SoundWorks Collection

Follow the epic journey of composer Andrew Lockington as he creates the extraordinary score for Netflix’s latest action/sci-fi film, ATLAS. Dive into exclusive behind-the-scenes footage of Lockington traveling the globe in search of sound, from exploring corners of Japan to recording in an abandoned underground station in London. Watch the score unfold at the legendary Abbey Road Studios, delivering a larger-than-life musical feat for Brad Peyton’s latest blockbuster.

We chat with Academy award winning director/producer Ron Howard and composer David Fleming, to discuss their latest film, "Jim Henson: Idea Man." This fantastic documentary delves deep into the life and legacy of the singular, creative visionary Jim Henson. From his early days puppeteering on local television to his worldwide success with Sesame Street and The Muppet Show. This inspiring film offers unprecedented access to Jim's personal archives, taking us on a captivating journey into the mind of this complex and inspiring artist. "Jim Henson Idea Man" takes us into the mind of this singular creative visionary, from his early years puppeteering on local television to the worldwide success of "Sesame Street," "The Muppet Show," and beyond. Academy Award®-winning filmmaker Ron Howard captures Henson's restless creativity, ambition, and artistic evolution in the style and spirit of his complex subject, an artist who revolutionized television, inspired generations, and created some of the world’s most beloved characters. Featuring new interviews with Henson's closest collaborators and children, as well as never-before-seen materials from his personal archives—including home movies, photographs, sketches, and diaries— Howard brings us an entertaining and insightful look at a man whose boundless imagination changed the world.

In this exclusive SoundWorks Collection video, we explore the sound effects tracks of "Can You Hear The Music" scene and how this Oscar nominated sound team collaborated with Director Christopher Nolan. Featuring Sound Designer / Supervising Sound Editor Richard King, Re-Recording Mixer Gary A. Rizzo, Re-Recording Mixer Kevin O'Connell and Production Sound Mixer Willie Burton.

The dynamic sound team behind the film Maestro discuss the live recording of Mahler’s Second at Ely Cathedral in London. Production Sound Mixer Steve Morrow discusses capturing the London Symphony Orchestra, Supervising Sound Editor Richard King, Re-Recording Mixers Tom Ozanich & Dean Zupancic and Music Supervisor Jason Ruder highlight the in depth sound mixing process to bring the scene to life.

Posted with Permission from Netflix: Behind the Streams

Delve into the epic tale of Napoleon Bonaparte in Ridley Scott's cinematic masterpiece. Join us as we explore the mesmerizing world of "Napoleon," where the revolutionary backdrop of 18th-century France is painted with the strokes of impeccable storytelling and a captivating musical score and sound design.

In this video, we dissect the pivotal moments of Napoleon's life, from the guillotine's chilling descent on Marie Antoinette to the triumphant Battle of Austerlitz. From the audacious coronation scene in 1804 to the haunting echoes of the Battle of Austerlitz in 1805. Witness the symphony of emotions as Napoleon faces love, betrayal, and the inexorable march of time.

Featuring Paul Massey, Re-recording mixer, James Harrison, Sound Designer & Supervising Sound Editor, Stéphane Bucher Production Sound Mixer and William Miller Re-recording Mixer.

Embark on a cinematic journey into the soul-stirring world of "Maestro," directed by the multitalented Bradley Cooper. This exclusive SoundWorks Collection video delves into the profound sound and music that weave the tapestry of Leonard Bernstein's life.

We explore various sonic scenes, the complexities of Bernstein's relationships, from his early romantic entanglements to the transformative encounter with Felicia Montealegre. We journey through decades of Bernstein's life, from the lavish parties of the 1950s to the emotional crescendo of Mahler's Resurrection Symphony in 1973, witness the intricate interplay of music and narrative. The film's exploration of Bernstein's personal battles and his enduring love for Felicia adds layers to the symphony of emotions.

Featuring Director and Co-writer Bradley Cooper, Tom Ozanich, Re-recording Mixer, Dean Zupancic, Re-recording Mixer, Richard King, Sound Designer, Jason Ruder, Supervising Music Editor and Executive Music Producer and Steven Morrow, Production Sound Mixer.

SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

In this exclusive SoundWorks Collection video we explore the seamless integration of the blues, gospel, and spirituals of Director Blitz Bazawule's THE COLOR PURPLE. We delve into how the music becomes a character in itself, amplifying the triumphs and tribulations of Celie and the ensemble cast. From the hauntingly beautiful to the joyously uplifting, THE COLOR PURPLE weaves a sonic tapestry that mirrors the emotional richness of Alice Walker's Pulitzer Prize-winning novel. ABOUT THE COLOR PURPLE Torn apart from her sister Nettie (Halle Bailey) and her children, Celie (Fantasia Barrino in her major motion picture debut, reprising her 2005 role from Broadway) faces many hardships in her life, including an abusive husband simply called Mister (Colman Domingo). With the support of sultry singer Shug Avery (Taraji P. Henson) and stand-her-ground stepdaughter Sofia (Danielle Brooks, Tony-nominated for the role on Broadway), Celie ultimately finds extraordinary strength in the unbreakable bonds of a new kind of sisterhood. “The Color Purple” is directed by Blitz Bazawule from a screenplay by acclaimed playwright and WGA Award winner Marcus Gardley (“The Maid”). Bazawule is a Ghanaian multimedia artist who was a co-director on Beyonce’s Black is King and made his feature debut with the critically acclaimed Afrofuturistic “The Burial of Kojo.” SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

Dive into Pixar's latest creation, "Elemental," where the relationship between Ward and Ember, embodying fire and water, take center stage. We explore the creative process that transforms abstract elements into relatable characters and the delicate art of sound design and music which infuse our characters with personality and emotion.

Featuring Director Peter Sohn, Composer Thomas Newman and Supervising Sound Editor, Re-recording Mixer and Sound Designer Ren Klyce and Supervising Sound Editor Coya Elliott.

ABOUT ELEMENTAL: In a city where fire, water, land, and air residents live together, a fiery young woman and a go-with-the-flow guy discover something elemental: how much they actually have in common.

SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

Rev your engines for an exhilarating ride into the sonic universe of Director Michael Mann's latest film, "Ferrari." Join us as we jump into the drivers seat in this high-octane conversation with Mann's masterful sound team including Production Sound Mixer Lee Orloff, Re-recording mixer and Supervising Sound Editor Tony Lamberti, Re-recording Mixer Andy Nelson and Supervising Sound Editor Bernard Weiser.

Together, we'll navigate the twists and turns of key scenes, dissecting the auditory horsepower behind every cinematic moment. Buckle up for a riveting exploration of the sound behind "Ferrari," where sound and cinema seamlessly race to the finish line.

Amazon MGM Studios presents a conversation with the sound team behind “AIR”, moderated by Michael Coleman from SoundWorks Collection

Featuring:

Ai-Ling Lee CAS - Sound Design, Supervising Sound Editor, Re-recording Mixer

Susan Dawes - Supervising Sound Editor

Andy Nelson CAS - Re-Recording Mixer

Willie D. Burton CAS - Production Sound Mixer.

During the past 30-plus years, Gary Rydstrom, Mark Mangini and Wylie Stateman—as much as any three people in audio—have helped to create, shape and define the sense of what a modern film sounds like. Each entered the industry from a different background, each came of age working for independents, and each achieved remarkable success, both personally and professionally. In this special Keynote Conversation, Rydstrom, Mangini and Stateman sit down with Mix Editor Tom Kenny to discuss everything from the nature of sound and sound perception, to sound technology and the sound business. They’ll talk about the intermingling, and many times interchangeable, roles of sound editor, sound designer and re-recording mixer. They’ll talk about sound and music, sound moments and when it’s best to be silent. But most importantly, they’ll talk about the timeless role of “sound as storyteller.”

Recorded at the 2023 Mix Magazine Sound for Film & TV on September 30, 2023 at Sony Studios

In this exclusive video feature, the SoundWorks Collection chats with the Emmy nominated sound team behind The Mandalorian (Season 3) and Obi-Wan Kenobi at Skywalker Sound to explore the sonic world of these exciting shows, now streaming on Disney+. Featuring: Matthew Wood, Co-Supervising Sound Editor David W. Collins, Sound Designer Danielle Dupre, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Julian Howarth, Production Mixer SUBSCRIBE ON YOUTUBE: http://bit.ly/SubscribeSoundWorksCollection AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollection MORE VIDEOS AND NEWS: https://www.SoundWorksCollection.com

In this exclusive conversation we chat with the sound team behind God of War Ragnarök to discuss the creative development of creatures, weapons, environments and cinematic scenes from this award-winning game.

Featuring:
Michael Kent - Sound Design Supervisor
Beau Jimenez - Sound Design Lead - (Creatures, Bosses, Enemies)
Bryan Higa - Sound Design Lead - Player (Atreus & Cratos)
Alex Previty - Sound Design Lead - (Ambiences) & Technical Mixer (Interactive Gameplay)

From Santa Monica Studio comes the sequel to the critically acclaimed God of War (2018). Fimbulwinter is well underway. Kratos and Atreus must journey to each of the Nine Realms in search of answers as Asgardian forces prepare for a prophesied battle that will end the world. Along the way they will explore stunning, mythical landscapes, and face fearsome enemies in the form of Norse gods and monsters. The threat of Ragnarök grows ever closer. Kratos and Atreus must choose between their own safety and the safety of the realms.

BONUS EPISODE: Conversation with Director and Executive Producer DEBORAH CHOW and Executive Producer MICHELLE REJWAN on OBI-WAN KENOBI moderated by Michael Coleman of Soundworks Collection.

“Obi-Wan Kenobi” begins 10 years after the dramatic events of “Star Wars: Revenge of the Sith” where Obi-Wan Kenobi faced his greatest defeat—the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader.

The unexaggerated true story about the greatest musician of our time, "Weird Al" Yankovic. We discuss Director Eric Appel's story pitch, recording audience chants at a Weird Al concert, recording a flexitone and hand farts with legend "Musical" Mike Kieffer, sound design for LSD trips and crafting the musical performances for fan favorites, "My Bologna" and "I Love Rocky Road".

Featuring Director Eric Appel, Supervising Sound Editor Anthony Vanchure, Sound Designer Mike James Gallagher and Re-recording Mixer Tony Solis.

From a conventional upbringing where playing the accordion was a sin, "Weird Al" Yankovic rebels and makes his dream of changing the words to world-renowned songs come true. An instant success and sex symbol, Al lives an excessivelifestyle and pursues an infamous romance that nearly destroys him.

Weird: The Al Yankovic Story is now streaming on The Roku Channel

Empire of Light is about the power of human connection during turbulent times. The romantic drama from director Sam Mendes, is an ode to this art form, drawing parallels between the magic of cinema and human connections. Hilary (Olivia Colman) is a cinema manager struggling with her mental health, and Stephen (Micheal Ward) is a new employee longing to escape the provincial town where he faces daily adversity. Together they find a sense of belonging and experience the healing power of music, cinema, and community.

Featuring Re-recording Mixer Chris Burdon, Re-recording Mixer William Miller and Production Sound Mixer Stuart Wilson.

Join us for a conversation with musician-turned-engineer Jason LaRocca, who got his start with composer Mark Isham and has gone on to work with some of the top composers in film and videogames, including this year with Bear McCreary (The Lord of the Rings: The Rings of Power, video game God of War: Ragnarok) and Lorne Balfe (Dungeons & Dragons: Honor Among Thieves).

Nothing beats hearing playback of an immersive mix in a theatrical-sized re-recording stage, like those here at Sony. But with the accelerated demand from streaming services and the early realization that immersive audio translates well both up (into larger environments) and down (into the home environment), fewer and fewer will be built. It’s the mid-sized, versatile immersive studio—one that is able to handle sound design, editorial, premixing, TV mixing, documentaries, and even big feature films—that is taking over the audio post-production community. Here, studio designers, chief engineers and facility owners discuss the acoustic challenges and the built-in sonic versatility of recent projects, with an emphasis on controlling the low end.

Bruce Black - MediaRooms Technology
Lane Burch - Sony Pictures Entertainment
Tom Davis - SeisMic Sound, Inc.
Peter Grueneisen - nonzero\architecture

It’s hard to believe that it’s been 10 years since Disney, Pixar and Dolby launched the Atmos format at the El Capitan Theater with the release of Brave (amid competition from Auro 3D and DTS:X). It was the Wild West, with re-recording mixers exploring the creative possibilities of the new formats while at the same time figuring out the strengths and weaknesses of objects and beds. Does dialog travel, or does it stay in the center? How far up and back can you go with an orchestral score? Can you go too far with bullet-bys? Here, some of Hollywood’s top mixers talk about what they’ve learned these past ten years, including thoughts on the sometimes competing realities of the cinema and home environments.

Tony Cariddi - Appward
Tim Hoogenakker - Signature Post
Gregory King - King Soundworks
Tony Lamberti - Sony Pictures Studios
Mathew Waters - Independent

While the initial decisions regarding a soundtrack typically take place in the script reading and the picture edit, the combination of the music and effects edits will always reveal a much fuller, richer and more integrated sound experience, especially in an immersive audio environment, where space is no longer at a premium. Here, top supervising sound editors, sound designers and music editors discuss the creative inspiration—and sometimes the happy accidents—that emerge when sound design and music feed off of each other, citing real examples from recent films.

Robert Stambler - Independent
Mark Stoeckinger - Formosa Group
Becky Sullivan - Sony
Danika Wikke - Formosa Group

Join us for a conversation with Composer Rob Simonsen, composer for The Adam Project, Ghostbusters: Afterlife and director Darren Aronofsky's The Whale.

Join Tom Kenny as he talks with the sound team behind the Apple Original Films and Skydance Animation’s new feature film “Luck”. The story of Sam Greenfield, the unluckiest person in the world! Suddenly finding herself in the never-before-seen Land of Luck, she must unite with the magical creatures there to turn her luck around.

Gary A. Rizzo - Re-recording Mixer
Devon Kelley - Foley Supervisor

Mix Magazine editor Tom Kenny will moderate the discussion, titled “Sound Changes,” where topics will include everything from the nature of today’s re-recording stage, the rise of streaming services, new technologies and formats, and the emergence of the sound designer/mixer, with a few fun stories tossed in.

Will Files - Pacific Standard Sound
Craig Henighan - Pacific Standard Sound
Julian Slater - Warner Bros.

In this exclusive conversation we chat with the sound & music team from Riot Games behind Arcane: League of Legends.  Featuring Co-supervising Sound Editor & Sound Designer Brad Beaumont, Co-supervising Sound Editor & Sound Designer Eliot Connors and Composer Alexander Temple.

Based on the world behind League of Legends, Arcane dives into the delicate balance between the rich, utopian city of Piltover Crest icon.png Piltover and the seedy, oppressed underground of Zaun. Known across Runeterra as the "city of progress," many of the most brilliant minds call these cities home. But the creation of hextech, a way for any person to control magical energy, threatens that balance. The story follows the origins of two iconic League champions-and the power that will tear them apart.