they won’t be able to be produced because of a particular fold, material, position, whatever.

And this fear is paralyzing. I mean I can’t get myself to get started on paper.

It’s a 48 hour process that I go through each and almost every time I work on a big project. Small ones no fear, big ones, lots of doubt.

After 48 hours I make myself sit down and begin sketching out concepts whether it’s what I had in mind or some lateral idea that will get me to where I want to go.

I have a conversation with myself about how these bluesy ideas will make the client love me and I settle on only delivering what is possible within the specified parameters. But ultimately I never take either the red pill or the blue pill. I take them both.

I allow myself the freedom to sketch beyond the parameters but through the lens of what is possible. What can we push past, a concept that may take a little more budget, or take a little more time, something that may deliver an unexpected unboxing providing a moment of pause. Whatever the idea is it is always something that is possible, but not easy. It’s going to require the right partner or sets of partners to achieve.

And when pitching these concepts to the client it’s important to explain where the difficulties lie. What concerns you, what creates the anxiety, and even explain the areas of your concept that you haven’t completely figured out.

The point of this stage is to share ideas, be open, listen to feedback and realize the client doesn’t have to love your ideas. Concepts are a talking point to further the discussion to uncover what will deliver a memorable experience.

If you’re not uncomfortable or a little fearful, you’r not doing it right. Stop playing it safe and share your fears with your client.

If you’ve ever felt this way or have a different process for innovation let me know on linkedin or twitter. I’d love to hear from you.

Connect with Evelio Mattos on Linkedin


Download your Sustainable Packaging Guide

Jun 04, 202107:27
Winning Packaging Design Awards
Jun 04, 202104:36
How To Innovate Packaging Design | Ep. 15
Apr 05, 202106:58
Reusable Carton Packaging is Bulls**t | Ep. 14
Apr 02, 202103:26
Why Brands Use Matte Laminated Packaging And What You Can Do | Ep. 13

Why Brands Use Matte Laminated Packaging And What You Can Do | Ep. 13

Why do brands use plastic laminate over their papers when manufacturing their packaging? It's there to protect the print and integrity of the finish, but at what risk? The packaging becomes completely unrecyclable curbside unless it is separated into mixed or is incinerated, but it is not recyclied with paper of as plastic.


Connect with Evelio on LinkedIn and DM him any questions you have regarding packaging:

https://bit.ly/EvelioMattos


Support our Sponsor IDPdirect.com and Download their Free Sustainable Packaging Guide:

https://bit.ly/IDPgreen

Mar 26, 202107:60
How To Set Up Packaging Design Files For Production | Ep: 12

How To Set Up Packaging Design Files For Production | Ep: 12

How to set up packaging design files for production and packaging manufacturing.


Create your dielines or open dxf dieline files in illustrator.


Make sure your cut lines and score/crease lines are on separate layers and use different spot colors identified as cut and crease.


Typically I will set up a green for folds and red for cut lines.

To do this open your swatch pallet, create a new one, using CMYK adjust to the desired color, name it cut or fold, select spot color, and save it.


Make sure to select spot color or else this will just piss off your production person, or you’ll end up with green and red lines all over the finished pack. Not good.


Now that you have 2 layers 1 for cut and 1 for folds you need to create a layer for the artwork to be printed.


Just 1 layer for printed artwork. Please don’t set up an illustrator file with 60 layers for print. It happens and it’s a disaster to try and unscrew files like that. Just don’t.


This layer s for all of your images, text, barcodes, etc… Anything that is going to be printed. Since we print in CMYK, all artwork has to be in… you guessed it. CMYK. No RGB files.


This can be easily checked in Illustrator to catch any errors before you send this out using the separations preview window in illustrator to click through each color. Also, don’t set up overprints unless you have some serious production experience. This is easily corrected by the production team, but it’s also easy to over look if you’ve overprinted art as they’ll assume you meant it.



Why should you bother knowing how to set up a file for print if you’re a designer? Because you have to take control of your own work. Don’t assume someone else will take responsibility for your crappy files. They won’t.


Mar 15, 202110:23
How To Find Packaging Inspiration Anywhere | Ep: 11
Mar 08, 202104:28
Why You Need to Consider Sustainable Tampon Packaging | Ep: 10
Mar 04, 202105:07
3 Tips That Get Your Packaging Noticed | Ep: 9

3 Tips That Get Your Packaging Noticed | Ep: 9

So, you’re fresh out of school or putting feelers out for a new gig?

How do you get noticed?

Whether you’re one of the 3 Million downloads my books have accumulated, seen my work on packaging websites, or caught my content online. There’s an old school way to get noticed. Keep your head down and crank out great work.

Or the not so new way to get noticed. Get your work in front of eyeballs.

Here’s how:

1) Timing.

What’s happening today or next week? Is there a movie being released, a fashion drop, some Pharma cold chain packaging getting press?

Jump on it.

When Tim Cook was on stage doing the first keynote for the Apple Watch my buddy John Turner and I saw an opportunity. We saw that you’d be needing to charge yet another apple product, so we thought why shouldn’t the packaging include a watch and phone charging station in the pack.

Within 20 minutes we had rendered a full concept for the Apple Watch that took into consideration charging both your phone and watch.

We gained a million views within 3 days and every blog picked it up from Mac Rumors to The Dieline.

We had offers to buy the concept from tech brands, and consumers lining up for pre-orders.

We got noticed in under a half hour.

2) Fake it til you make it.

You can generate buzz with fake packaging. Just like we did for the Apple Watch, the founders of Liquid Death Mountain Water built a business on a photoshopped can.

They designed the concept, shared the image of the packaging because no point in showing the product - it’s just water.

They ran some ads and got feedback that consumers were interested, not only that they got a ton of social impressions.

After the photoshopped can, all they had to do was figure out how to build an entire business. The packaging was the easy part that got them noticed.

3) Provide Value

I released 2 books for Free, Packaging & Dielines 1 & 2. Shared the books on The Dieline, shared each page on Pinterest, and anywhere I knew they’d get seen by designers and start-ups looking for innovative packaging concepts they could make themselves.

Several Years, and 3 Million downloads later - these books are used in nearly every design program and pages from the book flood Pinterest anytime you type in Packaging.

Providing value means giving of yourself, you can do this by sharing packaging hacks you may have learned.

You can share concepts that didn’t make the client cut, or sharing packaging that completely failed explain what you learned from it.

If you want to get noticed, do good work. But make sure your name is tied to the work and shared with a purpose.

As creatives we can feel like a slimy car salesman when we share our work. But don’t. If sharing work wasn’t part of the gig, you wouldn’t be familiar with the work of your favorite designers.

Share it proudly.

_________________________________

Want to Get Noticed for Sustainable Packaging? Download the Sustainable Packaging Guide from IDPdirect.com


Wanna Ask Questions? Connect with Evelio on LinkedIn - https://bit.ly/EvelioMattos

Mar 02, 202104:15
Semantics of Labeling Recyclable Packaging | Ep:8
Mar 01, 202104:41
Is Coke's New Paper Bottle a Sustainable Packaging Win? | Ep: 7
Feb 26, 202105:07
How to Have a Sustainable Packaging Conversation | Ep. 6
Feb 25, 202106:37
How to Buy Fashion Retail Packaging for Start-Ups | Ep. 5
Feb 22, 202106:04
3 Sustainable Packaging Ideas to Get You Started | Ep. 4
Feb 18, 202105:49
Structural Packaging Design : Getting Started | Ep. 3

Structural Packaging Design : Getting Started | Ep. 3

Based on my popular Dieline.com series "Packaging 101" we discuss the value of structural packaging design and how to break up the monotony of the retail shelf. How to think about structure from a graphic stand point and how to test structural designs. 

This episode is great if you're looking for a way to challenge an existing brand, or take a new look at your own packaging design process and want to add a new tool to your design quiver. 

If you’re expecting beautifully printed graphics on packaging to differentiate your product from the competition, think again. Before visual design creates a need in the consumer to interact with your product, the consumer recognizes color and shape. Having defined the parameters within which you are able to create, the focus now shifts to defining; white-space, user-experience, materials, shape, and structure. 

Can you push beyond the established packaging design boundaries?


Connect with Evelio Mattos

Evelio on LinkedIn - https://bit.ly/EvelioMattos

Catch me on Twitter - https://twitter.com/eveliomattos


Learn more about factory-direct packaging from our sponsor International Direct Packaging - https://idpdirect.com

Feb 17, 202109:02
Are You Designing Packaging For The Right User's Experience? | Ep. 2
Feb 16, 202108:45
3 Most Powerful Packaging Questions to Ask | Ep. #1
Feb 15, 202106:26