M*A*S*H meets Sedaris in this slice-of-life short story about being Jewish in World War II. Can you be an American soldier and keep kosher? Does army life mean no life at all? Jon and Melissa interrogate the text, and ask if a story can be political without being polarizing.
"Bullets solve everything," or at least they do at the Mexico border, according to our bad boy antagonist. Ismael Cruz Córdova plays a gang leader and captor of our lead heroine played by Gina Rodriguez. Their cat-and-mouse relationship sparks conversations about cinematography, sexist film-making, and how cultural context effects criticism. Listen as two sorta Rican siblings debate the merits of a middling Hispanic shoot-em-up based on a Spanish-language film.
Grab your synth cassettes and the keys to the Mustang. Nicholas Winding Refn's Drive updates crime noir all the way to the 80's, creating a new generation of retro thrillers that has invaded films, TV, and video games. Do the neon lights and electro-pop make it style over substance? Does Refn say something with a scorpion jacket you couldn't say in a 40's speakeasy? Join thriller author Jon Matos and his noir fan sister, Melissa, on a wild ride through the underworld of L.A., into the core of the crime / drama genre.
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Meet the kooky criminals at the center of 'Glass,' the third in a genre-bending trilogy including 'Unbreakable' and 'Split.' This superhero-thriller closes with a conflict between a vigilante, a mastermind, a man/beast, and a cynical psychologist. Fanboy (and -girl) Jon and Melissa team-up to explain their post-modern reading of 'Glass,' and how each major character adds to this story's epic conclusion.
"Soul" is used to describe jazz music if the 20's and 30's, but it also fits the melodic poetry of Langston Hughes. Jon and Melissa try to express what makes Hughes poetry so accessible, despite it's contrast to today's turbulent racial politics. Is Langston's voice, established before the dominance of Civil Rights rhetoric, no longer relevant, or do his allusions to the Nile and the Civil War still ring true?
Alt-right Rush?? Say it isn't so! Before "progressive" was a political label, the band Rush were "prog" rockers: composing symphonies of screaming guitars and soulful ballads. But how did their space opera earn them a comparison with Nazis? Is "2112" just one of many half-baked sci-fi concept albums, or does it set the standard for 70's space jams? Jon and Melissa continue to investigate stories set to a soundtrack, by way of ancient aliens, jukebox heroes, and shrugging off Ayn Rand.
The nightmare after Christmas is Southern-fried with racism on the side. Melissa and Jon explore the imagery and irony in Flannery O'Conner's short story "A Good Man is Hard to Find," and compare it to Gothic writers and modern art theory. Does O'Conner's scathing satire conflict with her Christian worldview? Do difficult characters distract readers from a story's deeper meaning? Languish in the self-indulgent, but self-aware world of the Southern Gothic with us, and find out how far pathos can be pushed.
What if history had a three-act structure? For Vikings, the gods enacted the biggest blockbuster of all, with frost giants, comedic cross-dressing, and a bloody finale. Join Melissa and Jon as they use Neil Gaiman's book to discuss the wisdom of Odin, the cunning of Loki, the bravery of Thor, and much more.
The furnace burns, smoke billows, and Peter Jackson's mega machine gobbles up a YA series, just to spit it back onto the silver screen. Did Weta Workshops create the steampunk dystopia of Melissa's dreams? Meanwhile, Jon asks why ads for an adventure film (re: Star Wars) felt more like commercials for Disney's Avatar theme park. Also, some spoilers, but not really? Explore the creative decisions behind the book jackets, teaser trailers, and game announcements that either sabotage or sell our favorite stories in our new series, "On Brand."
Perception is everything: in romance, in religion, and in storytelling. Pi Patel's love story was a middle grade game changer, landing on required reading lists and becoming a cult classic coming-of-age film. But does the story of a shipwrecked Hindu-Christian-Muslim bear the same meaning to two born-again Sorta Rican writers? Venture into the forest with us, to find the meaning inside the lotus flower...
Fan gatherings are common today, but it wasn't always that way. Explore the humble beginnings of convention culture on an unconventional episode about fandom and how it's changed. Learn first-hand how the Melissa and Jon discovered their favorite conventions, Penny Arcade, and the burgeoning PAX Empire, as well as what they did over the weekend at PAX Unplugged.
Fear comes in many forms. Directors often rely on disgust as a method of scaring the viewer, but Guillermo del Toro uses it to intrigue his audience. Del Toro's fans, us included, love 'Hellboy,' 'Pan's Labyrinth,' and 'The Shape of Water' for making monsters into heroes, tricksters, and romantic leads. Join us as we explore the many worlds of Guillermo del Toro, and his pandora's box of likable beasts.
A life is haunted by death, despite great success, in today's story by Ernest Hemingway. Globe trotter, big game hunter, Nobel Prize winner, and Hemingway still felt stalked by misfortune and misery, expressed in the tragic beauty of "The Snows of Kilimanjaro." Join Jon and Melissa as they separate the pastiche from the real life wordsmith, and pay tribute to another literary legend: co-creator of Marvel Comics, Stan Lee.
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"Sinful" isn't just a kitschy dessert descriptor: it's a literary genre! Transgressive fiction introduced the world to Patrick Bateman, Humbert Humbert, and Tyler Durden: misanthropic avatars of disaffected masculinity. Do these bad boys protest too much, or do their cautionary tales speak to us? I am Jack's unbridled anticipation.
Hot off the heels the Queen biopic 'Bohemian Rhapsody,' Jon and Melissa analyze the princes of alt rock, Twenty-One pilots. Are they Jesus freaks? Are they rappers? Who is Blurryface and does he need a tissue? That and more in our first episode deconstructing concept albums. Please e-mail suggestions to firstname.lastname@example.org or @UnboxingStory on Twitter!
Sink or submerge? Despite Hunter Killer's 36% on Rotten Tomatoes, it took us deeper into our love of political and tactical thrillers. Melissa and Jon detail the dryness of the war genre, how Hunter Killer tackles common overused tropes, and whether it can be considered a spiritual sequel to 'The Hunt for Red October.'
Horror comedy: it's alive! But before the racial satire of 'Get Out' and the meta-humor of 'Scream,' Abbott and Costello paved the way for the marriage of humor and horror. Join co-host Melissa and Jon as they discuss their favorite Universal monsters, as well as the frightening and farcical film featuring the Big Three: Frankenstein, the Wolf-Man, and Dracula. They speculate on the recent ill-fated reboots of the Universal monsters, compared to this cult classic comedy, beloved 60 years after its premiere.
Lose yourself to find yourself in a labyrinth of mind-bending mayhem in the maze. Join Jon and Melissa on a journey into the mysteries of King, Kubrick, and Mark Z. Danielewski (House of Leaves), as they discuss symbolism and subtext on the silver screen and beyond.
Heroism has changed. The box office is booming with foul-mouthed mercenaries and feral mutants with a heart of gold, and those are just the ones in tights! In light of the release of Venom, (but in lieu of discussing the film,) Melissa and Jon shout out anti-heroes from literature, TV, and movies. Along the way, we give our takes on which tales of revenge, redemption, or irreverence resonate with us, and which have us clutching our pearls in disgust.
Don't call it a comeback, but Shyamalan has had a rollercoaster of a career. Two fans discuss the hits, misses, and misunderstandings surrounding his work, and why we're excited to see more from this prolific genre iconoclast.
New wave feminism meets new wave sci-fi in the bold but bleak dystopia of 'The Handmaid's Tale.' And this time, the revolution IS being televised! Jon and Melissa mill over the difficulty of separating their own beliefs from an unorthodox novel turned cultural milestone.
Is the golden age of British cerebral crime dramas influenced by the golden age of detective fiction? Jon and Melissa contrast the classic murder mysteries of Agatha Christie with contemporary TV from across the pond. What do modern adaptations of Christie's work teach us, and how do American and British crime dramas differ? Join our investigation!
Brotherhood is forged in the fires of captivity... sometimes. Jon and Melissa discuss their favorite prison escape stories and the novel, Papillon. Topics include bravery, male hubris, and the bonds created by corruption and suffering.
Distractions are deadly in storytelling. That's why Russian playwright Anton Chekhov stated that if a gun is hung on the wall in act one, it should be shot by act three. This week, Jon and Melissa use the sci-fi shoot-em-up KIN, as well as other films and books, to discuss the rules and risks of foreshadowing.
Darkness reigns in the "golden age of television," including must-watch sci-fi shows, like Black Mirror and Westworld. Melissa and Jon challenge the genre of "new wave" sci-fi, via Harlan Ellison's mind-bending short story, "I Have No Mouth, and I Must Scream."
Not all warlocks mentor hobbits, knights, or vampire-slaying cheerleaders. Some, like Harry Dresden, save the world all on their own, while others chomp cigars or try to kill God. Melissa and Jon discuss this new brand of heroism that mixes the magical and the mundane.
Who likes dystopia? We like dystopia! But did 'The Darkest Minds' revive the YA dystopia genre, or put the last nail in its coffin? Jon and Melissa use the plot of this latest book-to-screen adaptation to discuss common YA tropes and what predecessors give them hopes for upcoming films.
Aah! We've been invaded by meta-humor anime girls on acid! Or... maybe we're just not hip anymore? Those theories and more as Jon and Melissa discuss modern animation (i.e. Adventure Time, Steven Universe, and the upcoming ThunderCats reboot,) and how they clash with the Saturday mornings of our youth.
Can films have agendas, or is everyone overreacting? Also, a guest! Writer / editor Will Ford-Conway (@wafcstudios) gives his take, and commemorates over a decade of comics and superhero movies with his high school chum.
Mexico jumps from the headlines to the silver screen in Sicario 2, and the man behind the movie is screenwriter Taylor Sheridan. This episode, we discuss how the political and personal drama in Sheridan's screenplays set him apart.
It's hard writing one character; try seventy-six! (...and 10 years of film history ...and over 75 years of comic book history...) Explore the "text" of Avengers 3 with your friendly neighborhood podcasters!